Books like The Beast Within — picked by fans

If you are looking for a classic that tells a tale of adultery, murder, and revenge set in nineteenth-century Paris, you must read this book. I was completely absorbed with the story even though I was so busy moving across states at the time.

No one was a born murderer, and Laurent did not seem to be one. I was eager to not just finish reading the book but to study the psychology of the murderer. What made him turn cold-blooded and evil? His downfall was brought about by no one other than his own deadly sins—sloth and greed.

Sometimes it's helpful, even encouraging, to discover that problems we face today were faced by people in the past. Emile Zola wrote a series of novels about Paris in the mid-19th century at a time when the City of Light was being rebuilt along pretty extraordinary lines. At the same time that poor people were being tossed out of their substandard housing, some people were making fortunes speculating in real estate. The Kill focuses on the personal dramas of people on both sides of the equation, with quite a lot of sex thrown in to spice things up.

This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.

Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.

I find midcentury fashion memoirs inspiring because they’re filled with stories of strong, self-realized women who really managed to have it all. This one by Bettina Ballard, French editor for American Vogue in prewar Paris, goes one better because it also offers heartbreaking commentary on the war.

Alongside observations about great designers like Chanel and Dior, Ballard writes stirringly of the tragic, gruesome fates that befell many in her world and the courageous way some resisted the Germans to save their art form, couture. Vogue tries to bring her back to New York, but she swiftly returns to Europe as a Red Cross volunteer—albeit one who sneaks non-regulation eveningwear into her trunk. When she finally goes home to marry (for the second time), she mentions it in an aside.  

When it comes to short story collections I definitely have a type, as Upright Beasts is a blend of fantasy, horror, dark humor, and the surreal. And if we’re talking about genre-bending, no one does it quite like Lincoln Michel. His stories are strange and familiar, funny and sad, whimsical and disturbing, twisted and delightful. Sometimes all at the same time. Much like the other authors and collections I’ve listed here, these stories inspired my own writing and made me want to be a better writer. That’s what I want in the fiction I read: to not only be entertained but challenged.

Jeremy had a career as a crime reporter that had recently turned from exciting to dangerous. He flew to Paris with little money and nowhere to go. Serendipity led him to Shakespeare and Company, a bookstore along the Seine with a perfect view of Notre Dame. 

The owner, George, allowed authors to reside for free at the store, resulting in a continuous rotation of vagabonds searching for purpose, inspiration, or just a bed among the bookshelves. 

I loved meeting this cast of eccentric writers from around the world, finding camaraderie at this literary haven. It reminded me how quickly travelers can bond over a shared experience, and how sometimes a place can be the most interesting and vivid character of them all.

L’Origine by artist and writer Lilianne Milgrom is a unique, well-researched, and absolutely compelling book. Part history and part memoir, it tells the story of Gustave Courbet’s L’Origine du monde, a painting known as “the world’s most erotic masterpiece,” along with its effect on a young woman (the author) who set out to be its official “copyist.” Ultimately, it is the painting itself that liberates and transforms the protagonist—just as it will liberate and transform the reader! It certainly did that for me, cutting through all my ideas about the role of art and its depictions of the female body—in much the same way that Georgia O’Keeffe’s paintings, and the nude photographs she posed for, liberates and transforms the protagonist of my own novel. 

If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.

I loved and appreciated the way the life and writings of Christen de Pizan (the first woman to earn a living as an author) were revealed—Christine’s inner emotional world and the very real suspicion of women’s morality and intellect. I was immersed into the world of 14th Century Paris with all the politics that widow Christine needed to navigate to support her family and herself.

I loved the historical detail, although I had to look up some words (that’s okay!) from that era. Great characters.

As the much-missed Karl Lagerfeld once said, “Fashion is a train that waits for nobody.” And that train comes whooshing through Paris quite a lot.

This book captures some of the inimitable energy and agitation of Paris Fashion Week, as self-taught photographer Meyabe covers six seasons—men’s, women’s, and couture—over a single year. It includes an introduction by local fashion hero Loïc Prigent and is published by my friends Alex and Marie from Ofr. (who also published Makers Paris #2).

Ofr. is an indie arts bookshop, gallery and publisher, always in the moment, that channels a certain bohemian spirit proper to Paris: “Open, Free and Ready”.