71 Books Like The Blue Knight

This is a beast of a thriller at 700 pages, but I thoroughly enjoyed the deep dive nevertheless. American ex-spy Pilgrim is pitched against a Saudi mujahideen fighter known as the Saracen, who is bent on avenging himself against the United States with a chillingly devastating plan.

Both protagonist and antagonist are well fleshed out with detailed backstories that make the character development top-notch in this murder mystery-turned-spy terrorism thriller. There's an interesting switch between first and third person, which I've rarely encountered.

I found it quite engrossing, and many scenes linger long after I put the book down. It's a solid thriller that I could really get my teeth into.

Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.

Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.

I like all of the Dave Robicheaux novels, but this is probably my favorite. Burke captures the sights and sounds of the Louisiana Bayou with the intense affection of someone raised on the Gulf Coast. In fact, I think he treats the setting as lovingly as Robicheaux treats Alafair, the Salvadoran orphan girl he rescues from a downed plane and raises as his own.

The three-legged raccoon, the wet moss hanging ghostlike from dead cypress, the blue crab shelled with a wooden mallet–just a few of the images that add to the patina of New Iberia. Much of the action takes place in Montana, but Robichaux–and James Lee Burke–return home at the end of the book to the bayou they both love.

This book is a real sleeper. If you haven’t read it, drop what you’re doing and order it; you won’t be disappointed. This book, more than any other, reminded me of Raymond Chandler in voice, story, and character. I am baffled that this book is not more widely known.

I read this one and immediately ordered the others in this series. This author, under a pen name, wrote an absolute killer book called Five Decembers, which would have been book six on this five-book list. I absolutely loved this one.

Just when I said I wasn’t that interested in the lives of famous people, this book from hilarious and raunchy comedian Haddish came up on my reading list. Shock is an understatement when you read about the poverty and violence from which Haddish resurrects herself from. She doesn’t tell anyone about the abuse from which she emerges triumphant, to where you think perhaps this book is truly the expose of her truth. She plays her cards smart in her career, never sleeping around or downplaying her talents, even when homeless and unsure where her next paycheck will come from. She shows the reader that if your dream is big enough, you can come from hell and still step back up.

For me, this is a powerful memoir that chronicles her remarkable journey from a life marked by trauma and incarceration to one of empowerment and activism. After experiencing profound loss and systemic injustices, Susan transforms her pain into purpose, advocating for the rights of women affected by the criminal justice system.

Through resilience and determination, she not only rebuilds her own life but also inspires countless others to break free from cycles of despair. This inspirational narrative highlights the strength of the human spirit and the transformative power of hope, reminding us that change is possible, even in the face of adversity.

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.

This is a less sophisticated mystery than the other four but doesn’t suffer for that reason.

Mickie Mckinney is a schoolboy detective and the setting is a school. I like the conceit that his office is in a cupboard under the stairs. The crimes are not sophisticated, which will suit some readers, and the humour is good.

I first read this book as a teenager and missed the full force of its ferocious satire. Re-reading it years later, I laughed out loud. Waugh’s genius is to set his story of a love triangle in a Los Angeles funeral home. This way, he gets to poke fun at Hollywood and the American funeral industry while giving the dead a prominent role in the drama.

When, for example, embalmer Mr. Joyboy starts wooing young cosmetician Aimée Thanatogenos, he does it through the expressions he puts on the faces of the corpses he sends to her makeup studio. When Aimée falls for his rival, a poet and pet mortician, the beatific smiles of Mr. Joyboy’s death turn into ghastly grimaces. It’s one of my favorite moments in the book—but there are many more.

This Stoker Award-winner nearly caused me to miss a connecting flight to Los Angeles. I started reading it in an airport restaurant and got completely swept away until the final boarding call. In Covenant, a big-city journalist visits a small Midwest town to investigate a series of mysterious suicides. What unfolds is a gripping supernatural tale filled with mysterious characters, riveting conflict, and unthinkable twists.