Here are 100 books that Pietr the Latvian fans have personally recommended if you like
Pietr the Latvian.
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I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.
Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Retired FBI profiler Terry McCaleb is recovering from a heart transplant he required after a heart attack he suffered while hunting a serial killer. When a woman urges him to help investigate the murder of her sister who was shot dead during a robbery, Terry discovers it is her heart he received. Possibly the killer wanted McCaleb to recover so he could resume his pursuit. This is one of the finest stories I have ever read; deeply moving, and a very exciting read.
Terry McCaleb, one of the most effective serial-killer investigators in the history of the FBI, hunts down his heart donor's killer. An unputdownable story from the award-winning No. 1 bestselling author.
'Blood Work' - that's what Terry McCaleb used to call his job at the FBI. Eight weeks ago he was a dead man, but now someone else's heart is keeping him alive. Then a newspaper report of his brush with death brings him an unwanted visitor. Graciela Rivers reveals to McCaleb that the anonymous donor of his heart was her murdered sister, and that the police investigation into the…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I grew up in a bookish family. My mother, the Hollywood columnist Sheilah Graham, was the last love of F. Scott Fitzgerald and I grew up in the company of authors and editors. The books I loved as a child were the Hardy Boys, Treasure Island, Jules Verne—adventure stories with whopping good plots. My first book was published when I was 23, The Magic Garden of Stanley Sweetheart, a coming-of-age novel. From here I turned to mysteries because good suspense fiction keeps readers turning pages (or they won't get published.) That's what I like in a novel. I want a great story!
Let's go Swedish! Henning Mankell and Stieg Larson are the most famous Swedish mystery writers, but my favorite is Håkim Nesser who has written ten books featuring Inspector Van Veeteren, and quite a few other suspense novels as well. Van Veeteren is a subtle, quiet detective who observes life closely and ends up running an antique book store, from where he still solves the occasional crime. I'm not sure why the Scandinavian countries are producing such wonderful suspense authors. Perhaps it's the cold brooding weather, the snow! The introspection!
It’s a sweltering summer in Sweden and Chief Inspector Van Veeteren is long overdue for a holiday when a secretive and dubious religious sect comes under investigation. One of its members, a girl on the cusp of adolescence, is found dead in the forest near their holiday camp, brutally raped and strangled; the discovery of her body has been phoned in by an anonymous caller.
The members of the sect, the Pure Life, are led by Oscar Yellinek, a charismatic but unnervingly guarded messiah figure. In an act that mystifies and infuriates Van Veeteren and his associates, the members…
I have always loved history, from ancient Egyptian times up to recent history (the 1950s and 1960s). Put history in the context of a crime and the history becomes even more fascinating. A book where the history of that time comes vividly alive for the reader is the greatest pleasure a reader can experience.
After Conan Doyle, Georges Simenon is the greatest writer of European crime fiction, especially in his Maigret novels and short stories. This is a wonderful example of Maigret (and Simenon) at his very best, with Maigret and his inspectors coming alive for the reader, and the suspects presenting him with a serious challenge of wits.
While committing what he intends to be his last burglary, "Sad Freddie" discovers something completely out of his line: the body of a dead woman, her chest covered in blood, holding a telephone in her hand. Inspector Maigret is called in to solve the crime, and after an exhaustive search, a psychological duel, a marathon interrogation, and innumerable glasses of Pernod, wine, cold beer, and brandy--a sure sign that this is no easy case--the famous French sleuth triumphs.
Maigret is a registered trademark of the Estate of Georges Simenon
As a child, I was captivated by Christmas's traditions, rituals, meaning, and magic, which always signaled a time for introspection and hope. These books capture all of that. For me, the holiday is a time to pause and reflect, and revisiting these works helps remind me of what is important in life and where we should be pointed, where our humanity lies.
I love this book because it shows the sentimental side of the lauded author known for gritty mysteries and psychological novels—of which I’ve read more than 100. (He published some 400 novels and sold 500 million books.)
