Books like One Man's Meat — picked by fans

At the end of February 1942, British-born journalist Alistair Cooke set off upon a road trip across wartime America, to “see what the war had done to people.” His observations provide a series of fascinating snapshots of the home front in the early months of the war. Shortages of civilian goods showed up everywhere, from the West Virginia soda fountain with the forlorn sign over an orange-squeezer that read, “Regret. Out of Coca-Cola,” to Houston, where rubber and gas rationing led to overcrowding on city buses that threw whites and Blacks into unwonted jostling proximity.

On the West Coast, Cooke found that San Diego — flush with sailors on leave and recently-arrived workers in aircraft plants — was “the greatest boom-town since the Klondike”: “In the evening, roaming the bars and saloons, you see, alongside much healthy ribaldry among sailors and Marines fresh from the Pacific, plenty of saddening adult… show more.

Largely forgotten today, Ray Clapper was perhaps the most highly respected American newspaper columnist and radio personality of the 1930s and 1940s. Especially adept at sketching the domestic political scene, Clapper restores the nation's wartime leaders to life for modern readers in this collection of excerpts from his columns. President Franklin Roosevelt was "always supremely self-confident, sometimes angry, eager to exchange gossip, quick to make a humorous dig at the expense of some opponent or critic, and especially of a stuffed shirt." By contrast, Governor Thomas Dewey of New York, who ran against Roosevelt in the presidential election of 1944, was "too slippery with words to inspire any confidence." Clapper reserved his harshest judgment for the wartime Congress, which he deemed "a collection of 2-cent politicians who could serve well enough in simpler days," but whose "ignorance and provincialism" rendered them "incapable of meeting the needs of modern government."

Reading Dos Passos’ account of his own travels across wartime America is a valuable corrective to the long-standing myth of a united home front, with civilians cheerfully sacrificing for the boys overseas. Instead, Dos Passos found rising rates of worker absenteeism in defense plants, management executives turning blind eyes to defects in airplanes in the name of profits, and lonely wives of defense workers living in makeshift housing going “trailerwacky” for lack of companionship. And when coal miners walked out on strike in 1943, imperiling war production, one miner explained to Dos Passos that “it’s the tough guys make themselves respected in this man’s country, the tough guys an’ the big winds.”

A former philosophy professor who joined the staff of the illustrious New York newspaper PM following Pearl Harbor, Lerner provides a scholarly perspective on home front developments. “America at war,” he decided, “is an America torn from many of its moorings, in which everything is having to move at a quicker pace.” Among Lerner’s subjects are juvenile delinquency, especially the rise of teenage amateur prostitutes; women in wartime (“the men make war happen, but it happens to women”); and the increase in racial intolerance — not only against Japanese-Americans, but Mexicans and Jews as well.

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

Addiction, grief, generational trauma… all these things exist in Talty’s work. But his prose lifts all that heaviness and makes it not only bearable, but often strangely beautiful.

His characters are raw and real, and his skill with dialogue is enviable. I love the way the book is structured as a collection of linked stories, each one informing and contributing to the rest. The book is set on the Penobscot reservation in Maine, an area often overlooked both in literature and reality.

Talty is a natural storyteller, and his voice rings with wisdom, dry humor, and honesty, giving readers rare insight into this community. 

The fascinating thing about this book is the overall lack of a plot.

It pairs McCloskey’s crisp pen-and-ink drawings with simple prose to evoke the bucolic feeling of life on the coast of Maine. Although not as universally known as McCloskey’s Make Way for Ducklings or Blueberries for Sal, this entry can bring one to a calm place and let them breathe for a while.

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.

Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.

This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things. 

Oh, this book is perfect from the first page. It captures motherhood wonderfully and specifically—in this case, mothering two teenage boys—and it just as successfully captures the Maine coast and the complicated, sometimes fragile ecosystem of a marriage.

Jill is a documentary filmmaker who’s temporarily a single parent to her boys while her husband, a fisherman, recovers in a hospital from a boating accident. There’s nothing flashy about the story—it’s a smart, lovely, often funny look at one woman’s life. It’s a deeply contented life, by the way, which means the stakes are very high when the foundation of it starts to look shaky.