Here are 53 books that Sweetland fans have personally recommended if you like
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I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.
While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.
I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus's ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
The dark side has fascinated me since I was a child. I've always had a love for the villains in movies and books. I particularly like Alfred Hitchcock's thrillers. Because the tension is not created through bloodshed but through twists and psychology. As a full-time thriller writer, I write my stories in such a way that my main character has to overcome the dangers on their own, mostly without the help of the police. I live in Germany, but I grew up with stories from the USA. If you like stories with a twist, feel free to check out my recommendations, which also feature two German authors.
With so many perspectives and so many puzzles, this thriller had me excited. The chapters from the child's perspective, in particular, stuck with me. I loved how you understood the story through a child's eyes. The naïve narrative makes the worst things particularly horrific. And all without bloodshed!
I can only heartily recommend this page-turner of my German author colleague, which was even made into a series by Netflix.
NOW A MAJOR NETFLIX SERIES: A page-turning thriller perfect for fans of Room and Gone Girl
A windowless shack in the woods. Lena's life and that of her two children follows the rules set by their captor, the father: meals, bathroom visits, study time are strictly scheduled and meticulously observed. He protects his family from the dangers lurking in the outside world and makes sure that his children will always have a mother to look after them.
One day Lena manages to flee - but the nightmare continues. It seems as…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
One of the joys of writing a mystery series is you have time to explore your characters—who they are, where they come from, what motivates them. In this particular series, I’d established a rift between the protagonist and her family, and I began to wonder whyit was there. My own sister died when still a baby, yet her absence cast a long, complicated shadow over our family for decades. I wanted to explore more about the family dynamics around a missing child—and kidnapping seemed the best tool to get there. So I read everything I could about kidnapping to present that absence in both intimate and compelling ways.
This memoir is both haunting and oddly inspirational.
On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California. It was the last her family saw of her for over eighteen years. In 2009 an investigation discovered her living in a tent behind her kidnapper’s house.
I love this memoir for a whole lot of reasons, but in large part because there’s not a trace of self-pity in her account—despite her having had so much of her life “stolen” from her—and because of her determination to find faith in humanity again.
A raw and powerful memoir of Jaycee Lee Dugard's own story of being kidnapped as an 11-year-old and held captive for over 18 years
On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California.
It was the last her family and friends saw of her for over eighteen years.
On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
After much soul-searching, Charlotte Emory resolves to leave the motley cast of characters that make up her family in Clarion, Maryland. Her plans are foiled, however, by happenstance. When she goes to cash her getaway cheque, she becomes entangled with robber Jake Simms, who takes her hostage and spirits her south to Florida. Forks in the road abound in this novel, figurative and literal. In the end, however, and through sheer force of character, Charlotte bids farewell to Jake in particular and happenstance in general. She returns to her family, having made up her mind to take only those paths in life which reflect her true character and ensure that she is the wife and mother she should really be.
From the beloved Pulitzer Prize–winning author of Breathing Lessons—Charlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible, and one day decides to simplify everything and leave her husband.
Her last trip to the bank throws Charlotte's life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery—and soon the two are heading south into an unknown future, and a most unexpected fate.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I enjoy writing fiction. I’ve never been drawn to one genre in particular so because of this my novels seem to fluctuate depending on the mood I am in when writing. I like the flexibility that self-publishing allows—being able to write in whatever genre I want. To not be bound to one. So far, I have written romantic suspense, crime thriller, and fantasy—with the hopes of one day soon writing a good horror story! I always dreamed of writing about the things that I would never see or never do and the things that are just not possible, I think that’s what keeps it exciting for me.
The Cellar will have you holding your breath at each turn! I felt like my skin was crawling while I was reading this book and I was thinking of ways to escape the nightmare. Natasha Preston did a fantastic job of making you feel like you’re living in Summer’s shoes. It’s a gripping story of a horrific kidnapping and the new life Summer finds herself living in. This book makes you glance twice over your shoulder when you’re walking alone at night and it is a reminder of how quickly something like this can happen. The Cellar opens your mind to both the kidnapper and the captives. Highly recommend this book!
