100 Books Like The American Home Front

No one wrote better than E. B. White, and no one captured the essence of daily life on the home front better than White in this collection of essays. “This is my country and my night,” he wrote from his farm in Maine, “this is the blacked-out ending to the day, the way they end a skit in a revue.” Yet White acknowledged that it was nearly impossible for him or anyone else to truly convey all the ways that the war was changing ordinary Americans. “You write something that sounds informative, throwing the words around in the usual manner, then the thing explodes in your hands, and you look down at your hands,” he explained. “As though you had crushed a light bulb and were bleeding slightly.”

Largely forgotten today, Ray Clapper was perhaps the most highly respected American newspaper columnist and radio personality of the 1930s and 1940s. Especially adept at sketching the domestic political scene, Clapper restores the nation's wartime leaders to life for modern readers in this collection of excerpts from his columns. President Franklin Roosevelt was "always supremely self-confident, sometimes angry, eager to exchange gossip, quick to make a humorous dig at the expense of some opponent or critic, and especially of a stuffed shirt." By contrast, Governor Thomas Dewey of New York, who ran against Roosevelt in the presidential election of 1944, was "too slippery with words to inspire any confidence." Clapper reserved his harshest judgment for the wartime Congress, which he deemed "a collection of 2-cent politicians who could serve well enough in simpler days," but whose "ignorance and provincialism" rendered them "incapable of meeting the needs of modern government."

Reading Dos Passos’ account of his own travels across wartime America is a valuable corrective to the long-standing myth of a united home front, with civilians cheerfully sacrificing for the boys overseas. Instead, Dos Passos found rising rates of worker absenteeism in defense plants, management executives turning blind eyes to defects in airplanes in the name of profits, and lonely wives of defense workers living in makeshift housing going “trailerwacky” for lack of companionship. And when coal miners walked out on strike in 1943, imperiling war production, one miner explained to Dos Passos that “it’s the tough guys make themselves respected in this man’s country, the tough guys an’ the big winds.”

A former philosophy professor who joined the staff of the illustrious New York newspaper PM following Pearl Harbor, Lerner provides a scholarly perspective on home front developments. “America at war,” he decided, “is an America torn from many of its moorings, in which everything is having to move at a quicker pace.” Among Lerner’s subjects are juvenile delinquency, especially the rise of teenage amateur prostitutes; women in wartime (“the men make war happen, but it happens to women”); and the increase in racial intolerance — not only against Japanese-Americans, but Mexicans and Jews as well.

Sweet Thames Run Softly is a classic of natural history literature. 

It is reputed to have been read by British servicemen during World War II to remind them of home and peace. It is just as evocative today.  It describes a journey down the River Thames in a punt, and it meanders in the same way as the river does. 

The beauty lies in the text and the charm is in the author’s etchings. This is a book that I read time and again, whenever I want inspiration or solace.

While sipping cocktails in a New York City bar in the late 1940s, John Steinbeck and the famed war photographer Robert Capa began musing about Russia. “What do the people wear there? What do they serve at dinner? Do they have parties?... How do they make love, and how do they die?” Though gallons of ink were routinely spilled in newspaper stories about the political situation there, no one covered the private lives of the Russian people, which is what these two great artists wanted to know about. So, they decided to find out for themselves. They detail the fruits of their fascinating and frequently madcap journey in A Russian Journal.

California-born Mary Francis Kennedy Fisher’s contribution to our culture was revolutionary. Before her, no man or woman wrote about food as they might about art: what was noteworthy in the meal, how the cauliflower was cooked or the paté presented, and how all of it made her feel. She is perhaps best known for her masterpiece The Gastronomical Me, her memoir about her sensory awakening around food, cooking, and love when she moved to Dijon, France. After returning to the States, Fisher moved with her two daughters to Aix-en-Provence following World War II. By now, the memoir of Provence—the farmhouse, lavender fields, and dappled summer light—have become a genre unto themselves. But as with everything this trailblazer wrote, few have ever done is as well or with such exquisite understatement as Fisher did in Map of Another Town.

It is a soulful and beautifully atmospheric chronicle of building… show more.

A beautifully written and meticulously researched family memoir that made me question what I would have done to survive the turbulence and brutality of the Nazi era. Themes of antisemitism and identity continue to haunt four siblings - Jehuda, Jacob, Sender, and Sala - as they leave Poland behind to establish new lives as Alex, Jacques, Henri, and Sara in Paris.

An irresistible and complex personal story that I would happily reread because I devoured this page turner too quickly! At the heart of it all is Sara, the author’s mysterious, glamorous, melancholy grandmother and a shoebox of her treasured possessions. The author, a skilled journalist, adds power to the narrative with examples of populist divisive politics and the rise of nationalism in current times.

This book takes you back to living in World War II America, from watching movies and listening to radio to enduring rationing and blackouts to changes in the family as (mostly) men went off to war and more women were working outside the home.

It’s well-researched and well-written, with a good sense of how popular culture helped shaped American society.

Lingeman really recreates what it was like for the average person, from silly fads and rumors to the sadness of telegrams and the seriousness of labor shortages and internment camps.

The Machado Era (1924-1933) and the build-up of U.S. tourism are key to Cuba’s later history, but I have always found that period hard to teach. Schwartz does an admirable job of documenting the close connections between business circles in both countries, and the process by which Cuba became a playground for wealthy Americans in the ‘Teens and Twenties, fueling both deep corruption and a powerful anti-imperialism.