Here are 100 books that The Sight fans have personally recommended if you like
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Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
I read this novel some years ago and really loved it. It is incredibly beautifully written. The story has a spell-binding effect, and at other times, I was cracking open to understanding wolves and the wild elements of their nature—and the brutality of hunters.
High suspense drives this plot as does the conflict of trust and fear that keeps propelling the characters. Wolves are amazing creatures; the narrative has you breathing with the wolves as they run. I loved being inside the forests and trees of Scotland. The action brought on an aching as I read it—adventure and intrigue, romance too, and domestic violence and sexual abuse as the underbelly. Powerful images here that don’t fade easily.
A wild and gripping novel about one woman's quest to reintroduce wolves to the Scottish Highlands at any cost.
Inti Flynn arrives in the Scottish Highlands with fourteen grey wolves, a traumatised sister and fierce tenacity.
As a biologist, she knows the animals are the best hope for rewilding the ruined landscape and she cares little for local opposition. As a sister, she hopes the remote project will offer her twin, Aggie, a chance to heal after the horrific events that drove them both out of Alaska.
But violence dogs their footsteps and one night Inti stumbles over the body…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
The prose in this book felt like a wolf bite. Stories of destiny and power are juicy, and this has it in abundance. A young woman, Red, sacrifices herself for the good of all to the Wolf of the Wood. The woods are magickal, with haunted trees and shadows, creating an intense atmosphere that held me throughout. So moody! Murderous realms, too, which I sunk into easily.
Not quite like "Little Red Riding Hood," but the suspense certainly had me turning the pages. I admired how the author weaved in the emotional elements among the empowerment and disempowerment themes. The myth and folklore elements brought me back to my childhood nostalgia of curling up in bed, secretly turning the pages without regard for bedtime.
AN INSTANT NEW YORK TIMES BESTSELLER AND TIKTOK SENSATION!
The first daughter is for the Throne. The second daughter is for the Wolf.
An instant NYT bestseller and word-of-mouth sensation, this dark, romantic debut fantasy weaves the unforgettable tale of a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood.
As the only Second Daughter born in centuries, Red has one purpose—to be sacrificed to the Wolf in the Wood in the hope he'll return…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
I picked this book off the shelf of my local used bookstore as a teenager, opened it up, and changed my life.
Carter’s collection of retold fairy tales is a contemporary classic for good reason: it’s frightening and wild and fraught and powerful and absolutely unforgettable. It upended my understanding of violence, of womanhood, of the stories I’d grown up being told, and it remains one of my favorite books to this day.
Discover Angela Carter's classic feminist retelling of favourite fairy tales interwoven by a master of seductive, luminous storytelling.
From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
'Magnificent set pieces of fastidious sensuality' Ian McEwan
'A quirky, original, and baroque stylist' Margaret Atwood
Featuring an introduction from award-winning short story writer Helen Simpson
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
Absolutely thought-provoking. Lots of shudders. Real chills. Famous fairy tales like Jack and the Beanstalk, Cinderella, and Goldilocks are wild, dark, and grim. I was haunted long after I closed the book. If it’s true that fairy tales are embedded in our subconscious minds, these stories pretty much ripped the darkness up so that I was cringing.
Some of it went a bit far into madness and disturbing, but the reach struck me as highly inventive. Macabre, yes indeedy. I actually don’t read this level of horror, but the experience of these extreme fairy tales was a new adventure. Blazing. This is a one-of-a-kind adult fairy tale book, for sure.
"..these stories kept me nose-deep into the book from beginning to end.”
Hold a mirror to a shadow and you will see the world of dark and twisted fairy tales, written for adults to re-imagine familiar characters in a sinister light. For generations these tales have magnetized a moral compass for children across the earth. The time has come to reset the poles.
Thrown into a world of adult madness, the fairy tales must mature to defend themselves from a relentless censorship. Restrictions to their expression…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
If any contemporary detective writer is the heir to Dorothy L. Sayers, it has to be Fred Vargas.
Trained as a historian and archaelogist, she writes well-plotted mysteries with complex, flawed characters. But most of all, her books are bristling with fascinating, arcane facts. In this novel, the inhabitants of a rural, mountainous region of France are being terrorized by what seems to be a huge wolf – or is it a werewolf?
The resolution is entertaining, but what I really loved was learning about everything from medieval legends to the contemporary politics of reintroducing wild wolves in Europe – not to mention sheep-farming, wildlife photography, and plumbing.
For anyone who loved Sayers’ deep dives on bell-ringing or the advertising business, Vargas is for you.
In this frightening and surprising novel, the eccentric,wayward genius of Commissaire Adamsberg is pitted against the deep-rooted mysteries of one Alpine village's history, and a very present problem: wolves. Disturbing things have been happening up in the French mountains; more and more sheep are being found with their throats torn-out. The evidence points to a wolf of unnatural size and strength. However Suzanne Rosselin thinks it is the work of a werewolf. Then Suzanne is found slaughtered in the same manner. Her friend Camille attempts, with Suzanne's son Soliman and her shepherd, Watchee, to find out who, or what is…
I’ve always been drawn to the woods. There’s something strange and mysterious about the trees. It’s a place where true magic feels possible. I enjoy stories that recreate this feeling. That keep that sense of mystery. That don’t feel the need to explain every detail or every strange occurrence within their pages. Stories that build deep worlds over time, but maintain a sense of wonder. I love stories that are funny, that aren’t afraid to be weird or dark, and that have a strong heart. They are the type of stories I try to tell in my own work and the ones I most love to get lost in.
