70 Books Like Plunkitt of Tammany Hall

This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.

It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time. 

I abhorred Robert Moses from the first time I opened this book 20 years ago.

This power-grabbing bureaucratic functionary made me ill on some level, mad as hell on another, and want to take a shower after each time I opened the book.

In the end, I still hated Moses for his gall and immoral audacity, but you could not deny his accomplishments, as he saw them. Nevertheless, I had to love a book that could take such a scoundrel whom I grew to loathe and make me glad I read it.

Here’s Lyndon B. Johnson again. As a bright young lawyer, McPherson left Texas to work for a year with Johnson, thinking the experience might open his eyes—and a few doors—at the beginning of his legal career. McPherson stepped onto the rocket sled of politics and never stepped off. This grand old man of Washington paused mid-career to give us the ultimate learning-the-ropes memoir of life inside politics.

For my money, this book is the best work of journalism—certainly of political journalism—of its time, meaning the last half-century.

Six politicians, including two presidents—the first George Bush, and Joe Biden—emerge not as mere ambitious strivers but as tragic heroes, each as much the victim as the master of America's predatory political culture. I felt I knew each of them and what they'd been through as intimately as if I'd been their brother.

What I like about Orwell is that he is uncompromising. His fiction, such as Animal Farm and 1984, is very well known, but some of his essays have been just as influential.

This is probably the most important one, in which Orwell makes a case for clarity and concision as the guiding principles of communication. Language is both cause and effect of meaning: it "becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier to have foolish thoughts."

Good writing, Orwell suggests, helps us retain freshness of thought; bad writing, conversely, deadens our sensibilities. Linguistic precision, in other words, is "not the exclusive concern of professional writers." We should all be concerned by cliché.

Brammer’s novel has resonated throughout my career, warning of almost inevitable disillusionment with a political powerhouse. Brammer had served as a top aide to Lyndon Johnson, on whom he based Arthur Fenstemaker, a star as bright as Penn Warren’s Willie Stark. The Gay Place spoke to me even more directly, focusing on minor politicos and their ambitions, frailties, and humanity. And the book drove home, through a pervading sadness, the anomie that rises from disillusionment. Brammer’s “Flea Circus” metaphor continues to amuse and bum me.

O’Connor’s expose on old-time politics was an inspiration for my first novel.

Set in the mid-1950s, O’Connor describes the transition from machine politics to the modern political system that dominates American politics today. For a true glimpse and understanding of the political world, I recommend starting with The Last Hurrah.

I began reading Williams’s biography as research for a recent historical novel, scanning passages listed in the index. Soon enough, I was gulping whole sections and chapters; I couldn’t stop reading the thing.  Williams reminded me how exuberant political narrative nonfiction can be and taught me as much about writing as about Huey Long. He showed ways to showcase characters’ traits and tells, portraits-in-miniature, in a “God is in the details” vibe. He showed how to set a story in its historical context while also using history as a mirror for contemporary times. And, through Long himself, Williams made me again admire the boundless audacity and ambition that I’d never possessed – and again made me thankful for its absence.

I find Ron Chernow’s biography to be the most informative and comprehensive. It is quite a tome at over 800 pages, but worth the read. Chernow has fascinating insights into his character. Washington had a temper that he sought to control. Even in that, he made an impression on people. From the introduction of the book, “His contemporaries admired him not because he was a plaster saint or an empty uniform but because they sensed his unseen power.”

We see Washington develop over his life from early childhood. The loss of his father at age eleven brought him closer to his brother Lawrence, fourteen years his senior. Lawrence became a father figure to him.

After service in the French and Indian War, Washington married Martha Custis. There was true love in the marriage. She spent every winter with him throughout the eight years of the Revolution. She came with… show more.

Consider Joseph Ellis’ Founding Brothers more of a series of biographies–portraits of great individuals shaping history for the better–of such individuals during the most important period of their lives and in the history of our country.

Ellis’ masterful work focuses on the relationship between the Founding Fathers in the latter half of the eighteenth century, which, as the title suggests, was fraught with all the difficulties and rivalries one might expect as brothers. Figures like John Adams, Thomas Jefferson, and George Washington were men not unlike the rest of us, driven by passion, ambition, and the vision to see the American republic become a beacon of hope and freedom for the entire world. 

Yet, these passions and contrary views of the American experiment in self-government, at times, spilled out into the open, and Ellis does a masterful job elucidating the rivalries between these great men and what was at stake… show more.