Here are 100 books that Wolf of Wessex fans have personally recommended if you like
Wolf of Wessex.
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For me, one of the most exciting things about a great book is discovering the world in which the story takes place. I absolutely love it when I find a story with a rich tapestry into which the characters are woven and which brings the story to life. If the world created by an author tantalizes the senses and feels believable (no matter how fantastical), it makes the characters and story feel real. This makes it feel like the stakes and the consequences of the character’s actions matter in the context of the world and brings us along on the journey and all the possibilities that await the reader.
I do not think any list relating to fantasy books would be complete without an entry from David Gemmell, a true gold standard of the genre. Legend is another book I first fell in love with as a teenager. I loved the simple enough premise: countless enemies at the gates of a fortress, and if the fortress falls, the Drenai Empire falls.
The story also introduces what I believe to be one of the most iconic heroes in heroic fantasy, the Deathwalker—Druss The Legend. While there were battles like nothing I had ever read before it was the interaction between the characters and the fellowship of the embattled defenders which brought me into this world fully as I read. The expert craft of the story made me really care about each of the characters and their fate.
There is an expertly realised villain in Ulric, the leader of the enemy,…
“David Gemmell tells a tale of very real adventure, the stuff of true epic fantasy.”—R. A. Salvatore
Druss, Captain of the Ax, is the stuff of legends. Tales of his battles are told throughout the land, and the stories expand with each telling. But Druss himself grows older, until finally, the warrior turns his back on glory and retreats to his mountain lair. There he awaits his old enemy: death.
But far below, the barbarian Nadir hordes are on the march. All that stands between them and the Drenai people is a mighty six-walled fortress, Dros Delnoch—a great citadel that…
What hope does an army of children have against the might of the Mamluks?
Brother Foulques de Villaret just wants to stay in Acre and perform his sworn duties. Instead, the young Hospitaller Knight of Saint John must undertake a dangerous journey from the Holy Land to a remote village…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of…
Harlequins are lost souls, so loved by the devil that he would not take them to hell, but left them to roam the earth. In French the word is hellequin - the name given to the English archers who crossed the Channel to lay a country to waste.
Thomas of Hookton is one of those archers. When his village is sacked by French raiders, he makes a promise to God: to retrieve the relic stolen from Hookton's church. Escaping his father's ambitions, he becomes a wild youth who delights in the life of an army on the warpath.
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
An oldie, but I loved this book! It was actually two books when originally published (Time of the Dragons and Last of the Zinja). Set mostly in Mongolia and Japan, it tells the story of a warrior monk who falls in love with a Japanese princess who becomes a consort to Kubilai Khan (Ghenghis Khan’s grandson). As a kid, I loved the TV show Kung-Fu with David Carradine and Jebu (the main character) is a much bigger, badder version of Cane. Like Cane, Jebu is a half-blood but his barbarian side is the one that shows through so he is huge and red-haired. Lots of good action in this one.
Beautiful young Taniko struggles under oppression as the mistress of the cruel Kublai Khan, and Jebu, a young monk, is transformed into a fierce warrior, in a saga of the ancient Orient during a time of bloodshed
In 1019, Bergthora Bjornsdóttir returns to Iceland to take revenge for a violent act she suffered long ago. She inadvertently drives Engilborg, the young wife of a powerful and ruthless chieftain into the arms of the girl’s uncle, shattering the lives of family and friends in the rural community. Kjartan,…
Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.
In my opinion the hardest thing to do in life is changing into a person you weren't born to be.
Drizzt was born in darkness and chose to be a hero of light. I was impressed with the way Drizzt fought his way to be good, although the whole world told him he couldn’t. Even today, his story still gives me courage when I decide something isn’t expected from me.
Also, the idea of having a companion panther, like Guenhwyvar, is still something I consider the coolest. This is the reason I played Hunter in my first WoW days.
Strange and exotic Menzoberranzan is the vast city of the Drow. This is a world of dark elves, where families battle families and fantastic monsters rise up from the lightless depths. From the author of the "Icewind Dale Trilogy".
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Menewood, the name of the valley where she builds her personal stronghold, picks up where Hild ended. I simply had to find out what happened next! It was a riotous journey of violence, hunger, and work, yet also the raw beauty of her world: trees, birds, valleys, and hills. Her language continues to be rich and abundant with details, good and painful.
The political complexity and even savagery of her time echo our own. Yet Hild remains a unique and complicated woman who is heroic in every sense of the word. Again, the actress who read the book does a stunning job, especially pronouncing some very foreign Saxon names. I look forward to the next book, which I insist must be a series. After all, Hild will become a powerful abbess at Whitby.
