Here are 100 books that Tango Red Riding Hood fans have personally recommended if you like
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As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
Of the many retells I have read, this version turns the classic tale on its head the most. With my own reclusive artist tendencies, I found Ra Pu Zel’s wish for alone time to pursue her interests very alluring. I am always curious about new foods and I will set out to find stinky tofu in town, do I follow the smell? The art transports us to a setting with cultural and culinary delights.
A playful, feminist retelling of Rapunzel with a Chinese-cuisine twist
The story of Rapunzel where she’s being locked in a tower by a witch is a good one—but it’s not totally the truth.
The real story is about a young princess in China named Ra Pu Zel who doesn’t want to talk to princes or look proper. What Pu Zel wants is to cook and eat in peace, her long hair neatly braided to keep it out of her food. And when she gets tired of everyone telling her what to do, she locks herself in a tower with her…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
I chuckled with this book because the wolf I imagined was not at all the wolf in the story. I thought it was clever to have him use his big teeth, big claws and big eyes to be crafty, creative and to help others. The illustrator does a great job of contrasting the black lines of the wolf with the colorful yarns to get the right mood across.
What do you see when you imagine a wolf? Sharp, pointy teeth? Big, hungry eyes? A soft sweater and a friendly smile?
Wait a minute!
The wolf in this story would rather knit than huff, puff, or blow anyone's house down. But that doesn't stop the townsfolk from crying wolf anyway. What's a kind-hearted wolf to do when everyone keeps running and screaming at "Hello?" It's time to show the world that this wolf is the furthest thing from Big and Bad.
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
I enjoyed how the characters in this story did not want to be confined to stereotypes, preferring to explore beyond their gender and princely station. They want to explore all their interests, from sewing to pulley building, in their own unique way. I found it hilarious that the “problem” to fix consisted of alligators out of their moat. The illustrations are super fun, with alligators hiding in the silliest places.
The castle is crawling with wayward alligators, and the clueless king doesn't know how to fix it. Lila, Margaret, and Harriet have lots of ideas, but their father won't listen! According to him, the Princesses should be focusing on proper pursuits like drawing, jewelry, and music. When the three girls start falling asleep during the day, the King sends the Prince to investigate .
What he discovers is that the three princesses are gathering at night to use their knowledge of the six simple machines to invent an ingenious alligator removal contraption in their secret workshop.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
Even though the title hints at the storyline, I still enjoyed the main character’s discovery as she navigates her preconceived ideas about stepmoms to reach the conclusion that maybe they aren’t so evil after all. I would love to give this book to a couple of friends who are stepmoms, but it would be great for any blended family. The art matches the warm tone of the story with just enough hints of possible wickedness.
From acclaimed author and three-time Emmy-nominated writer Samantha Berger and rising star illustrator Neha Rawat comes a hilarious and heartwarming story that follows a young girl as she learns that her new stepmother might not be as evil or wicked as she originally seems. Perfect for newly blended families and a celebration of stepmothers and stepchildren everywhere!
When I first met my stepmother, I was a little suspicious. All stepmothers are supposed to be wicked! Evil! Downright B-A-D BAD! Or at least, that's what the stories say. So I thought I knew just what to expect from mine.
I began studying women’s lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring men’s roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined men’s lives among international elites and in communities in the US, Sumatra, and Indonesia, where I’d done ethnographic research.
Erotic Triangles returns to a part of the world I know well, though the topic is alien to my own natural resource emphasis. Yet I found it fascinating for its symbolic analyses of West Java’s musical and art worlds – intertwined intimately with the relations between men and women and among men. Its emphasis on triangles was the inspiration for me to structure my own analyses as a harp (another ‘triangle’), within which the strings signify traits that men value in a given culture. Spiller’s analysis inspired my own analogy between the creation of harp music and the clusters of values that influence men’s identities, their personal and cultural ‘songs.’
In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. Every day, men there - be they students, pedicab drivers, civil servants, or businessmen - breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In "Erotic Triangles", Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that…
Dance has always been an important part of my life. I specialized in dance in college (Denison University) and graduate school (MFA, University of Michigan) and danced professionally for twelve years. As a dance educator, I’ve taught in colleges, conservatories, schools, and community centers, teaching toddlers, senior adults, and every age in between. I’ve authored two books for teachers, three picture books, articles in journals, and verses for children’s magazines. I share my passion for dance by writing and teaching, and visiting schools, libraries, and book festivals. I believe that every child should have the opportunity to participate in the arts; they are essential and transformational forces in our lives.
This colorful picture book, with whimsical illustrations by Maine Diaz, takes the reader on a journey through ten different kinds of dance from around the world. There are pictures of a widely diverse cast performing the dances, from Kuku to cha cha to disco to break dancing.
In addition, movement words like "glide," "dip," and "tap" will inspire children to dance along with the fun and playful words and illustrations.
This rhythmic showcase of dances from all over the world features children of diverse backgrounds and abilities tapping, spinning, and boogying away!
