Here are 100 books that The Abolition of Man fans have personally recommended if you like
The Abolition of Man.
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I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
This is a book, but it was also a fabulous TV series. I first read the book when I was trying to make a living as a freelance writer. I couldn’t afford to buy it, so I went to a different bookstore every day and read it through. (I have since bought myself a copy.)
Hughes traces the art of the 20th century following movements like Cubism and Dadaism. I found this book so engrossing because Hughes really takes on the idea that this art was made by people who thought it could change the world, that it could shape the world. Even if we’re not so sure of the function of art in our own time, it is exhilarating to read about the art that was created with such fervour.
This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.
Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.
The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
Irshad Manji is one of the most courageous people I know. Her earlier book, The Trouble with Islam Today, sounded such a bold call to her fellow Muslims to modernize their faith that Irshad had to live behind bulletproof glass for years.
Her newest book challenges not only her fellow believers but people like me (and you!) to respectful, sensible, courteous, and productive conversations rather than furious confrontations. In the storm of overheated polemics about diversity, equity, and inclusion, this book offered the sound, practical advice I’ve been seeking.
In these United States, discord has hit emergency levels. Civility isn't the reason to repair our caustic chasms. Diversity is.
Don't Label Me shows that America's founding genius is diversity of thought. Which is why social justice activists won't win by labeling those who disagree with them. At a time when minorities are fast becoming the majority, a truly new America requires a new way to tribe out.
Enter Irshad Manji and her dog, Lily. Raised to believe that dogs are evil, Manji overcame her fear of the 'other' to adopt Lily. She got more than she bargained for. Defying…
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
Political scientists don’t always write with verve and insight, but the late Glenn Tinder did. This book takes the ever-challenging theme of liberty and shows me how to understand it as more than an Independence Day slogan.
Tinder provoked me to consider how my freedom should be about more than me but used instead to assist others less resourced than I am. I found this book a refreshing change from the selfish agenda of so many authors writing about liberty and freedom without also considering responsibility and community.
Liberty is a dangerous concept. It's sure to be misused and, if left unchecked, will likely bring not social harmony and happiness but their opposites. Nonetheless, liberty is absolutely necessary: without it there can be no authentic community. People are not free to do the right thing unless they are free to do the wrong thing; if they can't be wrong, they can't be right. Thus does Glenn Tinder argue emphatically for "negative liberty" - the liberty that wants primarily to be left alone, with the authorities interfering as little as possible in the lives of people - and against…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
This Black American scholar courageously confronts some of the myths that continue to dominate higher education in the United States (and, I daresay, here in Canada as well). He shows how even well-meaning programs of affirmative action and lofty ideals of justice and equality sometimes show up as heavy-handed enforcement of the preferred ideals of the controlling academic elites.
I myself have run afoul of those elites on occasion, and Yancey’s calm, well-evidenced scholarship confirms my bitter experience. He exposes the iron grip of political correctness on campus and offers reasonable, practical advice as to how to negotiate it—for professors and students alike.
Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities--surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically--and, even more so, religiously--conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free…
When I began teaching in higher education and mentoring teacher candidates whose ambitions were to teach in culturally diverse urban schools, I was shocked to find out that my course was one of the first in which many students were asked to explicitly address issues of educational equity and systemic racism. Cultural diversity in teacher education programs is often a one-shot, watered-down class about “celebrating diversity.” This approach doesn't support candidates in becoming teachers who can challenge how low-income students of color are stereotyped and labeled “at-risk,” with curricula sadly focusing more on compliance and discipline than learning, inquiry, and agency.
This expansive collection of essays published in 2011 provides a historical accounting of the challenges involved in preparing teachers to work with diverse student populations, as well as a review of the research on multicultural education, culturally relevant pedagogy, and critical race theory.
With twenty chapters written by some of the most influential people in contemporary teacher education–such as Gloria Ladson-Billings, Carl Grant, Sonia Nieto, and Etta Hollis, to name but a few—this book is a classic that stands the test of time.
Studying Diversity in Teacher Education is a collaborative effort by experts seeking to elucidate one of the most important issues facing education today. First, the volume examines historically persistent, yet unresolved issues in teacher education and presents research that is currently being done to address these issues. Second, it centers on research on diverse populations, bringing together both research on diversity and research on diversity in teacher education. The contributors present frameworks, perspectives and paradigms that have implications for reframing research on complex issues that are often ignored or treated too simplistically in teacher education literature. Concluding the volume with…
I began my journey in communications as a competitive public speaker in high school and college, culminating in a national championship. That experience inspired me to help others develop their public speaking and presentation skills, especially effective point-making, which is fundamental to communication success but rarely addressed by trainers. Nowadays, I’m thrilled to combine my skill, experience, and passion in my work as a speechwriter and speech coach for organizations ranging from American Express to State Farm Insurance, as well as a speechwriter for a major nonprofit and contributor to media outlets including Harvard Business Review,Fast Company, and Newsweek.
Mignon is one of my writing idols, so this is rightfully one of my writing bibles.
No one’s better than Mignon—best known as “Grammar Girl” on her podcasts and in her books—at separating fact from fiction when it comes to grammar. She also has an extremely friendly, supportive style that builds trust right away, like getting advice from your neighbor (who happens to be omniscient about language and word usage).
