Here are 100 books that The Sight fans have personally recommended if you like
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I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
Reintroducing the wildlife into their natural habitat to flourish. Wolves! These gray wolves that are transported back into the wild changed my perspective about the beastly wolf vs. the gentle wolf who truly understands the wilderness within.
Inti Flynn is a young woman and the protector of wolves. She does this remarkably by giving all her love to them. And is love returned? Yes. I became fascinated and envious to be loved by a wolf after reading this beautiful story.
A wild and gripping novel about one woman's quest to reintroduce wolves to the Scottish Highlands at any cost.
Inti Flynn arrives in the Scottish Highlands with fourteen grey wolves, a traumatised sister and fierce tenacity.
As a biologist, she knows the animals are the best hope for rewilding the ruined landscape and she cares little for local opposition. As a sister, she hopes the remote project will offer her twin, Aggie, a chance to heal after the horrific events that drove them both out of Alaska.
But violence dogs their footsteps and one night Inti stumbles over the body…
Wolf Magick is a contemporary Gothic dark-fantasy tale of wild darkness and haunted love.
Marc Sexton, charismatic and bold, refuses to accept his supernatural destiny—his spiritual calling of wolf magick. This man harbors olde secrets: he denies the shapeshifting “gift” he inherited from his father, a powerful Celtic realm walker…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
The prose in this book felt like a wolf bite. Stories of destiny and power are juicy, and this has it in abundance. A young woman, Red, sacrifices herself for the good of all to the Wolf of the Wood. The woods are magickal, with haunted trees and shadows, creating an intense atmosphere that held me throughout. So moody! Murderous realms, too, which I sunk into easily.
Not quite like "Little Red Riding Hood," but the suspense certainly had me turning the pages. I admired how the author weaved in the emotional elements among the empowerment and disempowerment themes. The myth and folklore elements brought me back to my childhood nostalgia of curling up in bed, secretly turning the pages without regard for bedtime.
AN INSTANT NEW YORK TIMES BESTSELLER AND TIKTOK SENSATION!
The first daughter is for the Throne. The second daughter is for the Wolf.
An instant NYT bestseller and word-of-mouth sensation, this dark, romantic debut fantasy weaves the unforgettable tale of a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood.
As the only Second Daughter born in centuries, Red has one purpose—to be sacrificed to the Wolf in the Wood in the hope he'll return…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
Oh, what a delightfully chilling and decadent tale written by one of the most celebrated female gothic writers of the 20th century.
Carter leads us into the manor of a wealthy and powerful businessman who has recently been widowed, yet has chosen to take another young bride quite quickly. As he guides his new wife through each luxurious room at his estate, she is devoured by all its opulence and given the keys to each room. She may roam and play wherever she desires and conduct herself as she wishes, save for the one key to the one room that is forbidden.
A modern and mysterious take on the classic Greek myth, Pandora’s Box, with echoes of “The Robber Bridegroom” by The Brothers Grimm. It is a delicious read.
Discover Angela Carter's classic feminist retelling of favourite fairy tales interwoven by a master of seductive, luminous storytelling.
From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
'Magnificent set pieces of fastidious sensuality' Ian McEwan
'A quirky, original, and baroque stylist' Margaret Atwood
Featuring an introduction from award-winning short story writer Helen Simpson
Wolf Magick is a contemporary Gothic dark-fantasy tale of wild darkness and haunted love.
Marc Sexton, charismatic and bold, refuses to accept his supernatural destiny—his spiritual calling of wolf magick. This man harbors olde secrets: he denies the shapeshifting “gift” he inherited from his father, a powerful Celtic realm walker…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
Absolutely thought-provoking. Lots of shudders. Real chills. Famous fairy tales like Jack and the Beanstalk, Cinderella, and Goldilocks are wild, dark, and grim. I was haunted long after I closed the book. If it’s true that fairy tales are embedded in our subconscious minds, these stories pretty much ripped the darkness up so that I was cringing.
