Here are 100 books that The Cellars of the Majestic fans have personally recommended if you like
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I have always loved history, from ancient Egyptian times up to recent history (the 1950s and 1960s). Put history in the context of a crime and the history becomes even more fascinating. A book where the history of that time comes vividly alive for the reader is the greatest pleasure a reader can experience.
After Conan Doyle, Georges Simenon is the greatest writer of European crime fiction, especially in his Maigret novels and short stories. This is a wonderful example of Maigret (and Simenon) at his very best, with Maigret and his inspectors coming alive for the reader, and the suspects presenting him with a serious challenge of wits.
While committing what he intends to be his last burglary, "Sad Freddie" discovers something completely out of his line: the body of a dead woman, her chest covered in blood, holding a telephone in her hand. Inspector Maigret is called in to solve the crime, and after an exhaustive search, a psychological duel, a marathon interrogation, and innumerable glasses of Pernod, wine, cold beer, and brandy--a sure sign that this is no easy case--the famous French sleuth triumphs.
Maigret is a registered trademark of the Estate of Georges Simenon
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I grew up in a bookish family. My mother, the Hollywood columnist Sheilah Graham, was the last love of F. Scott Fitzgerald and I grew up in the company of authors and editors. The books I loved as a child were the Hardy Boys, Treasure Island, Jules Verne—adventure stories with whopping good plots. My first book was published when I was 23, The Magic Garden of Stanley Sweetheart, a coming-of-age novel. From here I turned to mysteries because good suspense fiction keeps readers turning pages (or they won't get published.) That's what I like in a novel. I want a great story!
This is the first Maigret mystery by Georges Simenon who went on to write 75 novels featuring the French detective, Jules Maigret, who is a pipe-smoking commissaireof the Paris Brigade Crimminelle. These are wonderful books, especially if you love Paris (as I do). Simenon famously wrote many of these novels in 3 or 4 days, holed up in his Paris flat. I'm frankly envious, being a slow writer myself!
The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.
Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape.
He had a way of imposing himself just by standing there. His assertive presence had…
As a child, I was captivated by Christmas's traditions, rituals, meaning, and magic, which always signaled a time for introspection and hope. These books capture all of that. For me, the holiday is a time to pause and reflect, and revisiting these works helps remind me of what is important in life and where we should be pointed, where our humanity lies.
I love this book because it shows the sentimental side of the lauded author known for gritty mysteries and psychological novels—of which I’ve read more than 100. (He published some 400 novels and sold 500 million books.)
It features his earmarked lean prose and affecting Parisian settings and characters. His example and thoughts on craft have greatly influenced my writing, including one key admonition he got from his literary colleague Colette: “Cut, cut, cut!”
Three seasonal stories set in Paris at Christmas, from the celebrated creator of Inspector Maigret.
It is Christmas in Paris, but beneath the sparkling lights and glittering decorations lie sinister deeds and dark secrets...
This collection brings together three of Simenon's most enjoyable Christmas tales, newly translated, featuring Inspector Maigret and other characters from the Maigret novels. In 'A Maigret Christmas', the Inspector receives two unexpected visitors on Christmas Day, who lead him on the trail of a mysterious intruder dressed in red and white. In 'Seven Small Crosses in a Notebook', the sound of alarms over Paris send the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
I grabbed this historical true crime nonfiction book in order to conduct research for one of my own projects.
This book is about the rampant crime in 1600s Paris and, by extension, the Affair of the Poisons and Louis, The Sun King’s, solution. The king’s solution was to hire a police chief, La Reynie, to bring peace to the city streets. La Reynie ordered candles put in every window in the belief that the light would deter the criminal element, thus creating the City of Lights.
La Reynie was also the central investigator in the Affair of the Poisons and responsible for arresting the key figures in the crimes. Tucker also shows in this fascinating book how many of these criminal incidents were related to witchcraft and black magic.
The beauty of this book is how it reads more like a novel than nonfiction history.
In the late 1600s, Louis XIV assigns Nicolas de la Reynie to bring order to the city of Paris after the brutal deaths of two magistrates. Reynie, pragmatic yet fearless, tackles the dirty and terrifying streets only to discover a tightly knit network of witches, poisoners and priests whose reach extends all the way to Versailles. As the chief investigates a growing number of deaths at court, he learns that no one is safe from their deadly love potions and "inheritance stews"-not even the Sun King himself.
Based on court transcripts and Reynie's compulsive note-taking, Holly Tucker's riveting true crime…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
I have always been fascinated by France and things French. In graduate school, no women’s history was on our required reading lists. As a young woman, though, entering a professional field in which women were few on the ground, much less studied, I became an avid reader of biographies of achieving women – partly to learn how they were able to surmount (or not) the obstacles that confronted them in a male-dominated world. The five stellar biographies of French women I present here are products of the newer work in retrieving women’s histories. They are deeply researched and engagingly written. They confirm the saying that “truth is stranger than fiction.”
This splendid biography traces the life and times of the Marquise Du Châtelet, born in Paris in December 1706, who became one of the most erudite women of her époque. For fifteen years she was the companion to Voltaire, the best-known of the French philosophes. She mastered calculus and translated Newton’s Principia, in addition to carrying on an active social life and raising several children. She died at the age of 42, following the birth of a daughter conceived with another lover. The author explains her subject’s life course as “from a life of frivolity to a life of the mind.” It’s a great read.
Documents the life of the French Enlightenment-era intellectual, from her aristocratic youth and controversial choice to become the mistress of Voltaire to her mathematical and scientific achievements and work as a translator of Newton.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I started out as a religion major in college, but soon became frustrated with the abstract thoughts of privileged white males. I wanted to understand the passions and struggles of ordinary people, and soon became convinced that the examination of the distant past sheds important light on the present. It’s not that I don’t care about the world around me right now. Rather, I am convinced that those who look only at this decade, this century, or even the last century fail to recognize some of the most powerful cultural forces that have shaped our most fundamental understandings of gender, wealth, poverty, work, and so much more.
If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.
This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction, of the lives of the great, the near-great, and the forgotten.
A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. A well-dressed woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For…
I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
I loved this story about a protagonist who is living her worst nightmare, and we’re along for the unpredictable twists and turns of her life.
The story is everything you’d expect for a well-conceived psychological drama where true-to-life characters come alive and live the nightmare you’re glad isn’t your own. It held my attention and wouldn’t let go!
Marianne has a life others dream of. A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy.
Sometimes her past still hurts: losing her mother, growing up in foster care. But her husband Simon is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France – nothing is too good for his family.
Then Simon says another woman’s name. The way he lingers on it, Caroline, gives Marianne a shudder of suspicion, but she knows she can’t entertain this flash of paranoia.…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.
From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…