Here are 57 books that In the Dark Spaces fans have personally recommended if you like
In the Dark Spaces.
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I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
This is a great dystopian young adult novel with red herrings and revelations that kept me reading to the end.
Kwaymullina draws on her Aboriginal heritage to create a world in which people have lost touch with nature and digital technology is forbidden because it led to disconnection of society.
Citizens with special abilities are called Illegals and are assessed and locked up because government officials view them as a threat, with the treatment of Illegals symbolising the mistreatment of Indigenous people by the Australian government.
It reads like a prophecy about our possible future with themes of environmental destruction due to climate change even as it stands as a testament to the scars left by Colonisation. This is a perfect dystopian novel with all the tropes that readers love: the young female inspirational leader, a heartfelt romance, and found family.
In a post-apocalyptic world, Ashala Wolf must lead her Tribe in their fight for freedom and justice. But first she must survive an interrogation at the hands of the authorities who are determined to destroy her and everything she stands for.
The world has ended, and the society which emerged from the ruins of environmental catastrophe is obsessed with maintaining "the Balance": preserving harmony between humans and nature. But there is one problem. Anyone born with an ability is deemed an Illegal, a threat to the Balance. They are feared, controlled and detained. Ashala Wolf has run away to escape…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love young adult fiction. I especially love it when female characters face their fears and fight for what’s right. And if they’re not afraid to run headfirst into a battle, even better. I think it’s incredibly important for young women to have access to books that break free of female stereotypes. None of the heroines in these books are waiting for someone to save them. They’re in the thick of it, confronting their demons, and maybe slaying a few, too! My PhD explored power and belonging in YA fiction, and I’ve written and presented on the importance of strong female characters. Here’s to girl power!
Fast-paced action, adventure, humour, combat, and brilliant world building: The Last City has it all. The female characters fight alongside — and against — the male characters in this action-packed sci-fi novel, set in the multi-layered city of Scorpia. I loved immersing myself in this fictional world inhabited by a legion of post-human species. The struggles of the main female characters, including Sihlo, whose history means she’s a target for the bad guys, and object-morphing Diega, are drawn with clarity and depth that meant I really cared for these oddball creatures and cheered for them to defeat the enemy. This book is such a lot of fun, and I loved it from start to finish.
An intoxicating blend of noir crime, science fiction and fantasy The Last City is Blade Runner meets Perdido Street Station.
Scorpia - the last city of Aquais - where the Ar Antarians rule, the machine-breeds serve and in-between a multitude of races and species eke out an existence somewhere between the ever-blazing city lights and the endless darkness of the underside.
As a spate of murders and abductions grip the city, new recruit Silho Brabel is sent to the Oscuri Trackers, an elite military squad commanded by the notorious Copernicus Kane. But Silho has a terrible secret and must fight…
I love young adult fiction. I especially love it when female characters face their fears and fight for what’s right. And if they’re not afraid to run headfirst into a battle, even better. I think it’s incredibly important for young women to have access to books that break free of female stereotypes. None of the heroines in these books are waiting for someone to save them. They’re in the thick of it, confronting their demons, and maybe slaying a few, too! My PhD explored power and belonging in YA fiction, and I’ve written and presented on the importance of strong female characters. Here’s to girl power!
Valentine is the first in a three-book urban fantasy series, and I’ll be honest: Pearl, the heroine, annoyed me at times. That doesn’t make her a bad character. Quite the opposite. Author Jodi McAlister gives her heroine room to grow over the course of the trilogy and I really enjoyed watching Pearl’s character develop and mature. She has a lot to cope with when the Unseelie comes looking for the fairy changeling that was swapped for a human at birth. Is it Pearl? Or one of the three others in her group that share the same birthday? I loved the way Pearl’s teenage suburban life contrasts with the terrifying and unpredictable Unseelie. It makes the menacing evil within the book all too real. I read it with one eye on my garden in case of invading evil faeries!
Will a shocking secret cause a rising star to fall?
Valentine Fleming dreams of making it as an actress but after years of failed auditions and bit parts her hopes are fading fast - so too is her self-esteem. She is staring into the abyss and a large jar of peanut butter. Her love life is faring no better, with too much time wasted with an ex who has bad news written all over him.
