Books like L.A. Confidential — picked by fans

Have you ever read a book that grabbed you with a character challenged by circumstances you’d never considered? Imagine being blind and trying to survive WWII! I was intrigued by this essentially two-person novel set during World War II, which had a ‘cast’ of millions.

Again, the characters! Marie-Laure LaBlanc is a young blind French woman hiding in her great-uncle’s house in Saint-Malo after the Nazis invade Paris. I found Doerr’s lyrical sensory descriptions of Marie-Laure’s efforts to make her way around town as she’s pulled into the French resistance thrilling. I loved the depth of characterization when I met the second main character, Werner Pfennig, a radio repair savant, and his journey from a Nazi soldier tracking down illicit resistance radio operators to a young man repulsed by the Nazi brutalization of civilians.

The characters and intrigue pulled me through this book; mixed in with the eventual connection of… show more.

While all of Raymond Chandler’s books are loaded with intricate plotting and word wizardry, I really enjoyed how this one explored the nature of friendship.

How much are you willing to do to help a friend? And what, if anything, does that friend owe you by going out on a limb for him? 

I read I Am Pilgrim much later than the other great espionage thrillers, and it rekindled my taste for this kind of novel, which had a major influence on the writing of my book.

Hayes manages to maintain the tension on every page, making it almost impossible to put the book down without knowing what will happen next.

More importantly, he achieves something essential: the struggle between two individuals and their respective power structures becomes a reflection of what it really is—the silent, cold war that ordinary citizens endure without even realizing it exists, a war fought behind our backs and without our knowledge, leaving us adrift among the real forces shaping the world, like a small boat caught in a storm.

This book is one of my favorite mysteries of all time. It addresses one of the great unsolved mysteries in English history: Did Richard III kill the princes in the tower? Tey’s sleuth, Alan Grant, is a dogged investigator, and, in the hospital with a broken leg, he treats this historical mystery like a contemporary murder. His step-by-step investigation pulled me in and convinced me that Richard Plantagenet has been mistreated by history.

Miss Tey is so convincing that she inspired me to write the (very innocent) ghost of Richard III into one of my own mystery novels after the monarch’s body was found under a Midlands car park in 2012.

Another classic that’s hard to argue with.

Quite simply, Master and Commander by Patrick O'Brian is an extraordinary read. O'Brian doesn't simply tell a story; he immerses you in the life of the Royal Navy during the Napoleonic Wars, where every maneuver and shifting wind carries life-or-death consequences.

What captivated me most was the remarkable friendship between the bold, charismatic Captain Jack Aubrey and the thoughtful surgeon and natural philosopher Stephen Maturin. Their wit, loyalty, and contrasting personalities give the novel its heart amid the naval action.

The authentic sailing details never felt overwhelming because they served the story, making every battle more gripping and every voyage more immersive. By the end, I wasn't just invested in the adventure; I was eager to set sail with Aubrey and Maturin again.

The Getaway by Jim Thompson and the film directed by Sam Peckinpah is a gritty slice of noir and the classic story of a bank heist gone wrong. It’s a beautifully pulpy showcase for the twisted marriage of Doc and Carol, played by Steve McQueen and Ali MacGraw with perfection in the film. It plunges you into the very core of moral ambiguity and the ending of the book is unexpected, sublime, and a sledgehammer to the head. A great first book and film to introduce a reader to noir styles.

Another Jim Thompson classic, The Grifters is about a trio of con artists trying to move up from being small-time crooks. They add love and a mother/son relationship into the mix which only makes things worse. The film directed by Stephen Frears is a master-class in acting from Anjelica Huston, Annette Bening, and John Cusak. The scene at the end couldn’t be more shocking as a way to wrap up a noir film. Money is paramount in the world of the grifters, everything else secondary. What could be more noir than that?

I was pulled in by the concept of the birth of a private eye.

Easy Rollins, a guy with no background in law enforcement, a day laborer, accepts money to find a missing woman, and a shamus is born. Did I mention that Easy is black, and has to deal with all the prejudices and difficulties that entails?

In addition to being a great whodunit of who and why, it’s a cool trip riding along with Easy on his maiden voyage into gumshoe land.

This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction. 

This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.

This is one of the few novels I’ve read twice for pleasure (rather than work). It’s a noirish novel that delves into the esoteric along the lines of Umberto Eco’s Foucault’s Pendulum (which Kubrick allegedly considered adapting at one point but which I was unable to read twice!).

The book follows a film scholar who uncovers an incredible conspiracy around a fictional B-movie director called Max Castle, and the imperceptible images he placed in the gap between each of the twenty-four frames played every second in a movie: the so-called flicker of the title. Its author, Roszak, is better known for having coined the term "the counter-culture."