Here are 59 books that Blaze fans have personally recommended if you like
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You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
Everyone loves a bastard, and Pinkie, the hero of Brighton Rock, is such an awful bastard. He doesn’t like his friends, hates his girlfriend, and is driven by a pathetically brittle ego that can never be satisfied. But it’s the fact he’s so hopelessly trapped in the prison of his own angry, petty horizons that makes me love him. I love a doomed character.
When an author can make you know, it’s all going to end badly and still make you hope it won’t? That’s magic. I love it when I’m reading books that I can feel playing with my emotions but I’m enjoying it so much I don’t care. Pinkie is a bastard, and he sort of knows it, when it comes to the crunch, and he goes out like a coward, I can’t help but wish he’d managed to pull it off.
Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
I grew up reading murder mysteries and watching old black-and-white films on television. As a teenager, I couldn’t get enough of Agatha Christie, Raymond Chandler, and Sir Arthur Conan Doyle, and I loved challenging myself to solve the mystery before the end of the book, sometimes successfully, sometimes not.
One thing I noticed in reading the classics is that LGBTQ+ people were either completely absent or used for comic relief or tragic effect. I wanted to change that with my stories, showing that they can be compelling protagonists, solving murders and sometimes finding love.
What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.
Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This book grabbed me by the throat and threw me into a world I could literally feel spinning around me—a world in which good intentions don’t mean squat and random chance frequently outperforms the most carefully crafted of plans. Block always hits his target, but this one broke my heart along the way.
Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying…
On the surface, Dawn Easton seems to have it all. Heiress to a fashion empire, and with a gorgeous younger boyfriend, there’s almost nothing she can’t have. Yet, despite her wealth and power, there’s one thing that’s remained out of reach her entire life—giving birth. As her 40th birthday inches…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.
A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.
The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the…
One of the joys of writing a mystery series is you have time to explore your characters—who they are, where they come from, what motivates them. In this particular series, I’d established a rift between the protagonist and her family, and I began to wonder whyit was there. My own sister died when still a baby, yet her absence cast a long, complicated shadow over our family for decades. I wanted to explore more about the family dynamics around a missing child—and kidnapping seemed the best tool to get there. So I read everything I could about kidnapping to present that absence in both intimate and compelling ways.
This memoir is both haunting and oddly inspirational.
On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California. It was the last her family saw of her for over eighteen years. In 2009 an investigation discovered her living in a tent behind her kidnapper’s house.
I love this memoir for a whole lot of reasons, but in large part because there’s not a trace of self-pity in her account—despite her having had so much of her life “stolen” from her—and because of her determination to find faith in humanity again.
A raw and powerful memoir of Jaycee Lee Dugard's own story of being kidnapped as an 11-year-old and held captive for over 18 years
On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California.
It was the last her family and friends saw of her for over eighteen years.
On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living…
When I was a child, the thing that plagued me most about my favorite genre, sci-fi, was that none of the protagonists were women! As a daughter to doctors and research scientists, it felt strange that the only female characters in sci-fi were these buxom, mystical healers or seamstresses who meekly repaired their crewmates’ uniforms. While that problem has been remedied over the last two decades of excellence in mainstream sci-fi with some truly unforgettable female heroines, they’re not as plentiful in the niche market of humorous sci-fi. I am thrilled to share this list of my favorite lighthearted, humorous sci-fi reads with female protagonists.
Cuban-descended protagonist Eve Innocente is trying to rescue her kidnapped sister from a galactic crime syndicate known as the Fridge. What really carried me through the story were the whacky shenanigans along the way, including a cargo hold full of psychic cats. This book had such a fun feel!
"Jam-packed with weird aliens, mysterious artifacts, and lovable characters... a tremendous good time and an impressive debut." -- Kirkus Reviews (starred)
A hilarious, offbeat debut space opera that skewers everything from pop culture to video games and features an irresistible foul-mouthed captain and her motley crew, strange life forms, exciting twists, and a galaxy full of fun and adventure.
Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo…
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine,…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
I’ve been obsessed with fantasy stories for as long as I can remember, but the books I read growing up usually took place “somewhere else.” When I first started seeing books that brought magic to a world that resembled mine, I fell in love. Reading magic in a modern setting brought it home and made it real. Now, I gobble up every story I can find that brings magic to the mundane, and I even write my own. I hope the books on this list inspire you to look for the magic in your own life, as they have for me.
