67 Books Like In Search of the Dark Ages

This book provides a grand tour of 600 years of English history in a light, entertaining way that kept me engrossed throughout.

Although it would be impossible to cover all Anglo-Saxon history in just one book, the author does a fantastic job of introducing the major people and events that defined and shaped this period of English history.

This book provides a fantastic, in-depth study of the Bayeux Tapestry—the most detailed of all the sources for the Battle of Hastings—the battle that ended the Anglo-Saxon age.

What makes the book stand out is its panel-by-panel description of the tapestry, providing insight into the characters and places that are depicted, as well as the little oddities that occur in the borders of the tapestry.

However, the authors don’t just want you to believe their interpretation. They are quick to identify alternate explanations for ambiguous scenes, and clearly state that while some academics may prefer one view over another, no one really has the true answer, leaving the reader to form their own opinion.

Truly, this is the best book I’ve read about the Bayeux Tapestry.

I've read Anglo-Saxon history. I've read Viking Age history. But this is the first book I've read that combined them together to make a clear picture of the forces that drove these two people against each other.

This book covers the alliances, battles, and the people who were constantly shifting from one person's orbit to another. Although its main focus was England, the book also provides a view of the conflicts going on in Norway and Denmark, to give a holistic view of Northern Europe and what happened when huge armies of Danes and Norwegians came to England, leaving a power vacuum behind them in the north.

By using a balance of primary sources and archaeological discoveries, this book provides a detailed overview of Anglo-Saxon history, presented in a very readable way.

But what truly makes this book stand out is the colour and black-and-white images that decorate almost every page. These images provide an intimate view of Anglo-Saxon life, art, and religion that mere words can never achieve. 

I’ve owned this book for over thirty years, and it’s still my ‘go-to-book’ for the earliest of the English kingdoms—charting the centuries when Northumbria, Mercia, and then Wessex were in the ascendant during Saxon England. It’s so readable and engaging. Without it, I don’t believe my passion for the era would ever have gained flight. And it’s not that it shies away from the more complicated arguments about source material and complexities in the narrative record. No, it does all that and much, much more. I still believe it to be one of the best books on the period, and I know for a fact, that many other Saxon historical fiction authors have this book on their bookshelves.

To my mind, James Campbell was the greatest commentator on early Anglo-Saxon England of the last sixty years.

He was my tutor at Oxford for a course on early Anglo-Saxon history and archaeology, and he inspired me to recognise just how much of the so-called “Dark Ages” can be brought to light via a combination of rigour in analysis and creativity in reconstruction.

Campbell’s seminal articles on Bede’s Ecclesiastical History, included in this edited collection, transformed Bedan studies and set out the path forward for the next generation of scholars, although much more remains to be done – particularly in connection with identifying Bede’s sources and unpacking the chronology of the composition of his History.

If you want to understand the conversion of Anglo-Saxon England, you need to understand Bede’s Ecclesiastical History; and if you want to understand Bede’s Ecclesiastical History, you have to understand Bede. The quest will… show more.

Good research is so important to me and this is the historical study that I’d recommend to anyone who wants to know more about the Anglo-Saxon Kingdom of Northumbria. Max Adams has studied the period in detail, but his style of writing is easy to read and sometimes exciting, so much so that I almost felt that I was reading a novel. I love the way Max Adams suggests various possible scenarios, from the written evidence, studies, and archaeology that we have. This is a perfect research book for a novelist, wanting to bring the time period to life. I found that I couldn’t put the book down, once I’d started reading it.

The Anglo-Saxon World is the best introductory survey for students of Anglo-Saxon history. Experts in their field, the authors flesh out the traditional narrative account with insights from archaeology, numismatics, and DNA analysis. The book is splendidly enriched by almost three hundred colour photographs, tables, maps, and diagrams, while box-out sections in each chapter delve into interesting topics or debates. The authors also outline the historiography for readers who want to know how scholarly understanding of the period has developed.

If you are interested in early England’s history you would have heard of Alfred the Great – but what of his children, especially his daughter, Æthelflæd, who became The Lady of Mercia, almost, our first English Queen? Set between the years AD 874 and AD 918, Ms. Whitehead’s research about this turbulent period of Viking invasion, and of Æthelflæd's life, is impeccable. All the characters are believable and the writing itself is beautiful. The author handles the politics, the personal feelings, and the warfare with skillful competence. What is so enthralling about this novel is the author's dextrous ability to blend the facts (those few that are known) with her imagined ‘made-up’ scenes and interactions. This is how good historical fiction should be written and how history should be told – as well-crafted, superb storytelling.

That I would love a poem written/translated by Seamus Heaney did not come as a surprise to me, but that it is Beowulf, a poem/story steeped in the Germanic warrior culture and soaked in blood that enthralled me, did surprise me.

I do not remember the occasion that prompted my reading, but even as I opened the book to its Introduction, and read “...And now this is ‘an inheritance’ --/Upright, rudimentary, unshiftably planked/ In the long ago, yet willable forward...Again and again and again,” I could not put it down.

In fact, you might say, it is not the story but the voice of the poet and how he brought this ancient language and people back to life that compelled me to read on. Of course, the voice is that of the poet of “Digging,” as he traces his roots back to these unlikely ancestors.