Here are 17 books that The Book of Charlie fans have personally recommended if you like
The Book of Charlie.
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I’m an oral historian as well as a writer, so I’ve always been fascinated by how people speak and how they interact with each other through dialogue. I soon realized some of the ways spoken language differs from written language and began exploring those differences. When I started writing, the dialogue came fairly easily, but this was deceptive, as I wasn’t being rigorous enough–I wasn’t making the dialogue really work for the script. So, I’m always trying to get better at that. I’ve had over 60 scripts performed on stage, radio, and screen, but I still gobble up books about speech and dialogue–there is always more to be learned.
I loved the voice of this book–it’s the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone it–a useful reminder to all of us not to be satisfied with a first or second draft.
The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cutting–dialogue and everything else. He’s made me do that more than ever!
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Don’t let terms like “neuroscience” and “psychology” scare you away.
This text is a must-have for any writer curious about why people still love basic storytelling despite our technological advances. Storr makes learning fun through the use of myths, archetypes, and man’s ambition as well as the works of Jane Austen and pop culture favorites like Breaking Bad—perfectly curated examples to help us make our stories more compelling.
'If you want to write a novel or a script, read this book' Sunday Times
'The best book on the craft of storytelling I've ever read' Matt Haig
'Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam Rutherford
Who would we be without stories?
Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships,…
In its detailed, minute by minute descriptions of the unfolding fire, the book felt as tense and action-packed as an Irwin Allen disaster movie. Von Drehle also dispels many of the myths surrounding the tragedy and depicts a class conflict that feels disturbingly modern.
Describes the devastating 1911 fire that destroyed the Triangle Shirtwaist factory in New York's Greenwich Village, the deaths of 146 workers in the fire, the Jewish and Italian immigrants, mostly women, who made up the majority of the victims, and the implications of the catastrophe on twentieth-ce
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
Plunkittinfected me with “the political bug.” George Washington Plunkitt’s “very plain talks on very practical politics” showed me the joys of playing the political game, of devising and executing strategies and tactics, of outwitting opponents. I first read Riordon’s classic for grade school and loved its gritty romp through turn-of-the-century New York. I reread the book for a college history course and came to appreciate politics as the art of the possible – and to see the innate conflict between ambition and conscience. After seven years in journalism, I “crossed to the dark side” and became a political operative, partly because Plunkitt had shown me that playing politics can be far more rewarding – and fun – than watching it.
I’ve read more than a hundred biographies over the years, mostly because I want to know what makes great people great. In doing so, I have sifted through some real crap along the way. I don’t typically read many stories about losers. Sad to say, and most people don’t want to hear it, but losers are a dime a dozen and unmotivating downers. My book list gives others the benefits of my 40-plus years of work in identifying books about brilliant, accomplished people written by first-rate historians and narrated by the ”cream of the crop.”
I abhorred Robert Moses from the first time I opened this book 20 years ago.
This power-grabbing bureaucratic functionary made me ill on some level, mad as hell on another, and want to take a shower after each time I opened the book.
In the end, I still hated Moses for his gall and immoral audacity, but you could not deny his accomplishments, as he saw them. Nevertheless, I had to love a book that could take such a scoundrel whom I grew to loathe and make me glad I read it.
The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by 'the greatest political biographer of our times' (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)
A journalist and author for more than 40 years, I now write a twice-weekly opinion column for The Washington Post. Which is odd because I don’t have many opinions. What I do have is a lot of curiosity. One very durable question for me, which informed a couple of my books, is this: How does political power actually work in America? How does change happen?
Here’s Lyndon B. Johnson again. As a bright young lawyer, McPherson left Texas to work for a year with Johnson, thinking the experience might open his eyes—and a few doors—at the beginning of his legal career. McPherson stepped onto the rocket sled of politics and never stepped off. This grand old man of Washington paused mid-career to give us the ultimate learning-the-ropes memoir of life inside politics.
This insider's view of Washington in the 1950s and 1960s, of the tumultuous presidency of Lyndon Johnson, and of the conflicts and factions of the president's staff has become a political classic since its original publication in 1972. In this reissue, Harry McPherson adds a new preface in which he reflects on changes in Washington since the Johnson era and on the lessons Bill Clinton could learn from the presidency of Lyndon Johnson.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect.
For my money, this book is the best work of journalism—certainly of political journalism—of its time, meaning the last half-century.
Six politicians, including two presidents—the first George Bush, and Joe Biden—emerge not as mere ambitious strivers but as tragic heroes, each as much the victim as the master of America's predatory political culture. I felt I knew each of them and what they'd been through as intimately as if I'd been their brother.