Tap, twirl, twist, spin! With musical, rhyming text, author Valerie Bolling shines a spotlight on dances from across the globe, while energetic art from Maine Diaz shows off all the moves and the diverse people who do them. From the cha cha of Cuba to the stepping of Ireland, kids will want to leap, dip, and zip along with the dances on the page!
I specialize in writing Young Adult Fiction with an emphasis on the Romance genre, and my debut novel, Kismat Connection, releases from Inkyard Press and HarperCollins in Summer 2023. Growing up as an Indian American, I remember searching for bits and pieces of my identity in the media. Most of the time, I wouldn’t find any representation at all—so it wasn’t long before I decided that if I couldn’t find the representation that I so desperately wanted to see, I’d have to make it myself. Kismat Connection was born from this moment in my life, and it will forever serve as the foundation for my career in publishing.
This is a young adult romance novel featuring Radha Chopra, a world-renowned Kathak dancer, who gives up her love of dance when a family betrayal comes to light. Radha is instantly a protagonist to root for, a strong, independent, and fierce Indian woman that we so rarely see in contemporary Western media. Nisha Sharma champions such genuine desi representation in this story, and it is absolutely a must-read for all—but especially for passionate and creative Indian American teenagers.
Radha was on the verge of winning the world's biggest kathak dancing competition when a family betrayal shattered her dreams, and her confidence. Now, she's made a deal with her mum: study dance for a year at the Princeton Academy of Arts and Sciences and then leave that world forever. But if she's not a dancer, what is she? Could learning to cook - a way to connect with her absent father - become her new passion?
Jai, captain of the academy's Bollywood Beats dance team, is putting his hopes of going to medical school on hold because money is…
The most important words of advice my incisive editor at Knopf, Victoria Wilson, gave me while I was laboring upon my biography of Martha Graham – coming out in October, you can pre-order it now – was to say that “she was not a goddess, and you don’t want to worship her.” Yes, I had the nerve to take on this formidable and forbidding figure as a result of bearing witness to her anti-War masterwork, Chronicle, on a winter evening fourteen years ago. Yes, I believed that modern dance was the missing link in my long exploration of American modernism. And yes, I believe that I have proven my point, painting Martha Graham’s portrait as a person – rather than an icon.
I am sure many of you already know this visionary philosopher from his ground-breaking The Hero With a Thousand Faces. You may not be aware that Campbell was married to Jean Erdman, one of Martha Graham’s principal dancers in the ‘30s and ‘40s. Campbell’s initiations to modern dance came at Sarah Lawrence College when witnessing Erdman as Graham’s student; and then at Bennington, where Erdman performed with Graham’s company. His own learned background in the archetypal ethos of C.G. Jung made Campbell a prime candidate for Graham’s deeply-digging, Nietzschean/ecstatic archaic/abstract movement vocabulary. The choreographer and the professor spoke the same kinaesthetic language, Erdman remembered. There were many late nights when “Martha would call Joe on the phone” with some arcane question about her mythographic pieces in progress – Night Journey and Errand into the Maze. Many of Campbell’s essays in this book were first published in Dance Observer…
Joseph Campbell’s collected writings on dance and art, edited and introduced by Nancy Allison, CMA, the founder of Jean Erdman Dance, and including Campbell’s unpublished manuscript “Mythology and Form in the Performing and Visual Arts,” the book he was working on when he died.
Dance was one of mythologist Joseph Campbell’s wide-ranging passions. His wife, Jean Erdman, was a leading figure in modern dance who worked with Martha Graham and had Merce Cunningham in her first company. When Campbell retired from teaching in 1972, he and Erdman formed the Theater of the Open Eye, where for nearly fifteen years they…
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
Josie wants to dance at next summer’s powwow. But she needs nearly everyone in her family to help make this possible. As Josie’s story unfolds we are introduced to the special people in her family. We learn of their love, their kindness, and their special talents. We are also introduced to the beautiful connections to many parts of our natural world.
Josie dreams of dancing at next summer's powwow. But first she needs many special things: a dress, a shawl, a cape, leggings, moccasins, and, perhaps most important of all, her spirit name. To gather all these essential pieces, she calls on her mom, her aunty, her kookum, and Grandma Greatwalker. They have the skills to prepare Josie for her powwow debut.
As the months go by, Josie practices her dance steps while Mom stitches, Aunty and Kookum bead, and Grandma Greatwalker dreams Josie's spirit name. Josie is nervous about her performance in the arena and about all the pieces falling…
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleans’ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
In this fascinating study, Chasteen examines the historical experiences that molded Latin American popular dance from an Atlantic perspective. It delves into the “deep” history of Latin American culture and analyzes the development of dancing culture in its socio-historical context. This is not only a well-researched, but also a well written and oftentimes funny book that is broadly accessible. It is a must-read for any new scholar interested in the field of Black performance culture. Although the focus is on Latin America, Chasteen’s study reveals connections that are also of great importance to understanding the historical development of Black dance culture in North America.
When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before…