It features his earmarked lean prose and affecting Parisian settings and characters. His example and thoughts on craft have greatly influenced my writing, including one key admonition he got from his literary colleague Colette: “Cut, cut, cut!”
Three seasonal stories set in Paris at Christmas, from the celebrated creator of Inspector Maigret.
It is Christmas in Paris, but beneath the sparkling lights and glittering decorations lie sinister deeds and dark secrets...
This collection brings together three of Simenon's most enjoyable Christmas tales, newly translated, featuring Inspector Maigret and other characters from the Maigret novels. In 'A Maigret Christmas', the Inspector receives two unexpected visitors on Christmas Day, who lead him on the trail of a mysterious intruder dressed in red and white. In 'Seven Small Crosses in a Notebook', the sound of alarms over Paris send the…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
I grabbed this historical true crime nonfiction book in order to conduct research for one of my own projects.
This book is about the rampant crime in 1600s Paris and, by extension, the Affair of the Poisons and Louis, The Sun King’s, solution. The king’s solution was to hire a police chief, La Reynie, to bring peace to the city streets. La Reynie ordered candles put in every window in the belief that the light would deter the criminal element, thus creating the City of Lights.
La Reynie was also the central investigator in the Affair of the Poisons and responsible for arresting the key figures in the crimes. Tucker also shows in this fascinating book how many of these criminal incidents were related to witchcraft and black magic.
The beauty of this book is how it reads more like a novel than nonfiction history.
In the late 1600s, Louis XIV assigns Nicolas de la Reynie to bring order to the city of Paris after the brutal deaths of two magistrates. Reynie, pragmatic yet fearless, tackles the dirty and terrifying streets only to discover a tightly knit network of witches, poisoners and priests whose reach extends all the way to Versailles. As the chief investigates a growing number of deaths at court, he learns that no one is safe from their deadly love potions and "inheritance stews"-not even the Sun King himself.
Based on court transcripts and Reynie's compulsive note-taking, Holly Tucker's riveting true…
Until I did my own animal-accompanied journey with Mollie and Peggy in 1984, my only association with animals on the trail was inadvertently with a collection of cockroaches in my backpack. It was when Bradt decided to add to their anthologies with a collection of stories about travelling with animals in 2018, Beastly Journeys, that I was able to read a wide variety of books on the topic. A delightful exercise!
I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.
A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with…
In October 1826, a ship arrived at Marseille carrying the first giraffe ever seen in France. A royal offering from Muhammad Ali, Ottoman Viceroy of Egypt, to King Charles X, she had already traveled 2,000 miles down the Nile to Alexandria, from where she had sailed across the Mediterranean standing in the hold, her long neck and head protruding through a hole cut in the deck. In the spring of 1827, after wintering in Marseille, she was carefully walked 550 miles to Paris to the delight of thousands of onlookers.
The viceroy's tribute was politically motivated: He commanded the Turkish…
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I have a passion for critical theory since I was intrigued by the heretical idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power held by the state and politicians. On the contrary, real power lies in the fact that, in capitalism, labour that must succumb to the standards of time is money, that runs through each one of us. So, to an extent, we all are forced to become slaves to the rationale of capital. In this book, I analyse this idea to the philosophers mentioned. This perspective is far away from their mainstream reading and casts a completely different light on their philosophy.
For my study, Benjamin succeeds in showing how the dominant social forms in each capitalist society can be debunked and that the official narrative that perpetuates the logic that supports the current system can be seriously questioned.
Benjamin’s goal was not to build another totality, another theoretical system that would bring certainty and stability to those who want to change the world radically towards socialism.
Rather, his philosophy encourages us to continue fighting to open the cracks in capitalism, to create multiple ruptures in the capitalist system, even though we do not have all the answers and are aware that our struggle will have an uncertain result.
This is how we redeem and vindicate past generations who spilled their blood for another world. This is how we redeem Benjamin himself, who dedicated his life's work to this purpose.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
