Books like Target Acquired — picked by fans

I am a writer and an internationally recognized communications expert who grew up poor, homeless, and oppressed by fear and violence. I am a woman who crashed through the glass ceiling and had an exciting career with the US Nuclear Regulatory Commission and the International Atomic Energy Agency where I became a leader on the international stage. During my troubled times growing up, I fantasized about being an elite operative who got the bad guys and traveled the world. That’s why I wrote about one. I know how hard it is to be a strong woman. That’s why I celebrate them. 

In the early 70s I was a pop singer/recording artist in Paris with a dinner show at a restaurant/discotheque/bar called Jacky’s Far West Saloon. Located in the trendy Montparnasse area, it was popular with the US embassy personnel. As such, it was also a magnet for spooks looking to score contacts with the Americans. I witnessed a lot of intrigue there, some of it major, most of it minor, and developed a passion for international espionage. I also developed a passion for international finance and went on to author or co-author ten books and over a hundred journal articles on the subject.  

Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.

One of the joys of writing a mystery series is you have time to explore your characters—who they are, where they come from, what motivates them. In this particular series, I’d established a rift between the protagonist and her family, and I began to wonder why it was there. My own sister died when still a baby, yet her absence cast a long, complicated shadow over our family for decades. I wanted to explore more about the family dynamics around a missing child—and kidnapping seemed the best tool to get there. So I read everything I could about kidnapping to present that absence in both intimate and compelling ways.

When I was a child, the thing that plagued me most about my favorite genre, sci-fi, was that none of the protagonists were women! As a daughter to doctors and research scientists, it felt strange that the only female characters in sci-fi were these buxom, mystical healers or seamstresses who meekly repaired their crewmates’ uniforms. While that problem has been remedied over the last two decades of excellence in mainstream sci-fi with some truly unforgettable female heroines, they’re not as plentiful in the niche market of humorous sci-fi. I am thrilled to share this list of my favorite lighthearted, humorous sci-fi reads with female protagonists. 

I’ve been obsessed with fantasy stories for as long as I can remember, but the books I read growing up usually took place “somewhere else.” When I first started seeing books that brought magic to a world that resembled mine, I fell in love. Reading magic in a modern setting brought it home and made it real. Now, I gobble up every story I can find that brings magic to the mundane, and I even write my own. I hope the books on this list inspire you to look for the magic in your own life, as they have for me.

I love young adult fiction. I especially love it when female characters face their fears and fight for what’s right. And if they’re not afraid to run headfirst into a battle, even better. I think it’s incredibly important for young women to have access to books that break free of female stereotypes. None of the heroines in these books are waiting for someone to save them. They’re in the thick of it, confronting their demons, and maybe slaying a few, too! My PhD explored power and belonging in YA fiction, and I’ve written and presented on the importance of strong female characters. Here’s to girl power!

I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior. 

The dark side has fascinated me since I was a child. I've always had a love for the villains in movies and books. I particularly like Alfred Hitchcock's thrillers. Because the tension is not created through bloodshed but through twists and psychology. As a full-time thriller writer, I write my stories in such a way that my main character has to overcome the dangers on their own, mostly without the help of the police. I live in Germany, but I grew up with stories from the USA. If you like stories with a twist, feel free to check out my recommendations, which also feature two German authors.

In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.