Books like Earthly Possessions — picked by fans

Written well after the event, this is a memoir of Orwell’s experiences right in the thick of the Spanish Civil War. What I liked most was the way I got a fulsome, heads-down immersion into the action. Orwell describes with harrowing detail the skirmishes across hostile territory, the injuries of battle, and the comradery, as well as the suffering where food was in short supply and guns did not always fire.

It is only at the end of the book that I had a chance to see all this activity in context, with fifty-three pages of appendices to explain the various factions involved. But you could skip that if you wanted in order to enjoy a record of on-the-ground reporting of the complex conflict that was the Spanish Civil war. 

I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.

I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.

I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.

On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.

Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.

Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.

Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.

The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.

This is the first book that I grabbed after seeing a BookTok recommendation for it. The premise was intriguing and what the reviewer said about it left me searching to see if there was an audiobook version. 

The only thing that stopped me from listening to this book in one sitting was life. Talk about a book that will leave you aching with the character, angry, and desperate for answers. Holy hot damn! I was in tears, I was gasping, I was listening with my mouth hanging open, grimacing in horror and I loved every bit of it. 

Trigger warnings throughout this book. I won't lie, this book is dark and horrible (in a good way) but it also left me feeling down. It's haunting and the narrative pulls you so far in you feel like you are there with her, held captive right by her side. Not to mention… show more.

This isn't a book I'd usually pick up, but after hearing rave reviews, I decided to give it a go, and I'm so glad I did! It's a slow-burn suspenseful crime novel, which would usually lose my attention as I'm more a fan of fast-paced reads, but Will's writing is so wonderfully rich and vibrant that it just wouldn't put me down! Yes, it had me that gripped. 

The story follows Thanh, a young Vietnamese woman who has been trafficked into the country (England) along with her sister. They get separated, and Thanh is sold off as a 'wife' to a farmer in the Fenns who keeps her there, hidden from the rest of the world.

The story is told in first person, and it gives a pretty stark insight into the domestic horrors of human trafficking and the bleak options she faces. But it's also an incredible story of… show more.

Families. What can I say? They can be weird beasts, and none less so than the family of detective Eva Rae Thomas.
A father who kidnapped her sister from a grocery store when they were children. A brother she didn’t know existed. Ignored by her family for decades, can she refuse their call for help? Many would, in a case where nothing is as it seems.

I had the opportunity to listen to Karin Slaughter speak at the Bouchercon Conference in St. Pete, Florida and this was her new release.

The book sounded wonderful, and my signed copy is on my keeper shelf. Pieces of Her has a crazy, explosive opening and breakneck pace with questions that pile on questions, and we hold on for dear life. I was so enthralled by this story that I bought a second copy for a friend and put it in her hands saying, “You have to read this.” She loved it and so did Netflix because it is now a series. 

Superbly written, heart-stopping, action-filled. It’s the story of highborn 18-year-old Cassie Brougham, who on the day before her marriage to a viscount she has loved for years, is abducted by 34-year-old Anthony Wells, the Earl of Clare, who has been watching her since she was a child all the while believing she is his perfect mate. 

Though Anthony’s intention is marriage, that doesn’t stop him from rape to claim her, nor imprisonment, first on his yacht and then in his Italian villa, as he tries to persuade her to marry him. The plot is intricate and intriguing with lots of action and lots of mystery. The characters are richly drawn, including the hero who has a noble side notwithstanding his selfish and brutal act of taking another man’s bride.