100 Books Like The Elements of Eloquence

The author starts with the question: “Are you smarter than my chimpanzee?” When you finished the book, you’ll be so humble to say: I am not!

While reading the book, I was several times surprised by how adults (including myself) have a distorted perception of reality. For example, eighty percent of children worldwide are vaccinated. This means that almost all human beings alive today have some access to basic modern health care. However, on average, just 13 percent of people get the right answer.

Don’t forget that you can only make correct decisions based on accurate data. For this, you can rely on (the many) reliable databases that are available via the internet.

It was for me the first book that convinced me to think and work more with facts and data, i.e., evidence-based management

Quirkology has a whole chapter on jokes, and the search for the funniest one. I listened to this as an audiobook and did a lot of chortling while I was out walking. (Fortunately there weren’t too many people around.) 

But there’s also plenty of serious and handy stuff, about whether you can tell when you are being lied to, what makes some people “luckier” than others, and what to talk about during speed dating. (Men should talk about travel, not films, if they want to make a connection with the opposite sex.) 

There’s also a section on nominative determinism (your name defining your destiny), and the irony was not lost on author and researcher, Dr. Wiseman. 

A book on statistics that is interesting? Yes, actually. And The Tiger that Isn’t is more than just interesting, it’s useful. Maths was never my strong point at school, but even someone who never got the hang of quadratic equations can learn to ask useful questions when faced with bamboozlingly large numbers and dodgy ‘averages’. 

This book offers a way to see through statistics that are used to conceal information as much as to reveal it. It’s worth reading just for the section on rice and random distribution. And the tiger in the title? It’s what happens when you think you see a pattern (in this case, stripes in the undergrowth), but there is no pattern at all. 

Here we enter the topic of time travel, a concept very dear to me from both a fictional, moral, and scientific point of view. Many novels have attempted to show how one change in the past could change our future. Elton’s novel struck me for its originality in picking a notorious historical event largely ignored by fiction when it comes to time travel and alternate history. The assassination of the Franz Ferdinand of Austria is used not just as the spark of World War I but as the start of the ideological and warmongering terror that would spread through Europe. The novel is an example of man’s fixation with trying to find one cause for all problems when maybe there are multiple causes going back years and years. The search is as vain as the main character’s attempts to change history.

I was fascinated by Foster’s detective work in literary history–searching for the actual authors of poems, political novels, and proclamations, the authors of which had always been considered “anonymous.” Using a variety of ingenious methods, Foster tracks down the persons behind mysterious documents ranging from the Unabomber’s threats to “The Night Before Christmas.”

I loved Foster’s wry and sometimes caustic sense of humor, especially when he is skewering the “experts” whom he proves to be wrong. This book is, quite simply, great fun for the intellectually curious.

Lincoln was a great communicator, whose greatest speeches deliver emotional power through unfussy language. Harriet Beecher Stowe, the author of the best-selling page-turner Uncle Tom’s Cabin, knew a thing or two about language. She said Lincoln’s compelling words had “the relish and smack of the soil.” Douglas Wilson’s study is an exercise in historical detection. Sleuth-like he uses the successive manuscript drafts of Lincoln’s speeches and public letters to show his care in choosing his words, and how alert he was to sense, sound, imagery, context, and clarity. Lincoln’s Sword is a masterpiece, a showcase of the literary and political sensibilities that made Wilson an acclaimed winner of the Lincoln Prize.

I first read this as a teenager, and its wise counsel has stayed with me ever since. Gowers’ book was originally written as a guide for British government workers, to help them avoid the perils of jargon and ‘officialese’ and write in a way that colleagues and (more importantly) the person in the street could actually understand. 

The fact that I could immediately apply the ideas to my school essays shows you why this book has been continuously in print since the 1950s, and why generations of writers have found it so useful in shaping their own style. 

Practicing exactly what he preaches, Gowers lays down the principles of plain English, in plain English. Read and see why this deserves to be called a classic.

Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.

Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.

This book takes the reader back to another speech world, that of 16th and 17th century English, albeit one on which we have some purchase through the plays of William Shakespeare. Where someone today may hedge their words with I suppose or probably, people in this time peppered their speech with expressions conveying certainty like verily and forsooth. This contrast represents the ethos of truth and faith that reigned at this time before it was replaced by a modern spirit of epistemic detachment ushered in by the British enlightenment. Yet a by my troth was not interchangeable with a by my faith, and each chapter of the book opens the door on the specifics of an epistemic expression in 16th and 17th century English through colourful examples, cultural evidence and a statement of its meaning. I love this book.

Mignon is one of my writing idols, so this is rightfully one of my writing bibles.

No one’s better than Mignon—best known as “Grammar Girl” on her podcasts and in her books—at separating fact from fiction when it comes to grammar. She also has an extremely friendly, supportive style that builds trust right away, like getting advice from your neighbor (who happens to be omniscient about language and word usage).

I felt this myself as one of Mignon’s guests on her very popular podcast. Quick and Dirty Tips is like having Mignon’s skill and insight on call, and that’s an amazing and invaluable resource for any writer.