59 Books Like 24 Hours

Published in 1997, DeBecker offered something no one else I was reading came close to: an explanation of warning signs that precede violence that are so subtle they leave many people with a bad feeling about a situation, for example, with a stranger, but no idea why they feel that way. The temptation then is to override the gut feeling: “What is wrong with me? It’s the middle of the day and this nice man just wants to help me carry my groceries up to my apartment.”

DeBecker himself is a fascinating figure. He grew up with a heroin-addicted mother who waved a gun around frequently and finally shot his stepfather before committing suicide when he was 16. DeBecker learned to rely on small, subtle clues to tell when she was dangerous and when she was not. After her death, he was taken in by Rosemary Clooney, the mother of… show more.

This book messed with my head in all the right ways. I expected scares, but I didn’t expect the emotional gut-punch.

It’s not just about death; it’s about grief, denial, and how far someone will go to outrun the pain.

You feel the characters trying to escape what’s coming, running from fear, from loss, from truth, but it always catches up. The horror creeps in slowly, then hits like a truck, literally. Once the line between life and death is crossed, there’s no turning back. 

It’s one of the few books that left me genuinely unsettled because I understood the choices, even when they led straight into darkness.

When Chris, the main character of this novel, dies, he teeters between a majestic heaven and the depths of hell when he can’t let go of his life because of his wife’s descent into depression.

This is a love story about a spirit that cannot move on because his soul is so deeply connected to his wife in the human world even though the peace heaven offers is tempting. This is the first novel opened my mind to the connections between souls on earth and those in the afterlife.

The Cellar will have you holding your breath at each turn! I felt like my skin was crawling while I was reading this book and I was thinking of ways to escape the nightmare. Natasha Preston did a fantastic job of making you feel like you’re living in Summer’s shoes. It’s a gripping story of a horrific kidnapping and the new life Summer finds herself living in. This book makes you glance twice over your shoulder when you’re walking alone at night and it is a reminder of how quickly something like this can happen. The Cellar opens your mind to both the kidnapper and the captives. Highly recommend this book!   

In the Dark Spaces is a stunning YA novel breathed into life by its main character, Tamara, a heroine who grabbed my heart from the first lines and didn’t let go. 

Tamara loves her family above everything else. And when she’s separated from them in a universe torn apart by war, she must draw on all her strength and smarts to survive. Her gift for languages and ability to adapt gives her an advantage when she’s captured by the enemy. But she’s also forced to do things that terrify her and break her heart. I love Tamara’s unique voice, and the way it expresses the deep bonds that tie us to friends and family made my heart sing. She’s truly a heroine that embodies the fighting spirit.

Laura McHugh writes about parts of the U.S. that are often either villainized or over-simplified. Instead of leaning into the cliches, she brings these landscapes and their people alive with compassion but without pity. From the first paragraph, I could feel the oppressiveness of the protagonist’s world but I could also see its wild beauty. This is a place where the air is “heavy as a sodden sponge” and insects buzz like an “unholy plague.” The darkness implied in the title has a layered meaning here: there’s the darkness of ignorance, the darkness of the human mind that is capable of justifying cruelty as salvation, and the darkness of hidden and ignored places. 

This was the very first thriller book I read, and it terrified me. I  was 11 years old when I picked this book up and delved into the world of Fred (who calls himself Ferdinand) and his kidnap victim, Miranda. Approaching this from a young mind, I saw something of romance in the obsessive tale, but that romance soon revealed itself to be a terrifying story of abduction, stalking, and murder.

Why do I still love this book? Maybe it was the first time I realized I wanted to be a writer. But it was stunningly written, provocative, and left me thinking about the characters. It is a classic that should always be in print.

I enjoyed the pacing of this action-packed book.

Cuban-descended protagonist Eve Innocente is trying to rescue her kidnapped sister from a galactic crime syndicate known as the Fridge. What really carried me through the story were the whacky shenanigans along the way, including a cargo hold full of psychic cats. This book had such a fun feel!

The spiritual worldview so beautifully rendered in Black Elk Speaks reflects the landscape of the North American Great Plains.

The Four Winds emanate from the cardinal points of the compass, and above is Father Sky and below is Mother Earth all united in one Great Spirit. The spiritual worldview of the Ojibwa reflects the landscape of the woodlands surrounding the Great Lakes. It’s an animate, shape-shifting world of the Trickster/Culture Hero Nanabushu and Wendigo, the cannibal spirit of the hard and lean winter months.

In this magical-realist novel, Louise Erdrich, a writer of Ojibwa ancestry, weaves together the star-crossed lives of her fictional characters with the fluid human and animal (and animal-human) characters of the traditional Ojibwa worldview. Erdrich thus breathes new life into the Old World of the North Woods and brings that Old World to bear on the New. 

Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.

Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.

The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.