Here are 100 books that The Science of Storytelling fans have personally recommended if you like
The Science of Storytelling.
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I am a science journalist and magazine editor. I feel really lucky to be a bioscience specialist – it really is at the forefront of solving some of the great challenges of our time, from making sustainable fuels and materials, to climate change mitigation, age-related disease, pandemics, food security, habitat restoration…plus there’s an incredible diversity of life on our planet still to be discovered. I always try to relate scientific progress to our everyday lives: it’s not just about creating new knowledge, it is about how that knowledge might improve our health, change our outlook, transform society, or protect the planet.
Thanks to this beautiful book, I try to take a moment each day to look up at the sky.
The Cloudspotter’s Guide is so much more than just a guide to the science of how clouds form, or the different types – it’s a reminder to appreciate the unbelievably beautiful and epic natural forms that float above us every day.
Clouds, writes Pretor-Pinney, are ‘the most egalitarian of nature’s displays – we all have a good view of them’. And his guide is as much about how to take pleasure in this daily display as it is about the science of atmospherics, precipitation, and altitude.
I bought this book so long ago its pages are yellowing and falling out. But when I’m busy and stressed, I still daydream of being able to sit in my garden and do nothing but watch the clouds roll by. When I am aboard a…
Now in paperback: the runaway British bestseller that has cloudspotters everywhere looking up.
Where do clouds come from? Why do they look the way they do? And why have they captured the imagination of timeless artists, Romantic poets, and every kid who's ever held a crayon? Veteran journalist and lifelong sky watcher Gavin Pretor-Pinney reveals everything there is to know about clouds, from history and science to art and pop culture. Cumulus, nimbostratus, and the dramatic and surfable Morning Glory cloud are just a few of the varieties explored in this smart, witty, and eclectic tour through the skies.
Master the Art and Craft of Writing
by
Leon Conrad,
A comprehensive collection of engaging and effective exercises tailored for writers at all levels. Whether you're a beginner eager to find your voice, a seasoned writer exploring new genres, or a professional honing your craft, in this book, you'll discover invaluable techniques that will transform your writing journey.
It has always seemed to me that humans underestimate the abilities—and particularly the conscious lives—of non-human animals. We, humans, are not apart from (and above) but live in a continuum of consciousness with the rest of life. All these books share stories of relationships between human and non-human animals. They make clear that we are connected to and part of all life on Earth. We are all in this together, and we better take good care of our shared natural living world.
Godfrey-Smith is a philosopher, but also an avid diver.
This is an engaging and readable philosophical examination of the mind of a very different kind of creature, an octopus. He grounds his thoughts both in his many diving interactions with octopuses and in what we know of the evolution of life—and mind—on Earth.
'Brilliant' Guardian 'Fascinating and often delightful' The Times
SHORTLISTED FOR THE 2017 ROYAL SOCIETY SCIENCE BOOK PRIZE
What if intelligent life on Earth evolved not once, but twice? The octopus is the closest we will come to meeting an intelligent alien. What can we learn from the encounter?
In Other Minds, Peter Godfrey-Smith, a distinguished philosopher of science and a skilled scuba diver, tells a bold new story of how nature became aware of itself - a story that largely occurs in the ocean, where animals first appeared.
Tracking the mind's fitful development from unruly clumps of…
I am a science journalist and magazine editor. I feel really lucky to be a bioscience specialist – it really is at the forefront of solving some of the great challenges of our time, from making sustainable fuels and materials, to climate change mitigation, age-related disease, pandemics, food security, habitat restoration…plus there’s an incredible diversity of life on our planet still to be discovered. I always try to relate scientific progress to our everyday lives: it’s not just about creating new knowledge, it is about how that knowledge might improve our health, change our outlook, transform society, or protect the planet.
Richard Dawkins is sadly now known mostly for his divisive polemics on religion and identity politics, but his early books on biology were unbelievably powerful.
The Blind Watchmaker helped flesh out, clarify, update, and expand Darwin’s theory of evolution for a massive audience, while also elegantly dismantling the common argument that life is so sophisticated that it must have been ‘designed’ by some kind of creator.
As a young biologist, I read The Blind Watchmaker and was wowed by the way Dawkins explained how, under the right conditions, amazingly complex designs can arise from a simple system – without the need for anyone directing it or creating it.
Dawkins not only helps explain how life on Earth has advanced into the myriad forms we see on Earth today, but goes on to suggest that evolutionary systems might be at play in other aspects of our lives, like language and culture.…
The Blind Watchmaker is the seminal text for understanding evolution today. In the eighteenth century, theologian William Paley developed a famous metaphor for creationism: that of the skilled watchmaker. In The Blind Watchmaker, Richard Dawkins crafts an elegant riposte to show that the complex process of Darwinian natural selection is unconscious and automatic. If natural selection can be said to play the role of a watchmaker in nature, it is a blind one-working without foresight or purpose.
In an eloquent, uniquely persuasive account of the theory of natural selection, Dawkins illustrates how simple organisms slowly change over time to…
Master the Art and Craft of Writing
by
Leon Conrad,
A comprehensive collection of engaging and effective exercises tailored for writers at all levels. Whether you're a beginner eager to find your voice, a seasoned writer exploring new genres, or a professional honing your craft, in this book, you'll discover invaluable techniques that will transform your writing journey.
