67 Books Like The Art of Description

What I love most about Bird by Bird is the way that Anne Lamott characterises writing as a gift, a giving over to someone else in a manner akin only to being a parent.

While I am not a parent, I am inspired by this idea that the written word can make a person braver and better by virtue of opening them up to the world and people in new ways. Despite the hurdles and difficulties of the practice, which Lamott deftly outlines, she ultimately decides that a writer is pursuing an act of generosity and openness. I really love this idea.

There is a real lack of pretentiousness to Lamott’s writing, which allows you to take these nuggets and accept what otherwise might be sentimental claims that “writing is life” as simple truths. 

Before reading On Writing and Writers by Margaret Atwood, I naively believed that writing about writing was necessarily boring. Like a textbook, full of cold, mechanical steps to improve. Atwood’s book proved me incredibly wrong. 

I was mesmerised by Atwood’s self-deprecating charm and disarming wit, and saw myself in her initial query about whether she has the right to write – namely, the right to make grand claims about her practice.

Perhaps what I loved most was her reluctance to offer anything concrete. She dances near a decision, a position, an answer, and then just as quickly, she turns away again. Self-indulgently, I enjoy the idea that writing is a mystery that doesn’t have one answer and that can’t be pinned down. For me, Atwood’s book confirmed this fanciful notion. 

Talking of voice, finding your writer’s voice lies in the confidence that comes from effort and application. Alvarez was a poet, writer, critic, and poetry editor at The Observer newspaper in the 1960s, where he nourished the writing of Sylvia Plath and others. When you think of your favourite writers it’s usually their voice that grabs and sustains interest and trying to figure out your own, as a writer, can take time. Playing with other voices, trying them on for size, making one your own, is something Alvarez explores through his own insights about the work of Plath, Yeats, Jean Rhys, Freud, and others.

Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.

This book's investment in objects of art and the everyday deepened my relationship with the most mundane aspects of my daily life. I began to see the world around me as a lens for self-knowledge.

The book's intimate reflections ignited in me a day-to-day creativity that has transformed the would-be-ordinary into the beautiful. Here the material world is a gateway to our humanity. I read this book for the first time over twenty years ago and it has stayed present and relevant for me ever since.

Written forty years after the Clean Water Act, this book discusses the arc New York City’s harbor took from biologically productive asset to deeply degraded dumping ground to recently rehabilitated ecosystem. This book is particularly interesting in how it provides a vantage point to what is going on below the surface, where wildlife thrives but is rarely noticed. 

W.E. Bowman’s comic novel, The Ascent of Rum Doodle, has achieved a cult status among mountaineers as well as aficionados of spoof adventure stories. But the sequel is much less well-known, and that’s a shame, for it is absolutely its equal in terms of humour and invention and, if anything, even more absurd and fantastical in the development of the plot, which concerns a voyage on a raft (in the manner of Thor Heyerdahl) in search of a fabled school of talking fish. I am convinced that Michael Palin’s Ripping Yarns was influenced by Bowman’s work, and if not, then this is a case of great minds thinking alike.

If you remember reading "maze stories" as a kid and wondered what it would be like to read one that was sexually explicit, this is the book for you!

It centers around two British ex-lovers, Barney and Barbie, at a party. At the start, you can either be Barney or Barbie, but each faces a variety of choices about whether to hook up with new people, go to different parties, or try to rekindle a romance with an ex.

All the characters are great and hilarious, and so is the witty (and sexy) dialogue. This impeccably written maze story offers a variety of endings – including many unexpected ones. This book always left me guessing… and laughing.

Even though this book is a bit older, I had a ton of fun doing the programming problems in this book. This book really makes you think outside the box as a programmer and try to solve various problems in different ways depending on what you are trying to optimize for.

I really learned a lot about not just solving a problem, but solving a problem for a specific set of goals. Overall it made me a better programmer and made me think more deeply about programming problems.

If you want to improve your problem-solving skills and have fun doing it, I would definitely recommend this book.

I met the author, Professor Mike Bassett, at the National Museum and Galleries of Wales on a visit from the Natural History Museum in London where I was the Curator of Gemstones. After an amazing walk around the museum and its collections, I finished my tour back in his office, where he gave me a signed copy of this slim book. I loved the photo of the front cover, of a coiled ammonite fossil with a fake snake head.

What particularly caught my interest was the fact that the book not only gave the scientific facts about the fossils but also introduced the more aesthetic, medicinal, and metaphysical aspects. I loved reading about the myths and legends and the entertaining nicknames such as Devil’s toenail for Gryphaea, a fossil oyster.