Here are 73 books that The Cruise of the Talking Fish fans have personally recommended if you like
The Cruise of the Talking Fish.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
The stories that appear in this book were first published inLilliputin the 1940s, a British monthly magazine. They relate the perilous, often diabolical activities of the Surrealist Sportsman’s Club, a society devoted to playing games that no one else would dream of attempting. Engelbrecht is a diminutive boxer who fights clocks, zombies, witches, and other assorted horrors and marvels, and he generally wins because of pluck combined with luck. Richardson’s prose style here is a blend of gothic horror, period science fiction, and the wisecracking of Damon Runyan, and the reader can expect no respite from the tumult of ideas, images, situations, jokes, and subversion of clichés.
Published for the first time in a low cost edition, Maurice Richardson's cult classic is one of the strangest works of fiction ever written. Fifteen stories that relate the activities of the Surrealist Sportsman's Club, a society with very dubious morals that spends the time it has left between the collapse of the moon and the end of the universe taking the concept of the 'game' to its logical limit.
A club can't operate without members, and those of the SSC are as strange and astonishing as some of the events they compete in. Most formidable of all, and more…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
Flann O’Brien is famous for his ingenious novels, At Swim-Two-Birds andThe Third Policeman, but I regard his funniest book as this short fictional memoir about life in the far West of Ireland. Originally published in Gaelic in 1941, it is a mock-pastoral farce about the customs of the remotest region in the country, where it rains all the time, but O’Brien is actually satirising the lack of mutual understanding between the local inhabitants and the modern outside world. The narrator’s adventures begin immediately after he is born and include (among many other absurdities) catastrophic pigs and the quest to climb a mountain to find an eternal fountain of whisky.
The Poor Mouth relates the story of one Bonaparte O'Coonassa, born in a cabin in a fictitious village called Corkadoragha in western Ireland equally renowned for its beauty and the abject poverty of its residents. Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on the Irish, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.
The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work.
The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather…
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
My Lovely Mamá! parodies the decadence and ennui of Bonjour Tristesse. The narrative toys with the sort of decadence Sagan captures, by having Mathilde believe her mother is having an affair and hence attempt, unsuccessfully, to seduce her mother’s lover. The very funny novel hyperbolizes the world-weariness of Sagan’s characters. “I was terribly immature last September,” Mathilde writes, “I’ve aged a lot since then. Inwardly I’m an old, old woman now.” While it parodies certain tropes of teen girl fiction, My Lovely Mamá! nonetheless gives voice to authentic adolescent feelings, especially about sexual desire. When Mathilde receives a marriage proposal, she opts to keep things open-ended, maintaining her freedom: “I was only seventeen and everything was only just beginning, after all.”
First U.S. edition. A near fine copy in a VG- dust jacket. Sticker pull to the jacket's front panel near the upper right corner. Chips/frays to the spine tips and corners. Creasing and some tears to the panels' edges.
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
An aspect of contemporary criticism I deeply despise is the inability of critics to take independent views of their subjects and be misled by matters like publicity and awards. Criticism is good for the arts but not necessarily for commercial interests and my own approach has been to provoke, even at the risk of becoming unpopular.
Epstein is a less-known writer and critic (in relation to the others) but he is witty and audacious in critiquing the most celebrated writers. The title of his book is provocative since it suggests that prejudices are natural but wanted as long as they are justified though argument, which is my preferred way of expressing myself.
In this collection of essays, the author of "The Middle of My Tether" considers the various influences upon writing in the recent past that have systematically lessened its glory
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
As a longtime reader and writer of artsy erotic fiction, I love it when erotic stories mix sexiness with humor. But not too much – that would probably kill the mood. Besides, isn’t sex already a cringeworthy topic as it is? Stories in my book are thoughtful and evocative, but each one is followed by a philosophical dialogue between a man and a woman about what they have just read. (I call these dialogues “Erotic Interludes.”) To my surprise and delight, almost all these interludes have turned out to be funny (and entertaining to write). Here is my list of sexy stories which always make me laugh.
This bawdy 1958 novel reads like a bizarre porn script (or a parody of one).
Like the hapless hero of Voltaire’s Candide, Candy Christian is an intelligent and generous-minded (albeit naive) college student who lets herself be taken advantage of by all sorts of sophisticated perverts whose only goal (they claim) is to assist Candy on her spiritual journey.
It’s probably asking a lot of the contemporary reader to continue with this absurd (and sexist) premise, but I admit it – I laughed a lot and on almost every single page.
Candy is prurient, amoral, and silly, but easy and fun reading. Such novels upend the stereotype of 1950s American society as prudish and straight-laced and herald a more relaxed attitude towards sex.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
P.G. Wodehouse is a comic genius best known for his series of books featuring Wooster and Jeeves, but this book differs from his usual fare in that it has a female protagonist and a sweet little romance.
I loved Jill, who is the type of heroine Jane Austen might have invented: loyal, spunky, and highly principled. Jill’s adventures take us from London to 1920s New York, but this isn’t historical fiction. Like Austen’s books, this is a contemporary novel written in the era in which the author lived.
I love Austen because of her wry humor and her feisty female characters, two things that are also present in this very fun book.
P.G. Wodehouse's classic tale (originally published under the title "The Little Warrior") of Jill Mariner, a wealthy young woman engaged to Sir Derek Underhill. Following financial disaster, Jill's life takes several adventurous turns with schemes, relatives, chorus girls, and the search for love.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
The theme of this list is so important to me as an independently published author. Ever since I was about 14 years old I knew I wanted to tell stories, and my way, so even then I was looking into indie publishing. The idea of offering my books up to the traditional publishing chopping block, to be edited and mulled into what’s most marketable, scared me so much! I didn’t want to tell my stories another person’s way. So here we are, and I’m giving you guys a list of indie recommendations whose authors feel very much the same way. We just want to tell our stories. And have control over how that’s done. ;)
If you like your fantasy a little darker, with more longing than spice (but still a little spice too ;) ) then this might be the book for you. Of Divine Blood features a main character who embraces her femininity and emotions and eventually manages to turn them into a fiery rage that leads her to take revenge on her abusers. It’s pretty glorious. And Corvina’s love interest is pretty amazing too; empowering without being dominating, and he’s the perfect mix of sweet and protective. Check the trigger warnings, then give her a read!
The Divine Gods may have been Corvina's patrons but she would tear them down from their thrones and ascend to claim their places - to claim her place - both in this world and the heavens above. For none would own her body again.
All her life she spent caged like an animal. The shackles the Elder Priest cast over her held her prisoner to the chantry. She had once been devoted to her lessons, to harnessing each of the seven magics the Divine had bestowed upon her. She had once loved…