I’m a sociologist who has just written a book about the ways that we engage with death and dying online, and before that I wrote a book about media coverage of disasters. Macabre subjects have always fascinated me, I guess, not because they are macabre but because they reveal a great deal about the ways we live and our sense of the value of life itself.
This book is a really fun investigation by a brilliant journalist who leads readers through a thorough yet skeptical look at the Silicon Valley-based movement known as “radical life extension” or “transhumanism.”
From hobbyists, to hackers, to scientists, to venture capitalists, a broad contingent of people in and around the “tech” space are convinced today that techno-scientific advancement will eventually allow humanity—or at least a certain small cadre of the wealthiest and savviest humans—to live forever.
There are heavy ideas here, and the book will give you a lot to think about, but it manages to be a breezy read despite the often troubling subject matter.
“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review
Transhumanism is a movement pushing the limits of our biology—of our senses, intelligence, and lifespans—with technology. Its supporters have reached a critical mass and now include some of the biggest names in Silicon Valley and beyond, among them Peter Thiel, Elon Musk, and Ray Kurzweil.
In this provocative and eye-opening account, journalist Mark O’Connell explores the staggering (and terrifying) possibilities that present themselves when you think of your body as an outmoded device. He visits…
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
Doody offers a comprehensive study of the names of people and places – real and imaginary – in Austen’s fiction.
Illustrating how Austen’s creative choices reveal her virtuosic talent for riddles and puns, Doody also picks up deep stories from English history.
Showing how Austen names signal class tensions and regional, ethnic, and religious differences, readers gain understandings of Austen’s literary techniques and cultural commentary.
In Jane Austen's works, a name is never just a name. In fact, the names Austen gives her characters and places are as rich in subtle meaning as her prose itself. Wiltshire, for example, the home county of Catherine Morland in Northanger Abbey, is a clue that this heroine is not as stupid as she seems: according to legend, cunning Wiltshire residents caught hiding contraband in a pond capitalized on a reputation for ignorance by claiming they were digging up a "big cheese" - the moon's reflection on the water's surface. It worked. In Jane Austen's Names, Margaret Doody offers…
The fundamental connection between law and economics rules most of the world. This is especially true in romantic relationships, whether the parties realize it or not. Being “Janites” ourselves, in addition to our day jobs of family law professor and economic consultant, we could not help but read Jane Austen and be blown away by her genius understanding of both law and economics. Moreover, the principles she draws out that govern much of her characters’ decision-making are just as applicable today in the world of online dating and Tinder. We hope our book enlightens you on law and economics in new, surprising, and romantic ways.
Offering a great deal of historical data and analysis, this book does what most Jane Austen books do – give the Janeite reader lots of food for thought in every direction.
It edits several essays about a wide variety of topics, including class, economics, gender, and the screen adaptations of Jane’s works. It targets an academic audience but is also engaging for any reader looking to dig deeper into Jane.
Jane Austen's stock in the popular marketplace has never been higher, while academic studies continue to uncover new aspects of her engagement with her world. This fully updated edition of the acclaimed Cambridge Companion offers clear, accessible coverage of the intricacies of Austen's works in their historical context, with biographical information and suggestions for further reading. Major scholars address Austen's six novels, the letters and other works, in terms accessible to students and the many general readers, as well as to academics. With seven new essays, the Companion now covers topics that have become central to recent Austen studies, for…
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
This was the first book I read by Joan Aiken, and I found after reading some of her backlist that this was the only one I liked. Some of the other historical fiction she wrote is much darker, but this book, while it does have a mystery subplot, is lighthearted and fun with a sweet romance.
It is a delightfully convoluted tale that will keep you guessing up until the very end when its downtrodden, capable heroine saves the day and gets her man.
Desperate to help her ailing mother, Delphie Carteret agrees to a sham wedding ceremony to her cousin, Gareth. Her mother will be guaranteed annuity for life, and Gareth's obligation to marry before his sick uncle passes is fulfilled. The plan is perfect.
But perfect plans usually go awry. Not only is the marriage ceremony valid, but Gareth's dying uncle makes a miraculous recovery. An imposter is threatening Delphie's identity and her life, and the whole family is on the brink of scandal.
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
This book parodies the gothic novels popular in Jane Austen’s time. Ann Radcliffe, whose novel Udolpho features prominently, was the queen of this genre. Her stories boast chilling elements like murder plots, the Spanish Inquisition, skeletons, evil nuns, and more.
The heroine of this book, Catherine Morland, enjoys this kind of writing a bit too much; mistaking real life for fiction leads her to see murder and intrigue where there is none. It’s a good warning for us imaginative types not to let fantasy run away with us. (There’s no harm in enjoying a spooky tale within reason, though; Henry Tilney, the novel’s level-headed hero, has read Udolpho and thoroughly enjoyed it.)
Introduction and Notes by David Blair, University of Kent.
Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.
In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Gilbert and Gubar take the reader on an exhilarating ride through women’s literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by men—angels and monsters, dull virgins, and evil temptresses—to become friends, or people I would choose for friends if only they were real. The book’s title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.
"A feminist classic."-Judith Shulevitz, New York Times Book Review
"A pivotal book, one of those after which we will never think the same again."-Carolyn G. Heilbrun, Washington Post Book World
A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