I’ve read this book three times, which is rare for me. I have such a daunting TBR pile that I rarely reread books. But as one of the first urban fantasy stories I ever read, it holds a special place in my heart, and every time I read it, I wish there were more.
The amount of world-building Mckinley achieves in a single, stand-alone book is phenomenal. Within the first few pages, I fell in love with the world’s history, the characters, and the social conflicts present in this book. The depiction of vampires and other magical races was so well done. When the book ended, I was hungry for more, which is why I keep coming back to this exceptional read.
From award-winning and national bestselling author, Robin McKinley, comes this dark, sensual vampire fairy tale. "A gripping, funny, page-turning, pretty much perfect work of magical literature."--Neil Gaiman
"Sunshine" is what everyone calls her. She works long hours in her family's coffeehouse, making her famous "Cinnamon Rolls as Big as Your Head," Bitter Chocolate Death, Caramel Cataclysm, and other sugar-shock specials that keep the customers coming. She's happy in her bakery-which her stepfather built specially for her-but sometimes she feels that she should have life outside the coffeehouse. One evening she drives out to the lake to get away from her…
A missing child is every parent’s worst nightmare. Emotionally driven, tense, full of despair and hope, these stories captivate me. When I decided to include a cold case mystery of a toddler’s disappearance in my debut novel, I dove deep into both true crime and fictional novels on the subject. These books represent a range of gripping mysteries about not only finding missing children, but the scrutiny and heartache their mothers face. I hope you find these stories as absorbing, powerful, and suspenseful as I do!
This book is haunting, and different from other missing child stories in that the child returns home early in the story.
And Then She Was Gone is about the healing journey of the victim and family, with a captivating mystery at its core. It’s intensely emotional, thought-provoking, and deeply believable. The changing points of view are well done, and each character stands on their own.
Eleven-year-old Lauren O'Neil vanished one sunny afternoon as she walked home from school. Six years later, her parents Rachel and Dan still tirelessly scour their Oregon hometown and beyond, always believing Lauren will be found. Then one day, the call comes.
Lauren has been rescued from a secluded farm mere miles away, and her abductor has confessed. Yet her return is nothing like Rachel imagined. Though the revelations about what Lauren endured are shocking, most heartbreaking of all is to see the bright-eyed, assertive daughter she knew transformed into a wary, polite stranger.
An eviction. A stolen gemstone. a hidden network. Will retrieving her precious obsidian get Tricky killed?
After her cottage is ransacked, new-age witch Tricky knows she’s been targeted by the district. Now she must use her magical ability to discover who stole her prized gemstone—and what they’re plotting.
After “the environmental crisis” came to popular attention in the 1960s, American Indians were portrayed as having a legacy of traditional environmental ethics. We wanted to know if this were true. But how to gain access to ideas of which there is no written record? Answer: analyze stories, which have a life of their own, handed down from one generation to the next going all the way back to a time before European contact, colonization, and cultural, as well as murderous, genocide. And the stories do reveal indigenous North American environmental ethics (plural). That’s what American Indian Environmental Ethics: An Ojibwa Case Study demonstrates.
The spiritual worldview so beautifully rendered in Black Elk Speaks reflects the landscape of the North American Great Plains.
The Four Winds emanate from the cardinal points of the compass, and above is Father Sky and below is Mother Earth all united in one Great Spirit. The spiritual worldview of the Ojibwa reflects the landscape of the woodlands surrounding the Great Lakes. It’s an animate, shape-shifting world of the Trickster/Culture Hero Nanabushu and Wendigo, the cannibal spirit of the hard and lean winter months.
In this magical-realist novel, Louise Erdrich, a writer of Ojibwa ancestry, weaves together the star-crossed lives of her fictional characters with the fluid human and animal (and animal-human) characters of the traditional Ojibwa worldview. Erdrich thus breathes new life into the Old World of the North Woods and brings that Old World to bear on the New.
Past and present combine in a contemporary tale of love and betrayal from Louise Erdrich, winner of the National Book Award for Fiction, 2012
'Everything is all knotted up in a tangle. Pull one string of this family and the whole web will tremble.'
Rozin and Richard, living in Minneapolis with their two young daughters, seem a long way from the traditions of their Native American ancestors. But when one of their acquaintances kidnaps a strange and silent young woman from a Native American camp and brings her back to live with him as his wife, the connections…