I felt this myself as one of Mignon’s guests on her very popular podcast. Quick and Dirty Tips is like having Mignon’s skill and insight on call, and that’s an amazing and invaluable resource for any writer.
Mignon Fogarty, a.k.a. Grammar Girl, is determined to wipe out bad grammar - but she's also determined to make the process as painless as possible. One year ago, she created a weekly pod cast to tackle some of the most common mistakes people make while communicating. The pod casts have now been downloaded more than seven million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of "The New York Times", "The Wall Street Journal", and "USA Today".Written with the wit, warmth, and accessibility that the pod casts are known for, "Grammar Girl's Quick and…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
When your storytelling simulates imagined physiological experiences, it guides your listeners to vicariously see, hear, smell, taste, and touch the world of your story. While my books suggest six kinds of stories and four buckets to find stories, I also use these favorite resources for training my brain to think in sensory language. Dip in to find a steady supply of metaphors, images, mannerisms, and context builders that make your story come alive. Current strategies that maximize clicks rarely tap into the wealth of sensory language needed to build epic, long-lasting results.
Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.
Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
I am passionate about this topic because I have known far too many dedicated scholars who struggle to write and publish their work. When I ran into trouble writing my dissertation, I didn’t have any help. I was ashamed and embarrassed and found only a handful of books to guide me. That began a lifetime of exploring how and why academic writing can be so challenging for me and for so many others. Today there is much more advice available to struggling academics, in books and online, including individual (and usually too expensive!) writing coaching. But the challenge of actually getting writing done in a demanding and often unsupportive academic environment continues.
This book is most helpful for scholars who worry that they “don’t know the rules” for scholarly writing. The fear of being a clueless newbie can stymie us, especially because there really are unspoken rules in academic writing.
The authors make the structure and norms of scholarly writing clear and accessible, so that hesitant newcomers can recognize them, and then learn how to use them in their own work.
Used and loved by millions of students for its lively and practical advice, this is the book that demystifies academic writing and shows how to engage with the views of others. Extensively revised in response to feedback from our community of adopters, this edition of "They Say / I Say" is an even more practical companion for students, featuring a new chapter on research, new exercises, expanded support for reading and an expanded chapter on Revising.
How could a historian of the USnotfind Lincoln an endlessly fascinating figure? As a young(ish) university teacher, I jumped at the invitation to write a study of the 16th president, but didn’t expect it to win the coveted Lincoln Prize. When it did, in 2004, the community of American Lincoln scholars made me, a Welsh professor from Oxford University, doubly welcome. In several books I’ve examined Lincoln’s political skill, strategic ambition, and moral purposes. But he was more than a gifted pragmatist. His greater goal was to leave his nation stronger and a little closer to realizing the principles of equality laid out in the Declaration of Independence of 1776.
Lincoln was a great communicator, whose greatest speeches deliver emotional power through unfussy language. Harriet Beecher Stowe, the author of the best-selling page-turner Uncle Tom’s Cabin, knew a thing or two about language. She said Lincoln’s compelling words had “the relish and smack of the soil.” Douglas Wilson’s study is an exercise in historical detection. Sleuth-like he uses the successive manuscript drafts of Lincoln’s speeches and public letters to show his care in choosing his words, and how alert he was to sense, sound, imagery, context, and clarity. Lincoln’s Sword is a masterpiece, a showcase of the literary and political sensibilities that made Wilson an acclaimed winner of the Lincoln Prize.
Widely considered in his own time as a genial but provincial lightweight who was out of place in the presidency, Abraham Lincoln astonished his allies and confounded his adversaries by producing a series of speeches and public letters so provocative that they helped revolutionize public opinion on such critical issues as civil liberties, the use of black soldiers, and the emancipation of slaves. This is a brilliant and unprecedented examination of how Lincoln used the power of words to not only build his political career but to keep the country united during the Civil War.
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
As a writer and historian, I’m all about rabbit holes. When something I’ve never heard about before catches my interest, I have to find out more—and sometimes I end up writing whole books on the subject! I have a head full of bizarre little nuggets of information, and I love reading books, like the ones here, that tell me something new and change my way of thinking.
This clever and funny book explains that there are specific techniques that make good writing sound good, or a pithy phrase stick in the mind, and tells you the long and difficult Greek (or slightly easier Latin) names for all these rules you kind of knew without actually knowing.
I can hardly retain any of the Greek labels, but I do remember the fun little examples, like why Oscar Wilde’s epigrams are so striking (antithesis) and how Shakespeare totally lifted part ofJulius Caesarfrom a historian, but polished it up (alliteration). And whenever you hear a memorable three-part phrase, it was probably longer but everyone forgot the other bits (tricolon).
This is not one for fans of utilitarian writing, but as Forsyth says, “To write for mere utility is as foolish as to dress for mere utility.”
From the #1 international bestselling author of The Etymologicon and The Horologicon comes an education in the art of articulation, from the King James Bible to Katy Perry…
From classic poetry to pop lyrics, from Charles Dickens to Dolly Parton, even from Jesus to James Bond, Mark Forsyth explains the secrets that make a phrase—such as “O Captain! My Captain!” or “To be or not to be”—memorable.
In his inimitably entertaining and wonderfully witty style, he takes apart famous phrases and shows how you too can write like Shakespeare or quip like Oscar Wilde. Whether you’re aiming to achieve literary…