"Quite possibly the finest book on presidential politics ever written, combining meticulous reporting and compelling, at times soaringly lyrical, prose." -- Cleveland Plain Dealer
An American Iliad in the guise of contemporary political reportage, What It Takes penetrates the mystery at the heart of all presidential campaigns: How do presumably ordinary people acquire that mixture of ambition, stamina, and pure shamelessness that makes a true candidate? As he recounts the frenzied course of the 1988 presidential race -- and scours the psyches of contenders from George Bush and Robert Dole to Michael Dukakis and Gary Hart -- Pulitzer Prize-winning journalist…
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
What I like about Orwell is that he is uncompromising. His fiction, such as Animal Farm and 1984, is very well known, but some of his essays have been just as influential.
This is probably the most important one, in which Orwell makes a case for clarity and concision as the guiding principles of communication. Language is both cause and effect of meaning: it "becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier to have foolish thoughts."
Good writing, Orwell suggests, helps us retain freshness of thought; bad writing, conversely, deadens our sensibilities. Linguistic precision, in other words, is "not the exclusive concern of professional writers." We should all be concerned by cliché.
'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language must suffer.'Language is a political issue, and slovenly use of language and cliches make it easier for those in power to deliberately use misleading language to hide unpleasant political facts. Bad English, he believed, was a vehicle for oppressive ideology, and it is…
I’ve spent my career helping leaders elevate the human experience for customers, employees, and shareholders. Along the way, I’ve written 13 bestselling books about clients like Starbucks and Mercedes-Benz and advised leaders across industries, from hospitality to healthcare. But beyond the C-suite, I’ve always been a student of leadership. I read widely and constantly to challenge my thinking and deepen my understanding. These five books have shaped how I lead, teach, and live. Each one offers something unexpected, timeless, or transformational—and I’m excited to share them with those who share a passion for what it means to lead well.
I expected Calvin Coolidge and his leadership journey to be dry and forgettable. Wow, was I wrong! President Coolidge’s restraint, clarity, and humility inspired me.
This book is a quiet masterclass in unifying and principled leadership. It was a refreshing and much-needed read in a time of divisive political rhetoric.
Amity Shlaes reclaimed a misunderstood president with her bestselling biography Coolidge. Now she presents an expanded and annotated edition of that president's masterful memoir.
The Autobiography of Calvin Coolidge is as unjustly neglected as Calvin Coolidge himself. The man caricatured as 'Silent Cal' was a gifted writer. The New York Times called him 'the most literary man who has occupied the White House since 1865.' One biographer wrote that Coolidge's autobiography 'displays a literary grace that is lacking in most such books by former presidents.'
The Coolidge who emerges in these pages is a model of character, principle, and humility…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
Fresh out of journalism school I stumbled on a strike at a machine shop in Pilsen, a neighborhood once home to Chicago’s most famous labor struggles, by then becoming a hip gentrified enclave. Drinking steaming atole with Polish, Mexican, and Puerto Rican workers in a frigid Chicago winter, I was captivated by the solidarity and determination to fight for their jobs and rights, in what appeared to be a losing battle. After covering labor struggles by Puerto Rican teachers, Mexican miners, Colombian bottlers, Chicago warehouse workers, and many others, my enthusiasm for such stories is constantly reignited -- by the workers fighting against all odds and the writers telling their stories, including those featured here.
In the early 1990s, Decatur, Illinois was a “time-battered” town, in the words of indefatigable labor journalist Steve Franklin, where factories hunkered amid grungy bars, a forlorn old motel, and prison. Unions had largely capitulated to global capital, as wages and jobs were slashed across the industrial heartland and families suffered in silence. In Decatur workers made a last stand at three eponymous employers – Firestone, Staley, and Caterpillar. Franklin – at the Chicago Tribune, one of the last labor journalists nationwide -- brings us evocatively to the front lines of these three strikes, weaving accessible socioeconomic analysis through the landscape of a bittersweet Bruce Springsteen song.
This eloquently written book chronicles the massive, protracted strikes waged against three large corporations in Decatur, Illinois, in the 1990s. Veteran journalist Stephen Franklin shows how labor disputes at Bridgestone/ Firestone, Caterpillar, and A. E. Staley left lasting scars on this town and its citizens--and marked a turning point in American labor history. When workers went on strike to retain such basic rights as job security and the 8-hour day, the corporations hit back with unprecedented hard-line tactics. Through the moving stories of individual workers and union activists, Franklin illuminates the hardships and disillusionment left in the wake of the…