Some of it went a bit far into madness and disturbing, but the reach struck me as highly inventive. Macabre, yes indeedy. I actually don’t read this level of horror, but the experience of these extreme fairy tales was a new adventure. Blazing. This is a one-of-a-kind adult fairy tale book, for sure.
"..these stories kept me nose-deep into the book from beginning to end.”
Hold a mirror to a shadow and you will see the world of dark and twisted fairy tales, written for adults to re-imagine familiar characters in a sinister light. For generations these tales have magnetized a moral compass for children across the earth. The time has come to reset the poles.
Thrown into a world of adult madness, the fairy tales must mature to defend themselves from a relentless censorship. Restrictions to their expression…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
If any contemporary detective writer is the heir to Dorothy L. Sayers, it has to be Fred Vargas.
Trained as a historian and archaelogist, she writes well-plotted mysteries with complex, flawed characters. But most of all, her books are bristling with fascinating, arcane facts. In this novel, the inhabitants of a rural, mountainous region of France are being terrorized by what seems to be a huge wolf – or is it a werewolf?
The resolution is entertaining, but what I really loved was learning about everything from medieval legends to the contemporary politics of reintroducing wild wolves in Europe – not to mention sheep-farming, wildlife photography, and plumbing.
For anyone who loved Sayers’ deep dives on bell-ringing or the advertising business, Vargas is for you.
In this frightening and surprising novel, the eccentric,wayward genius of Commissaire Adamsberg is pitted against the deep-rooted mysteries of one Alpine village's history, and a very present problem: wolves. Disturbing things have been happening up in the French mountains; more and more sheep are being found with their throats torn-out. The evidence points to a wolf of unnatural size and strength. However Suzanne Rosselin thinks it is the work of a werewolf. Then Suzanne is found slaughtered in the same manner. Her friend Camille attempts, with Suzanne's son Soliman and her shepherd, Watchee, to find out who, or what is…
I’ve always been drawn to the woods. There’s something strange and mysterious about the trees. It’s a place where true magic feels possible. I enjoy stories that recreate this feeling. That keep that sense of mystery. That don’t feel the need to explain every detail or every strange occurrence within their pages. Stories that build deep worlds over time, but maintain a sense of wonder. I love stories that are funny, that aren’t afraid to be weird or dark, and that have a strong heart. They are the type of stories I try to tell in my own work and the ones I most love to get lost in.
This graphic novel is composed of three hauntingly beautiful stories written and drawn by Becky Cloonan. It’s a book that I have found myself returning to many times and it often sits on my desk as a point of inspiration when I am lettering my own work (lettering is the process of creating the word balloons and design elements in a graphic novel). Becky Cloonan’s art is something to behold and captures a spirit of dread, foreboding, and beauty. These are dark, moody tales of cursed love that would appeal to anyone who enjoys the poetic and melancholic. They are stories that will sit with you long after you’ve put the book down. If you are able to get the hardcover edition, the book itself is a work of art. Perfectly constructed and wonderfully designed.
By Chance or Providence collects Becky Cloonan's award-winning trilogy: Wolves, The Mire and Demeter, with lush colors by Lee Loughridge and a sketchbook/illustration section. These stories cast a spell of hypnotic melancholy, weaving their way through medieval landscapes of ancient curses and terrible truths that will haunt you long after you've set them down.
I decided to write this book because while there are many works on the Hundred Years War, they tend to dwell on the political and diplomatic, rather than the military aspects. I considered that this period marked a real revolution in military affairs, led by England. It was England that had the world’s only professional army since the collapse of the Roman Empire in the west in the 5th Century, that used technology (the longbow) as a force multiplier, and while moving on horseback did its fighting on foot. It was these three legs of the revolution that allowed tiny English armies to defeat far larger French feudal ones.
Henry of Monmouth, Henry V, was the second king of the disputed Lancastrian dynasty, and in my opinion the greatest Englishman who ever lived.
He was king at 25, slaughterer of the nobility of France at 27, regent and acknowledged heir to the French throne at 32, and dead at 34. Had he lived, the history of Europe might be very different. He was a man who shaped English history and who still affects Anglo-French relations to this day.
