Here are 100 books that Josie Dances fans have personally recommended if you like
Josie Dances.
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Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their cultureâespecially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, âI am in this book.â
This is a delightful journey of seeing the thankfulness expressed by the Cherokee people for the gifts of each season. Reader and listeners might pause and think about âwhat is something for which I am thankful?â Page by page this question is answered as one becomes aware of the gifts we often take for grantedâwater to refresh us; air to sustain us; earth to hold us; and family who love us, and thus we give thanks.Â
2019 Sibert Honor Book 2019 Orbis Pictus Honor Book NPR's Guide To 2018âs Great Reads 2018 Book Launch Award (SCBWI) Kirkus Reviews Best Books of 2018 School Library Journal Best Books of 2018
2018 JLG selection 2019 Reading the West Picture Book Award
The Cherokee community is grateful for blessings and challenges that each season brings. This is modern Native American life as told by an enrolled citizen of the Cherokee Nation.
The word otsaliheliga (oh-jah-LEE-hay-lee-gah) is used by members of the Cherokee Nation to express gratitude. Beginning in the fall with the new year and ending in summer, followâŚ
In 1894, Annie Cohen Kopchovsky set out to ride her bicycle. Not to the market. Not around the block. Not across town. Annie was going to ride her bike all the way around the worldâbecause two men bet no woman could do it. Ha!
This picture book, with watercolor illustrationsâŚ
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didnât speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my râs.
This book's evocative verse drew me in immediately, whisking me into a cozy childhood memory of my own. I love the repeated refrains of Fry BreadâŚwhich allows young ones to anticipate and âread along,â increasing engagement with the child.
The beautiful illustrations, which show children of many different skin tones in the kitchen assisting and then awaiting the delicious result, amplify the story, showing how grandparents can be sources of love and support for their grandchild's network of friends.
I especially love this book because it reminds me of cooking Cuban bread pudding with my abuela for Thanksgiving, her contribution to the American holiday that reminded her of her home.Â
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their cultureâespecially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, âI am in this book.â
Powwow's Comingis a simple, colorful, and âfull of dancing descriptionsâ that show the fun and importance of powwow celebrations. Linda is part Native and part teacher and fully a creative author and illustrator. She explains in rhyming narrative the reasons for the gathering of many tribal members at a powwow to share dancing, chanting, and drumming. Powwowâs Comingis a perfect read aloud for younger âlisteners.â Boyden has included a teachersâ resource page so the book can easily be incorporated into different curriculums.
Powwow's coming, hear the beat? Powwow's coming, dancing feet. Powwow's coming, hear the drum? Powwow's coming, everyone! Frustrated as a school teacher not being able to find good instructional materials on American Indians, Linda Boyden has bypassed the tired stereotype of Indians on horseback or hunting game and placed them in today's setting of a powwow. ""Powwow's Coming"" provides children with a foundation for understanding and celebrating the enduring culture and heritage of American Indians. Boyden's exquisite cut-paper collage and engaging poem visually place readers within the scenes of a contemporary Native American community while offering a thoughtful look atâŚ
Real Princesses Change the World
by
Carrie A. Pearson,
Real Princesses Change the World is an inspirational and diverse picture book that highlights 11 contemporary real-life princesses and four heirs apparent from around the world.
Have you heard of a STEM-aligned real-life princess who is an engineer and product developer? Or a princess who is a computer expert? AnâŚ
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their cultureâespecially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, âI am in this book.â
This book was one of the firstâand still one of the bestâpicture books to describe the importance of jingle dancing and powwow today. The setting is contemporary. The story is engaging. The author, Cynthia Leitig Smith, is a tribal member and weaves many authentic details into the story.
New York Times bestselling author Cynthia Leitich Smith's lyrical text is paired with the warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu in this affirming story of a contemporary Native American girl who turns to her family and community.
The cone-shaped jingles sewn to Grandma Wolfe's dress sing tink, tink, tink, tinkâŚ
Jenna loves the tradition of jingle dancing that has been shared over generations in her family and intertribal community. She hopes to dance at the next powwow.
But with the day quickly approaching, she has a problemâhow will her dress sing if it has no jingles?âŚ
I write to spread joy and truth. As a proud Black mother living in a country with school districts that see Black stories as threats worth banning, amplifying these stories is crucial to the fight to help humanize us and retain the privilege of celebration and joy. When I wrote The Juneteenth Story, it was rooted in a conscious effort to balance my own joyous summertime memories of celebrating the holiday with the hard truths that established and evolved this holiday. This list includes a small sample of books about some of the many ways Black folks celebrate - enjoy.
I donât know if this book necessarily takes place in summer, but itâs centered around one of my favorite âAfrican-American Joy Ritualsâ - the Electric Slide! Kai agonizes over his failure to get a dance nickname from his very cool grandfather because of his two left feet. When his aunt gets married, heâs determined to conquer the Electric Slide at her reception.
Who doesnât love a good, all-inclusive line dance? I still remember learning the Electric Slide when I was 6â to this day if Iâm at a party and itâs playing, youâll know where to find me (the dance floor!). Fun book.
Kai is the only member of his family who can't get the dance steps to the Electric Slide right. But Kai is determined to bust a move in this fun and sweet celebration of Black families.