In the much anticipated sequel to Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change.
Making a much-anticipated return to the world of Hild, Nicola Griffith’s Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking’s court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
Britain After Rome is the best account of what it was like to live in Britain in the centuries before the Norman Conquest. Vividly recreating ordinary people’s lived experiences, Fleming mines the archaeological and material record to illuminate the non-political changes that transformed Roman Britain into the Britain of 1066. While plenty of books focus on the activities of kings and bishops in those centuries, Fleming’s engaging and erudite survey tells the history of everyone.
The enormous hoard of beautiful gold military objects found in a field in Staffordshire has focused huge attention on the mysterious world of 7th and 8th century Britain. Clearly the product of a sophisticated, wealthy, highly militarized society, the objects beg innumerable questions about how we are to understand the people who once walked across the same landscape we inhabit, who are our ancestors and yet left such a slight record of their presence.
Britain after Rome brings together a wealth of research and imaginative engagement to bring us as close as we can hope to get to the tumultuous…
A wild land too mountainous to be tamed by plows. A duke of the empire, his cunning overshadowed only by his ambitions. A young priestess of the Old Religion, together with a charismatic outlaw, sparking a rebellion from deep within the forests.…
I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.
By using a balance of primary sources and archaeological discoveries, this book provides a detailed overview of Anglo-Saxon history, presented in a very readable way.
But what truly makes this book stand out is the colour and black-and-white images that decorate almost every page. These images provide an intimate view of Anglo-Saxon life, art, and religion that mere words can never achieve.
This survey, an introduction to the history of Anglo-Saxon England looks at political history, and religious, cultural, social, legal and economic themes are woven in. Throughout the book the authors make use of original sources such as chronicles, charters, manuscripts and coins, works of art, archaelogical remains and surviving buildings.The nature of power and kingship, role of wealth, rewards, conquest and blood-feud in the perennial struggle for power, structure of society, the development of Christianity and the relations between church and secular authority are discussed at length, while particular topics are explored in 19 "picture essays".
Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.
This is the granddaddy of history books about the Anglo-Saxons. Much of the history has evolved and moved on since its original publication in the 1940s, but Sir Frank Stenton is comprehensive and thorough and the resulting tome is jam-packed with information.
Discussing the development of English society, from the growth of royal power to the establishment of feudalism after the Norman Conquest, this book focuses on the emergence of the earliest English kingdoms and the Anglo-Norman monarchy in 1087. It also describes the chief phases in the history of the Anglo-Saxon church, drawing on many diverse examples; the result is a fascinating insight into this period of English history.
I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill.
Aethelstan is an engrossing account of king Aethelstan, lauded as the first crowned king of ‘England,’ something his father, and more importantly, his grandfather, King Alfred, was unable to lay claim to. It’s a thorough examination of all that’s known about Aethelstan during his reign. It’s rare to get a book dedicated to any one single king before the reign of Æthelred II, who was Aethelstan’s great, great-nephew, and reigned thirty years later. The work shows just how much can be gleaned about historical figures during this period by experts in the field, who know how to unpick all the complicated details and present them to readers in an engaging format.
"AEthelstan was perhaps the most important king of tenth-century England, but we know very little about him, and he has no modern biography. Sarah Foot triumphantly fills this gap, and adds to the richness of our understanding of the period in a way that few others have managed."-Chris Wickham, author of The Inheritance Of Rome
The powerful and innovative King AEthelstan reigned only briefly (924-939), yet his achievements during those eventful fifteen years changed the course of English history. He won spectacular military victories (most notably at Brunanburh), forged unprecedented political connections across Europe, and succeeded in creating the first…
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
The Anglo-Saxon World is the best introductory survey for students of Anglo-Saxon history. Experts in their field, the authors flesh out the traditional narrative account with insights from archaeology, numismatics, and DNA analysis. The book is splendidly enriched by almost three hundred colour photographs, tables, maps, and diagrams, while box-out sections in each chapter delve into interesting topics or debates. The authors also outline the historiography for readers who want to know how scholarly understanding of the period has developed.
The Anglo-Saxon period, stretching from the fifth to the late eleventh century, begins with the Roman retreat from the Western world and ends with the Norman takeover of England. Between these epochal events, many of the contours and patterns of English life that would endure for the next millennium were shaped. In this authoritative work, N. J. Higham and M. J. Ryan reexamine Anglo-Saxon England in the light of new research in disciplines as wide ranging as historical genetics, paleobotany, archaeology, literary studies, art history, and numismatics. The result is the definitive introduction to the Anglo-Saxon world, enhanced with a…