This book, by Ian Mortimer, one of the very best authors of the period, looks at the year 1415, the year when the young Henry led a sick, exhausted, and starving English army to a stunning victory over a far larger French force at Agincourt, in an example of leadership and military professionalism of the highest order.
Henry V is regarded as the great English hero. Lionised in his own day for his victory at Agincourt, his piety and his rigorous application of justice, he was elevated by Shakespeare into a champion of English nationalism for all future generations. But what was he really like? Does he deserve to be thought of as 'the greatest man who ever ruled England?'
In Ian Mortimer's groundbreaking book, he portrays Henry in the pivotal year of his reign. Recording the dramatic events of 1415, he offers the fullest, most precise and least romanticised view we have of Henry and what…
My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.
This book is about the early modern cooking revolution. Basing her investigation on a ground-breaking recipe book from 1651, Peterson examines the fundamental shift in European food tastes from the medieval preference for fragrant, heavily spiced dishes that combined sweet and savoury to the salt-acid followed by sweet that forms the basis of modern European cookery. This book was not written for an academic audience, so although it is well-informed it is not a demanding read for non-experts. The book contains a few recipes that are worth trying, and as a whole it’s a colourful and compelling story.
In 1651 in Paris, the unknown cook, Francois Pierre de la Varenne published "Le Cuisinier Francois", and changed the course of culinary history. This book aims to reconstruct the seventeenth-century revolution in French cooking that explains why we eat as we do. It reveals how Varenne turned out to be the father of modern cuisine.
I fell in love with medieval military history in high school, and have been studying and writing about it as an undergraduate at Harvard, as a graduate student at Oxford, and as a professor of history ever since, eventually bringing the comparative methods and urge to generalize of a world historian to the task. I’ve written ten books and numerous articles. Good history gives me the thrill of time travel without the risk of the bubonic plague, and it has spawned related interests in sword and sorcery fantasy lit and wargaming, alongside my interests in painting, cartooning, and cooking the food of my native New Orleans. My motto: Have fun!
This is a superb example of what a multi-author compilation can achieve: wide coverage, specialist knowledge of a variety of topics and approaches, and thus fascinating details from around the world of medieval warfare. And what it lacks (in coherent overview and broad comparative approach) is supplied by my own book! I think of this as a good companion to my own more global, comparative, and theory-based account of medieval war and conflict.
Volume II of The Cambridge History of War covers what in Europe is commonly called 'the Middle Ages'. It includes all of the well-known themes of European warfare, from the migrations of the Germanic peoples and the Vikings through the Reconquista, the Crusades and the age of chivalry, to the development of state-controlled gunpowder-wielding armies and the urban militias of the later middle ages; yet its scope is world-wide, ranging across Eurasia and the Americas to trace the interregional connections formed by the great Arab conquests and the expansion of Islam, the migrations of horse nomads such as the Avars…
My interest in Chinese military history stems from an early interest in books on strategy like Sun Tzu’s Art of War, and in East Asian martial arts. I have pursued both since high school, translating Sun Tzu as a senior thesis in college (and now returning to it professionally), and practicing a number of martial arts over the last forty years (and writing a book on the history of Chinese martial arts). Although there are plentiful historical records for all aspects of Chinese military history, the field remains relatively neglected, leaving it wide open for new studies. I continue to pursue my teenage interests, writing the books I wanted to read in high school.
This is the best Chinese military history in any language. Scholarly, yet readable, it lays out the military, political, and social history of a complicated period in great detail. Despite challenging source material, Graff manages to create a coherent and comprehensible narrative.
Shortly after 300 AD, barbarian invaders from Inner Asia toppled China's Western Jin dynasty, leaving the country divided and at war for several centuries. Despite this, the empire gradually formed a unified imperial order. Medieval Chinese Warfare, 300-900 explores the military strategies, institutions and wars that reconstructed the Chinese empire that has survived into modern times. Drawing on classical Chinese sources and the best modern scholarship from China and Japan, David A. Graff connects military affairs with political and social developments to show how China's history was shaped by war.