Kai's aunt is getting married, and everyone in the Donovan family is excited about the wedding ... except Kai. The highlight of every Donovan occasion is dancing the electric slide--a groovy line dance with footwork that Kai can't quite figure out. More than anything, he wants to prove that he can boogie with the rest of his family and earnâŚ
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleansâ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
In this fascinating study, Chasteen examines the historical experiences that molded Latin American popular dance from an Atlantic perspective. It delves into the âdeepâ history of Latin American culture and analyzes the development of dancing culture in its socio-historical context. This is not only a well-researched, but also a well written and oftentimes funny book that is broadly accessible. It is a must-read for any new scholar interested in the field of Black performance culture. Although the focus is on Latin America, Chasteenâs study reveals connections that are also of great importance to understanding the historical development of Black dance culture in North America.
When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance beforeâŚ
Dance has always been an important part of my life. I specialized in dance in college (Denison University) and graduate school (MFA, University of Michigan) and danced professionally for twelve years. As a dance educator, Iâve taught in colleges, conservatories, schools, and community centers, teaching toddlers, senior adults, and every age in between. Iâve authored two books for teachers, three picture books, articles in journals, and verses for childrenâs magazines. I share my passion for dance by writing and teaching, and visiting schools, libraries, and book festivals. I believe that every child should have the opportunity to participate in the arts; they are essential and transformational forces in our lives.
This colorful picture book, with whimsical illustrations by Maine Diaz, takes the reader on a journey through ten different kinds of dance from around the world. There are pictures of a widely diverse cast performing the dances, from Kuku to cha cha to disco to break dancing.
In addition, movement words like "glide," "dip," and "tap" will inspire children to dance along with the fun and playful words and illustrations.
This rhythmic showcase of dances from all over the world features children of diverse backgrounds and abilities tapping, spinning, and boogying away!
Tap, twirl, twist, spin! With musical, rhyming text, author Valerie Bolling shines a spotlight on dances from across the globe, while energetic art from Maine Diaz shows off all the moves and the diverse people who do them. From the cha cha of Cuba to the stepping of Ireland, kids will want to leap, dip, and zip along with the dances on the page!
I began studying womenâs lives in college (1960s), but recently realized that I (like others) passed myself off as a gender specialist, but had been ignoring menâs roles, beliefs, and behaviour in gender dynamics. I was put off by the studies that too consistently showed men as always violent and controlling. Many studies emphasized men at war, men abusing women, and gay men with HIV/AIDS; there seemed no recognition of positive masculine traits. Recognizing also that men had different ideals about their own masculinity in different places, I examined menâs lives among international elites and in communities in the US, Sumatra, and Indonesia, where Iâd done ethnographic research.
Erotic Triangles returns to a part of the world I know well, though the topic is alien to my own natural resource emphasis. Yet I found it fascinating for its symbolic analyses of West Javaâs musical and art worlds â intertwined intimately with the relations between men and women and among men. Its emphasis on triangles was the inspiration for me to structure my own analyses as a harp (another âtriangleâ), within which the strings signify traits that men value in a given culture. Spillerâs analysis inspired my own analogy between the creation of harp music and the clusters of values that influence menâs identities, their personal and cultural âsongs.â
In West Java, Indonesia, all it takes is a woman's voice and a drumbeat to make a man get up and dance. Every day, men there - be they students, pedicab drivers, civil servants, or businessmen - breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In "Erotic Triangles", Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing thatâŚ
Iâm an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21âand could never drop any of them. My scientist-father always said, âFollow the problem, not the discipline,â and I began to see how these fields could help answer each otherâs questions. Words can survive for millenniaâwith information about what archaeologists donât find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Womenâs Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
I selected this book because it finally offered me some answers to questions Iâd asked myself all my life: Why am I so driven to dance? Why does dancing make me feel so euphoric? McNeill found himself asking this last question when forced to go through endless military close-order drill (a sort of dance!) as a young draftee. Whence these surprisingly positive effects of âkeeping together in timeâ? Over the course of his later life as a historian, he tracked down a fascinating array of anecdotal and cognitive answers. The relation of this phenomenon to unique details of how the human brain is put together was then further addressed by Oliver Sacks toward the end of his book Musicophilia, where I first learned of McNeill.
Could something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together.As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William H. McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples toâŚ
An engaging picture book for children that celebrates what it means to be American!
What does it mean to be American? Does it mean you like apple pie or fireworks? Not exactly. This patriotic picture book is perfect for Memorial Day, Independence Day, Election Day, or any day you wantâŚ
I think Mother Goose got it all wrong. I have been creating books and coloring books for LGBTQ families for over two decades. I believe we deserve stories about LGBTQ children that are jubilant and adventurous; that are about love, mystery, time travel, and all the things everyone else treasures in their favorite books without being lesson books about bullying or being âdifferent.â I have closed many children's books as soon as I get to the part where they are beaten up and made fun of for being gender non-conforming. I am also a visual artist and I love well-written books that are beautiful to look at.
This is a perfectly charming story about a boy who is way into ballet and baseball, written in the 1970s, but which still holds up today. And no one ever makes fun of him. Max is not necessarily Queer, but I consider it in the canon of kidâs books that address gender identity.