Books like Mickie McKinney — picked by fans

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

As a child I loved reading detective stories, and I still retain strong memories of Tintin and Sherlock Holmes, after which I graduated to Agatha Christie. As an adult my tastes changed and I lost interest in mysteries (with the exception of Edgar Alan Poe). However recently my interests have reversed, partly because I became a grandfather, and partly for the reason that I teach ethics to primary school children, as a volunteer. So it’s possible that Worcester Glendenis is a re-incarnation of me, but as the 12-year-old I wish I had been (as far as my memory can be relied upon to go back 60 years): more emotionally mature and more extrovert.

I’m a retired professor of American literature (Queens College, City University of New York) and a true-crime historian who has been writing nonfiction books about some of our nation’s most heinous serial killers and mass murderers for over thirty years. 

I have written poetry since I was a little boy. Rhyme came naturally to me, and I found it to be a world to escape to. This led me to songwriting and touring in bands, and it grew into my vocation as a jingle writer in Australia. Eventually, I wrote the jingle that won the World’s Best Jingle award in Hollywood, and this, in part, inspired me to move to New York City from Australia. The other driving force was getting my first book, How To Steal From Banks—an autobiography—published in America. Writing and rhyming are deeply embedded in my soul and cells. 

Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. He is an award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, and has authored or co-authored twenty-two books; he's also the host of PBS’s Finding Your Roots. Andrew Curran is a writer and the William Armstrong Professor of the Humanities at Wesleyan University. His writing on the Enlightenment and race has appeared in The New York Times, The Guardian, Newsweek, and more. Curran is also the author of the award-winning Diderot and the Art of Thinking Freely and The Anatomy of Blackness.

I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.

In 2021 I retired as Schwarz-Taylor Professor of German at Oxford. For many years I had been interested not only in German literature but in European literature and culture more broadly, particularly in the eighteenth century. Oxford is a centre of Enlightenment research, being the site of the Voltaire Foundation, where a team of scholars has just finished editing the complete works of Voltaire. When in 2013 I was asked to write a book on the Enlightenment, I realized that I had ideal resources to hand – though I also benefited from a year’s leave spent at Göttingen, the best place in Germany to study the eighteenth century. 

I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity.  It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.