Books like Blaze — picked by fans

You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.

I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.

It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.

I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.

I’ve been obsessed with fantasy stories for as long as I can remember, but the books I read growing up usually took place “somewhere else.” When I first started seeing books that brought magic to a world that resembled mine, I fell in love. Reading magic in a modern setting brought it home and made it real. Now, I gobble up every story I can find that brings magic to the mundane, and I even write my own. I hope the books on this list inspire you to look for the magic in your own life, as they have for me.

The dark side has fascinated me since I was a child. I've always had a love for the villains in movies and books. I particularly like Alfred Hitchcock's thrillers. Because the tension is not created through bloodshed but through twists and psychology. As a full-time thriller writer, I write my stories in such a way that my main character has to overcome the dangers on their own, mostly without the help of the police. I live in Germany, but I grew up with stories from the USA. If you like stories with a twist, feel free to check out my recommendations, which also feature two German authors.

No matter how you read it, the Bible is a strange book. It weaves together beautiful narratives and deadly-dull genealogies; uplifting messages with passages that many today find ethically repulsive. Yet it gained an extraordinary authority, in a predominantly pre-literate society. The question of how this happened has been an intellectual and scholarly preoccupation of mine for decades, and as a professor at Brown University I seek to bring my students and readers into this very foreign world in order to open their eyes to new possibilities in the present.

I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior. 

Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.

I enjoy writing fiction. I’ve never been drawn to one genre in particular so because of this my novels seem to fluctuate depending on the mood I am in when writing. I like the flexibility that self-publishing allows—being able to write in whatever genre I want. To not be bound to one. So far, I have written romantic suspense, crime thriller, and fantasy—with the hopes of one day soon writing a good horror story! I always dreamed of writing about the things that I would never see or never do and the things that are just not possible, I think that’s what keeps it exciting for me.