Books like The Silver Serpent — picked by fans

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

I’m a teacher with a passion for children’s literature. I have a Bachelor of Arts, a Diploma in Education, and a Master's of Special Education. I’ve worked as an English teacher, special needs teacher, and volunteered teaching disadvantaged children and migrants. I have particular insight into middle-graders' reading interests. With today’s online distractions, you have to grab them from the first page and keep the story relative to their world. 

I understand some children struggle with reading. It was therefore important for my story to be clear in its message that children are not the sum of their grades, and we all have unique traits worthy of admiration.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

I’ve heard many stories from friends who, as adults, discovered that the person they always believed to be their mother or father was not, and saw what it did to their sense of self. I became fascinated by the how and why a family would perpetuate such a lie, and it made me wonder about the difference between a secret and a lie, and if there is one. This set me off writing novels about family secrets, and reading many more. I enjoy exploring what such devastating news does to a person, and to the entire family, once the secret is discovered. 

I love reading mysteries, ever since I started back in junior high with Hercule Poirot, I have loved an atmospheric murder and ensuing investigation. As I’ve gotten older and started writing my own books, though, I’ve gotten pickier about what kinds of detective novels I can stick with—I now require that they also be excellent on the sentence level, which isn’t always easy to find. I also find that I gravitate towards books that have pockets of dry humor from time to time and a unique investigator.

I’ve always loved dark stories. There is something especially human about being lured by that part of us we bury. How secret desires and thoughts get teased out in ways we don’t really experience in real life. Which is why I write suspense novels. Sometimes you just want to go there! Here are some books that I find hit that fix.

As the author of comedy cosy mystery novels, including a series set in an eccentric boarding school for girls, I’m always attracted by the notion of closed, clearly-defined worlds as colourful settings for stories of crimes and misdemeanours. Having worked for 13 years in a girls’ boarding school, where I loved being part of its lively and spirited community, I am very familiar with the quirks and foibles, as well as the practicalities, of boarding school life, and I really enjoy reading other people’s impressions and interpretations of boarding schools of all kinds. 

I’m agnostic to book genre. If I see it, I will try it. I read all over the place. I just finished a book on online dating and race, the buzzy fiction of the moment, and a self-help book. There are two genre’s that are my absolute favorites, though, women’s fiction, and police procedurals. I’ve read Elizabeth George, Julia Spencer Fleming, Michael Connelly, and Tana French since they started publishing. While I enjoy the whodunit nature of the books, my favorite parts are those quiet moments of pure, unfettered relations between people who care for each other in an otherwise chaotic world. It’s what I write and what I read.

I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.