Here are 100 books that There Once Lived a Woman Who Tried to Kill Her Neighbor's Baby fans have personally recommended if you like
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These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Eowyn Ivey’s work hits every one of my interests: lush writing, Alaskan wilderness, family drama, untamed beasts, folklore and fairy tales, parenthood, childhood, and the struggle to survive…I mean, really, it couldn’t be more perfect.
Her debut novel references the Russian fairy tale “Snegurochka,” about a girl made of ice. It’s an absolutely gorgeous and transporting book that also happens to have been a finalist for the Pulitzer Prize—again, perfect, right?
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Oyeyemi plays with symbol, myth, and magic in all of her books, and this gorgeous novel is no exception.
This book turns the Snow White story inside out to tell a twentieth-century tale of race, beauty, and family. I’m always blown away by the range of Oyeyemi’s imagination and the depth of her skill. She is an absolutely extraordinary storyteller.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
Oh, what a delightfully chilling and decadent tale written by one of the most celebrated female gothic writers of the 20th century.
Carter leads us into the manor of a wealthy and powerful businessman who has recently been widowed, yet has chosen to take another young bride quite quickly. As he guides his new wife through each luxurious room at his estate, she is devoured by all its opulence and given the keys to each room. She may roam and play wherever she desires and conduct herself as she wishes, save for the one key to the one room that is forbidden.
A modern and mysterious take on the classic Greek myth, Pandora’s Box, with echoes of “The Robber Bridegroom” by The Brothers Grimm. It is a delicious read.
Discover Angela Carter's classic feminist retelling of favourite fairy tales interwoven by a master of seductive, luminous storytelling.
From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
'Magnificent set pieces of fastidious sensuality' Ian McEwan
'A quirky, original, and baroque stylist' Margaret Atwood
Featuring an introduction from award-winning short story writer Helen Simpson
I write about Eastern Europe, both past and present, and what it means to have Russia as a neighbor. I write historical fiction and historical thrillers with a soupcon of espionage. I talk about the politics of the day, whether the story is set during WWII or in modern times. While my stories and characters are fictional, I constantly strive to accurately reflect time, place, and, most of all, history. I hope that my novels entertain and inform about a corner of the world folks may not know much about.
This book shows us that not everyone had a devastating experience under the Soviets. I love it because it’s about average people and (somewhat) average events that become extraordinary because of the political circumstances.
What was it like for a teenager to date when the KGB might be watching? How did families manage to cheer at military parades of sophisticated equipment when they couldn’t find toilet paper to buy?
These wonderful stories entertained and informed. They weren’t funny, but a few made me chuckle from the absurdity.
In the 'Workers Paradise' of the Soviet Union what was life like for those on the periphery of the Russian empire? In these short stories, Grazina Pranauskas offers the reader piercing vignettes of everyday existence in Lithuania under a totalitarian regime ...
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.
"What would happen if Terry Pratchett, Neil Gaiman, Emma Newman and K.E. Mills (in her Accidental Sorcerer mode) got together and had a fairy tale themed writathon? This, my friend, is probably what would happen."
Bea is a lowly cabbage fairy, but she dreams of being an official fairy godmother. Of course, no one thinks a cabbage fairy could run a story, least of all the other fairy godmothers. Until, one day, someone offers Bea a chance to prove herself. One heroine, one week, one marriage at the end of it. Easy, right?
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
Absolutely thought-provoking. Lots of shudders. Real chills. Famous fairy tales like Jack and the Beanstalk, Cinderella, and Goldilocks are wild, dark, and grim. I was haunted long after I closed the book. If it’s true that fairy tales are embedded in our subconscious minds, these stories pretty much ripped the darkness up so that I was cringing.
Some of it went a bit far into madness and disturbing, but the reach struck me as highly inventive. Macabre, yes indeedy. I actually don’t read this level of horror, but the experience of these extreme fairy tales was a new adventure. Blazing. This is a one-of-a-kind adult fairy tale book, for sure.
"..these stories kept me nose-deep into the book from beginning to end.”
Hold a mirror to a shadow and you will see the world of dark and twisted fairy tales, written for adults to re-imagine familiar characters in a sinister light. For generations these tales have magnetized a moral compass for children across the earth. The time has come to reset the poles.
Thrown into a world of adult madness, the fairy tales must mature to defend themselves from a relentless censorship. Restrictions to their expression…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
The crime scene generally occurs near the start of a mystery—something incomprehensible and threatening the reader and detective will endeavor to explain by the book’s end. Sometimes, though, the world is the crime. In almost painfully beautiful language, this book sets us down in a frightening fairytale forest. We’re traveling with a failed detective looking for a runaway wife, but much of the investigative work emanates from the reader attempting—and often failing—to break through the atmosphere, through the visceral but unmappable feelings of danger and loss the text produces in order to find something that can be named, explained, neutered.
This is the kind of book that affected me sidewise; I never saw it coming, but it got me over and over again. The Spanish edition includes illustrations, the English a suggested playlist.
Fairy tale meets detective drama in this David Lynch–like novel by a writer Jonathan Lethem calls “one of Mexico's greatest . . . we are just barely beginning to catch up to what she has to offer.”
A fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple who has fled to the far reaches of the earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.
In this story, Swanson seeks to answer the question: what would happen if Peter Pan was stranded in modern-day London? And what if he started to age? And what if he met a girl who didn’t realize she could create pixie dust? It captures the spirit of the original tale while also delving deeper into the lore of both Peter and Neverland itself. It was an exciting and creative read from beginning to end. I loved how it felt simultaneously nostalgic and new.
The truth about Neverland is far more dangerous than a fairy tale.
Claire Kenton believes the world is too dark for magic to be real—since her twin brother was stolen away as a child. Now Claire’s desperate search points to London... and a boy who shouldn't exist.
Peter Pan is having a beastly time getting back to Neverland. Grounded in London and hunted by his own Lost Boys, Peter searches for the last hope of restoring his crumbling island: a lass with magic in her veins.
The girl who fears her own destiny is on a collision course with the…