The #1 New York Times bestseller! A gripping, ripped-from-the-headlines, twisty psychological thriller from the New York Times bestselling thriller author Natasha Preston! Summer is trapped in a cellar with the man who took her-and three other girls: Rose, Poppy, and Violet. His perfect flowers. His family. But flowers can't survive long cut off from the sun, and time is running out... Teen thrillers also by Natasha Preston: Awake The Cabin You Will Be Mine The Lost The Twin
I love young adult fiction. I especially love it when female characters face their fears and fight for what’s right. And if they’re not afraid to run headfirst into a battle, even better. I think it’s incredibly important for young women to have access to books that break free of female stereotypes. None of the heroines in these books are waiting for someone to save them. They’re in the thick of it, confronting their demons, and maybe slaying a few, too! My PhD explored power and belonging in YA fiction, and I’ve written and presented on the importance of strong female characters. Here’s to girl power!
In the Dark Spaces is a stunning YA novel breathed into life by its main character, Tamara, a heroine who grabbed my heart from the first lines and didn’t let go.
Tamara loves her family above everything else. And when she’s separated from them in a universe torn apart by war, she must draw on all her strength and smarts to survive. Her gift for languages and ability to adapt gives her an advantage when she’s captured by the enemy. But she’s also forced to do things that terrify her and break her heart. I love Tamara’s unique voice, and the way it expresses the deep bonds that tie us to friends and family made my heart sing. She’s truly a heroine that embodies the fighting spirit.
The latest winner of the Ampersand Prize is a genre-smashing hostage drama about 14-year-old Tamara, who's faced with an impossible choice when she falls for her kidnappers.
Yet this is no ordinary kidnapping. Tamara has been living on a star freighter in deep space, and her kidnappers are terrifying Crowpeople - the only aliens humanity has ever encountered. No-one has ever survived a Crowpeople attack, until now - and Tamara must use everything she has just to stay alive.
But survival always comes at a price, and there's no handbook for this hostage crisis. As Tamara comes to know the…
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
The spiritual worldview so beautifully rendered in Black Elk Speaks reflects the landscape of the North American Great Plains.
The Four Winds emanate from the cardinal points of the compass, and above is Father Sky and below is Mother Earth all united in one Great Spirit. The spiritual worldview of the Ojibwa reflects the landscape of the woodlands surrounding the Great Lakes. It’s an animate, shape-shifting world of the Trickster/Culture Hero Nanabushu and Wendigo, the cannibal spirit of the hard and lean winter months.
In this magical-realist novel, Louise Erdrich, a writer of Ojibwa ancestry, weaves together the star-crossed lives of her fictional characters with the fluid human and animal (and animal-human) characters of the traditional Ojibwa worldview. Erdrich thus breathes new life into the Old World of the North Woods and brings that Old World to bear on the New.
Past and present combine in a contemporary tale of love and betrayal from Louise Erdrich, winner of the National Book Award for Fiction, 2012
'Everything is all knotted up in a tangle. Pull one string of this family and the whole web will tremble.'
Rozin and Richard, living in Minneapolis with their two young daughters, seem a long way from the traditions of their Native American ancestors. But when one of their acquaintances kidnaps a strange and silent young woman from a Native American camp and brings her back to live with him as his wife, the connections they all…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
No matter how you read it, the Bible is a strange book. It weaves together beautiful narratives and deadly-dull genealogies; uplifting messages with passages that many today find ethically repulsive. Yet it gained an extraordinary authority, in a predominantly pre-literate society. The question of how this happened has been an intellectual and scholarly preoccupation of mine for decades, and as a professor at Brown University I seek to bring my students and readers into this very foreign world in order to open their eyes to new possibilities in the present.
Although this is my fun pick, it is also a serious book that I use in the classroom. There have been countless attempts by modern authors to retell biblical stories. Horn’s book creatively transfers the biblical story of Joseph and his brothers to the modern period, with a feminist twist. This book is engaging and coherent enough that it can be read and enjoyed without any knowledge of the Bible or Jewish history, although such knowledge makes it all the better!
Software prodigy Josie Ashkenazi has invented an application that records everything its users do. When she visits the Library of Alexandria as a tech consultant, she is abducted in Egypt's postrevolutionary chaos with only a copy of the philosopher Maimonides' famous work to anchor her-leaving her jealous sister Judith free to take over her life. A century earlier, Cambridge professor Solomon Schechter arrives in Egypt, hunting for a medieval archive hidden in a Cairo synagogue. Their stories intertwine in this spellbinding novel of how technology changes memory and how memory shapes the soul.
