Here are 69 books that Covenant fans have personally recommended if you like
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Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
I discovered Stephen King when I was eight (I was a precocious reader), sneaking The Shining off my parents’ bookshelf. That book scared me, but it was King’s story of vampires descending on a small Midwestern town that truly kept me up at night and taught me the power of horror fiction.
In recent years, especially in the YA genre, vampires became a little overexposed, so I find it instructive to return to Salem’s Lot periodically to remind myself just how terrifying the monster can be in the hands of a gifted storyteller.
#1 BESTSELLER • Ben Mears has returned to Jerusalem’s Lot in hopes that exploring the history of the Marsten House, an old mansion long the subject of rumor and speculation, will help him cast out his personal devils and provide inspiration for his new book.
But when two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work.
In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
I couldn't put this book down, and I stayed haunted by the ordinary people of the town long after the last page.
What unsettled me most was the chilling reality of what people tolerate to preserve an appearance of peace. I have always been more frightened by the way a community polices its own silence while rot spreads beneath the floorboards. It forced me to see how denial is more dangerous than any haunting because it protects power instead of truth.
This story remains a low hum in my bones, proving the real horror is how easily we turn on each other.
The greats of fiction Stephen King and George R. R. Martin lead the fanfare for HEX, so be assured that Thomas Olde Heuvelt's debut English novel is both terrifying and unputdownable in equal measure.
Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed…
Growing up as a kid, I was obsessed with R.L. Stine’s Goosebumpsbooks, most of which took place in small-town settings. Horror could hide anywhere in those towns, whether out in the woods or on the shelf at the local general store. I loved those books to death because they taught me (or perhaps reminded me) that darkness existed within daily life. As I grew older, my passion for the subgenre led me to consume more stories and eventually write my own.
Long before Squid Game popularized the “Game” subgenre, Richard Laymon wrote a wildly fun tale of a young woman running around town completing bizarre requests for money. As the payouts increase, so too does the ridiculousness of each request. Laymon is a guilty pleasure and one of my favorite authors, andIn the Dark is one of his best.
'If you've missed Laymon, you've missed a treat' Stephen King
Nothing much happens in Donnerville. Then librarian Jane Kerry receives an envelope containing a fifty-dollar bill and a note from 'MOG' (Master of Games) instructing her to 'Look homeward, angel'. Jane pulls Thomas Wolfe's novel of that title off the shelf and finds a second envelope with more money and another clue...
This 'game' soon pushes Jane into crazy and immoral actions, but when she ties to quit, 'MOG' has other ideas.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us.
Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything.
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurozu-cho are pulled ever deeper into a whirlpool from which there is…
I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
The gold standard of recovery books. I found this gem literally in the gutter when I was homeless. Changed my life by showing me if I could get my shit together, I, too, could write a book about my experience, and, in the process, maybe help someone else who was suffering as well.
Jerry Stahl's seminal memoir of drug addiction and a career in Hollywood, Permanent Midnight is a classic along the lines of Hubert Selby, Jr.'s Last Exit to Brooklyn. Illuminating the self-loathing and self-destruction of an addict's inner life, Permanent Midnight follows Stahl through the dregs of addiction and into sobriety. In 1998, Ben Stiller, Owen Wilson, and Maria Bello starred in a film version of Permanent Midnight to much acclaim. Nic Sheff, author of Tweak, writes the introduction to this edition.
In my own writing, the setting always is an important backdrop to the novel. Sometimes, it is the element that drives the plot forward. The seedy nature of Atlantic City, where most of my first mystery takes place, is essential to the story. I want my readers to be able to feel that they are witnessing a scene first-hand, whether on the Boardwalk, in a pawn shop on Atlantic Avenue, or in Damien’s favourite hangout. I also want them to identify with the characters. To root for the good guy in spite of his flaws–or for the bad guy if that is their preference.
Keyes was a journalist (she died in 1970), and her background informed every novel she wrote.
