Books like The Anglo-Saxons

This book provides a grand tour of 600 years of English history in a light, entertaining way that kept me engrossed throughout.

Although it would be impossible to cover all Anglo-Saxon history in just one book, the author does a fantastic job of introducing the major people and events that defined and shaped this period of English history.

This book provides a fantastic, in-depth study of the Bayeux Tapestry—the most detailed of all the sources for the Battle of Hastings—the battle that ended the Anglo-Saxon age.

What makes the book stand out is its panel-by-panel description of the tapestry, providing insight into the characters and places that are depicted, as well as the little oddities that occur in the borders of the tapestry.

However, the authors don’t just want you to believe their interpretation. They are quick to identify alternate explanations for ambiguous scenes, and clearly state that while some academics may prefer one view over another, no one really has the true answer, leaving the reader to form their own opinion.

Truly, this is the best book I’ve read about the Bayeux Tapestry.

I've read Anglo-Saxon history. I've read Viking Age history. But this is the first book I've read that combined them together to make a clear picture of the forces that drove these two people against each other.

This book covers the alliances, battles, and the people who were constantly shifting from one person's orbit to another. Although its main focus was England, the book also provides a view of the conflicts going on in Norway and Denmark, to give a holistic view of Northern Europe and what happened when huge armies of Danes and Norwegians came to England, leaving a power vacuum behind them in the north.

This book provides a very accessible introduction to the early history of England up to the Norman invasion.

Instead of looking at particular topics or themes, the book focuses on the great people of this period and dives deep into history in an attempt to construct the stories behind these famous names. But this book isn’t just about king and queens, it also provides lots of detail about the lives of the peasantry and how the various power struggles affected them.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

The Anglo-Saxon World is the best introductory survey for students of Anglo-Saxon history. Experts in their field, the authors flesh out the traditional narrative account with insights from archaeology, numismatics, and DNA analysis. The book is splendidly enriched by almost three hundred colour photographs, tables, maps, and diagrams, while box-out sections in each chapter delve into interesting topics or debates. The authors also outline the historiography for readers who want to know how scholarly understanding of the period has developed.

Blair approaches the history of these centuries by dividing mainland Britain into environmental and cultural zones. In doing so, he highlights the role of geography, geology, infrastructure, trade and even rainfall in determining trends of settlement, social cohesion, and material culture. Blair examines how landscapes were created – the evolution of villages, towns, and religious complexes – while exploring the relationship between centres of power and the satellite hubs around them. The book is richly served by colour images, artists’ reconstructions, maps, and diagrams. Comparisons to Scandinavia (where early timber structures survive) help bring the houses and surroundings of the Anglo-Saxons vividly to life.

To my mind, James Campbell was the greatest commentator on early Anglo-Saxon England of the last sixty years.

He was my tutor at Oxford for a course on early Anglo-Saxon history and archaeology, and he inspired me to recognise just how much of the so-called “Dark Ages” can be brought to light via a combination of rigour in analysis and creativity in reconstruction.

Campbell’s seminal articles on Bede’s Ecclesiastical History, included in this edited collection, transformed Bedan studies and set out the path forward for the next generation of scholars, although much more remains to be done – particularly in connection with identifying Bede’s sources and unpacking the chronology of the composition of his History.

If you want to understand the conversion of Anglo-Saxon England, you need to understand Bede’s Ecclesiastical History; and if you want to understand Bede’s Ecclesiastical History, you have to understand Bede. The quest will… show more.

Sutcliff’s characters and stories are always believable—and show her amazing gift to always make her research invisible to the reader. All her works feed from actual history. She weaves a fragment or story from the past into a rich tapestry of the human experience and makes history live again. This tale shows her skills perfectly. Sutcliff uses as her source Y Gododdin, a period poem, to frame the construction of this coming-of-age story. Sutcliff takes the torch of the poem’s attempt to keep alive the memory of men who fought and died in a sixth-century British battle, comparable to that of the Battle of Thermopylae, to relight it through the eyes of Prosper, Sutcliff imagined British shield bearer. A witness to and one of the few to survive this unwinnable battle, Prosper sings a tale of The Shining Company who sacrificed their lives so others could live.