This graphic novel is composed of three hauntingly beautiful stories written and drawn by Becky Cloonan. It’s a book that I have found myself returning to many times and it often sits on my desk as a point of inspiration when I am lettering my own work (lettering is the process of creating the word balloons and design elements in a graphic novel). Becky Cloonan’s art is something to behold and captures a spirit of dread, foreboding, and beauty. These are dark, moody tales of cursed love that would appeal to anyone who enjoys the poetic and melancholic. They are stories that will sit with you long after you’ve put the book down. If you are able to get the hardcover edition, the book itself is a work of art. Perfectly constructed and wonderfully designed.
By Chance or Providence collects Becky
Cloonan's award-winning trilogy: Wolves, The Mire and Demeter, with lush colors
by Lee Loughridge and a sketchbook/illustration section. These stories cast a
spell of hypnotic melancholy, weaving their way through medieval landscapes of
ancient curses and terrible truths that will haunt you long after you've set
them down.
All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!
Crispin is a young serf in Medieval England--an orphan despised by everyone for reasons he does not understand. Though I never had problems as dire as Crispin faced, I frequently felt mistreated as a child, and like him, the forest was my comfort and refuge. Like him, I had a lively curiosity about the lives of others and many times learned important lessons through observation. I shared Crispin's tendency to hero worship those who befriended me, and like him, I generally chose my role models well.
Newbery Medal winner The Cross of Lead is "a page-turner from beginning to end... full of adventure, mystery, and action" (School Library Journal).
Sometimes I ran, sometimes all I could do was walk. All I knew was that if the steward overtook me, I’d not survive for long....
Crispin is a poor thirteen-year-old peasant in medieval England. Accused of a crime he did not commit, he has been declared a "wolf’s head," meaning he may be killed on sight, by anyone. He flees his tiny village with nothing but his mother’s cross of lead.
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
Star-crossed lovers and a strong female heroine! This setting is the beginning of the end for the Plantagenets. Their royal court is turbulent—filled with secrets and enemies after the dramatic coup of the current king’s father, King Edward II (the events of which are featured in my book). When the beautiful and willful Joan of Kent, cousin to the royal family, is sent to live among them, she soon learns they’re the ones responsible for her father’s unjust execution and her family’s subsequent shame. Though the handsome and chivalrous Black Prince of Wales is falling at her feet, she twists his affection against him in an act of revenge, only allowing Fortune’s Wheel to turn once she decides it should be so.
The daughter of a disgraced earl, she matched wits with a prince.
It is the fourteenth century, the height of the Medieval Age, and at the court of King Edward III of England, chivalry is loudly praised while treachery runs rampant. When the lovely and high-spirited Joan of Kent is sent to this politically charged court, she is woefully unprepared for the underhanded maneuverings of her peers.
Determined to increase the breadth of his rule, the king will use any means necessary to gain control of France—including manipulating his own son, Edward, Prince of Wales. Joan plots to become involved…
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
Every second book I read must be a history book. As history is not only my vocation it is also my passion. As a historian I always enjoy reading and rereading Cantor’s works on the Middle Ages. This particular book is one of my favorites; it is a really engrossing history and his knowledge is presented in such a clear, informative, and interesting style that makes it very readable for the general public. This book has been extensively revised and gone through numerous editions.
''No better explanation of medievalism is available to the general reader.'' --Booklist
A revised and expanded edition of Norman Cantor's splendidly detailed and lively history of the Middle Ages, containing more than 30 percent new material from the original edition.
A boyhood fascination with knights and castles, plus the inevitable influence of Tolkien’s world, drew me into medieval history, especially its warring side. An MA and a PhD in medieval warfare consolidated my enthusiasm, with my first three books being on that topic (what I call my Blood and Guts trilogy). I remain fascinated by the all-encompassing influence of medieval warfare on society and its unforgiving impact on warriors and non-combatants alike. Writing, lecturing, and public talks on these have led me into other interesting fields, including two TV documentaries.
This book was my “bible” during my days as an MA student of medieval warfare. Contamine convinced me that medieval warfare was truly at the heart of medieval society and thus deserving of dedicated study and research. While densely packed with facts and figures that can be daunting in their quantity, it is full of fascinating revelations, such as the bugler on the battlefield who died from over-exertion!
Covering the ten centuries following the fall of Rome, War in the Middle Ages engages all aspects of its subject, including the military customs and conditions of the various Western European states; armor and weaponry recruitment; and rules of combat developed to limit bloodshed. Philippe Contamine writes with an awareness that, in both theory and fact, medieval warfare was constantly evolving. He opens with a chapter on Roman military disintegration and the practice of warfare in the barbarian kingdoms erected on the empirea s ruins. He then shows how feudalization multiplied conflicts, and describes the resulting growth of the "great…