Joy Street is set primarily in Boston in the 1930s and 1940s. At the time I read this book, I had never been to Boston. When I finally visited that city several years later, her descriptions of the area in and around Beacon Hill still were so vivid in my mind that I felt as though I already knew the neighbourhood intimately.
Keyes had an equally deft hand with character development and plot. Joy Street is a book populated with characters that seem real and a story that moves forward at a satisfying pace.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I'm a journalist, fiction writer, and screenwriter, as well as the author of ten books, the most recent of which isCreative Types and Other Stories, which will be published later this year. Along with Neil Cross, I developed for televisionThe Mosquito Coast, based on Paul Theroux’s novel, which is now showing on Apple TV. Currently, I live with my family in Los Angeles.
This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.
"[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." ―Geoff Dyer, author of Out of Sheer Rage
Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment.
In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood…
As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.
Doubling as both a political thriller and political satire, and set on an unnamed, maybe South American island, Idra Novey’s novel about a corrupt senator stars powerful women who are determined to uncover a past sexual assault and possible murder, ultimately speaking truth to power.
Named a BEST BOOK OF THE YEAR by * NPR * Esquire * O, The Oprah Magazine * Real Simple * BBC * PopSugar * Bustle * Kirkus Reviews * Lit Hub
"A gripping, astute, and deeply humane political thriller." -The Boston Globe
"Mesmerizing [and] uncannily prescient."-Los Angeles Times
A taut, timely novel about what a powerful politician thinks he can get away with and the group of misfits who finally bring him down, from the award-winning author of Ways to Disappear.
On an unnamed island country ten years after the collapse of a U.S.-supported regime, Lena suspects the powerful…
My father estranged himself from his sister because she was an alcoholic. I never met my aunt. However, when looking for a strong character for my Lilian Dove Mystery Series, I decided this aunt was a good mentoring character. Fictionally, I gave my aunt sobriety, but her recovery is not so much from drinking as it is recovering from the past to take on life anew. The mysteries Lillian Dove becomes involved her help her see how to do this. And first, she needs to learn to admit life is full of mayhem. Small-town Iowa amateur sleuth who ends up owning a liquor store.
Joyce Carol Oates is
genuinely an extraordinary author, known for her prolific
output. While some writers focus on series, Oats dedicates her time to
crafting numerous standalone books, each a gem in its own right.
The
plot may appear simple at first glance—a missing sister, and a
protagonist who must piece together the clues to find
her. However, as the story unfolds, the reader becomes immersed in a
web of subtle evidence that gradually weaves together, resulting in a
rich and suspenseful novel. Put the book down.
When a woman mysteriously vanishes from her small town home, her sister must tally up the clues to uncover the truth behind the mystery.
Beautiful sculptor Marguerite has disappeared from her small town in upstate New York. But was foul play involved? Did she merely get away for some fun? Or did she finally make the decision to leave behind her claustrophobic life of limited opportunities?
Younger sister Gigi wonders if the flimsy silk Dior dress, so casually abandoned on the floor, is a clue to Marguerite's vanishing. The police puzzle over the footprints made by her Ferragamo boots, which…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
The Alvarados are an unhealthy family with a very big communication problem. The patriarch turns into a shell of himself obsessed only with rainfall, the matriarch is hiding her own secrets, and their adult children are all in varying stages of trouble in their own relationships.
I loved that this book was set in 2016, in California, centered around a Mexican-American family, and did not explicitly address immigration issues or Donald Trump—even if that was very much hinted at towards the end of the novel.
Aside from the family’s journey to healthier relationships with themselves and each other, it was refreshing to see another perspective of that moment in time. It was a good reminder to me that we all contain multitudes, and that no single story is the whole story.
FORECAST: Storm clouds are on the horizon in L.A. Weather, a fun, fast-paced novel of a Mexican-American family from the author of the #1 Los Angeles Times bestseller Esperanza's Box of Saints
L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He's harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters-Claudia, a television chef…
