Books like Blaze — picked by fans

Everyone loves a bastard, and Pinkie, the hero of Brighton Rock, is such an awful bastard. He doesn’t like his friends, hates his girlfriend, and is driven by a pathetically brittle ego that can never be satisfied. But it’s the fact he’s so hopelessly trapped in the prison of his own angry, petty horizons that makes me love him. I love a doomed character.

When an author can make you know, it’s all going to end badly and still make you hope it won’t? That’s magic. I love it when I’m reading books that I can feel playing with my emotions but I’m enjoying it so much I don’t care. Pinkie is a bastard, and he sort of knows it, when it comes to the crunch, and he goes out like a coward, I can’t help but wish he’d managed to pull it off.

What’s not to love about this? I first experienced The Big Sleep by viewing the classic Humphrey Bogart movie, and while I thoroughly enjoyed the film, I admit I was a bit perplexed over some of the plot points.

Reading the book cleared up some, but not all, of my confusion, and yet it’s a book I would read again and again. The classic 1930s setting of Los Angeles and Hollywood, the noir elements, and the hard-boiled detective, Phillip Marlowe, are an unbeatable combination in my mind.

This book grabbed me by the throat and threw me into a world I could literally feel spinning around me—a world in which good intentions don’t mean squat and random chance frequently outperforms the most carefully crafted of plans. Block always hits his target, but this one broke my heart along the way.

Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.

A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.

Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.

While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.

I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)

Although this is my fun pick, it is also a serious book that I use in the classroom. There have been countless attempts by modern authors to retell biblical stories. Horn’s book creatively transfers the biblical story of Joseph and his brothers to the modern period, with a feminist twist. This book is engaging and coherent enough that it can be read and enjoyed without any knowledge of the Bible or Jewish history, although such knowledge makes it all the better!

I’ve read this book three times, which is rare for me. I have such a daunting TBR pile that I rarely reread books. But as one of the first urban fantasy stories I ever read, it holds a special place in my heart, and every time I read it, I wish there were more.

The amount of world-building Mckinley achieves in a single, stand-alone book is phenomenal. Within the first few pages, I fell in love with the world’s history, the characters, and the social conflicts present in this book. The depiction of vampires and other magical races was so well done. When the book ended, I was hungry for more, which is why I keep coming back to this exceptional read.

Superbly written, heart-stopping, action-filled. It’s the story of highborn 18-year-old Cassie Brougham, who on the day before her marriage to a viscount she has loved for years, is abducted by 34-year-old Anthony Wells, the Earl of Clare, who has been watching her since she was a child all the while believing she is his perfect mate. 

Though Anthony’s intention is marriage, that doesn’t stop him from rape to claim her, nor imprisonment, first on his yacht and then in his Italian villa, as he tries to persuade her to marry him. The plot is intricate and intriguing with lots of action and lots of mystery. The characters are richly drawn, including the hero who has a noble side notwithstanding his selfish and brutal act of taking another man’s bride.

Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.

Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.

The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.

The Cellar will have you holding your breath at each turn! I felt like my skin was crawling while I was reading this book and I was thinking of ways to escape the nightmare. Natasha Preston did a fantastic job of making you feel like you’re living in Summer’s shoes. It’s a gripping story of a horrific kidnapping and the new life Summer finds herself living in. This book makes you glance twice over your shoulder when you’re walking alone at night and it is a reminder of how quickly something like this can happen. The Cellar opens your mind to both the kidnapper and the captives. Highly recommend this book!