So when she gets a call from her agent telling her she has a part in a play with a sexy leading man, she's over…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I love young adult fiction. I especially love it when female characters face their fears and fight for what’s right. And if they’re not afraid to run headfirst into a battle, even better. I think it’s incredibly important for young women to have access to books that break free of female stereotypes. None of the heroines in these books are waiting for someone to save them. They’re in the thick of it, confronting their demons, and maybe slaying a few, too! My PhD explored power and belonging in YA fiction, and I’ve written and presented on the importance of strong female characters. Here’s to girl power!
There’s nothing I like more than fast-paced action adventure with a gutsy heroine. Add a bit of electricity — and by that I mean an uncontrollable electrical undercurrent that surges beneath the heroine’s skin — and I know I’m going to be hooked. This YA sci-fi-romance is peppered with intrigue and activism as the novel’s heroine, Julianne, crosses Australia from the city to the outback to investigate who caused the explosion that trapped her and the attractive but secretive Ryan in a city elevator. She encounters activists, suffering farming families, greedy corporations, and the military in her quest to uncover the truth, and kicks quite a few butts along the way. If you love action-adventure with real heart as much as I do, check out The Undercurrent.
Eighteen-year-old Julianne De Marchi is different. As in: she has an electrical undercurrent that stings and surges beneath her skin. She can use it―to spark a fire, maybe even end a life―but she doesn’t understand what it is. And she can barely control it, especially when she’s anxious. Then she meets Ryan Walsh. She doesn’t know he’s a soldier working for a secret unit that has her under surveillance. He doesn’t know what it is that’s making the sparks fly between them. And neither of them knows who caused the explosion that has them trapped in an elevator together. Great…
When I was a child, the thing that plagued me most about my favorite genre, sci-fi, was that none of the protagonists were women! As a daughter to doctors and research scientists, it felt strange that the only female characters in sci-fi were these buxom, mystical healers or seamstresses who meekly repaired their crewmates’ uniforms. While that problem has been remedied over the last two decades of excellence in mainstream sci-fi with some truly unforgettable female heroines, they’re not as plentiful in the niche market of humorous sci-fi. I am thrilled to share this list of my favorite lighthearted, humorous sci-fi reads with female protagonists.
Cuban-descended protagonist Eve Innocente is trying to rescue her kidnapped sister from a galactic crime syndicate known as the Fridge. What really carried me through the story were the whacky shenanigans along the way, including a cargo hold full of psychic cats. This book had such a fun feel!
"Jam-packed with weird aliens, mysterious artifacts, and lovable characters... a tremendous good time and an impressive debut." -- Kirkus Reviews (starred)
A hilarious, offbeat debut space opera that skewers everything from pop culture to video games and features an irresistible foul-mouthed captain and her motley crew, strange life forms, exciting twists, and a galaxy full of fun and adventure.
Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo…
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
Laura McHugh writes about parts of the U.S. that are often either villainized or over-simplified. Instead of leaning into the cliches, she brings these landscapes and their people alive with compassion but without pity. From the first paragraph, I could feel the oppressiveness of the protagonist’s world but I could also see its wild beauty. This is a place where the air is “heavy as a sodden sponge” and insects buzz like an “unholy plague.” The darkness implied in the title has a layered meaning here: there’s the darkness of ignorance, the darkness of the human mind that is capable of justifying cruelty as salvation, and the darkness of hidden and ignored places.
Abducted as a teenager, a woman must now confront her past and untangle the truth of what really happened to her in this dark thriller from the author of The Wolf Wants In.
ONE OF THE BEST BOOKS OF THE YEAR: St. Louis Post-Dispatch, Self • “Compulsively, propulsively readable.”—Laura Lippman, bestselling author of Lady in the Lake
Seventeen-year-old Sarabeth has become increasingly rebellious since her parents found God and moved their family to a remote Arkansas farmstead where she’s forced to wear long dresses, follow strict rules, and grow her hair down to her waist. She’s all but given up…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior.
This was the very first thriller book I read, and it terrified me. I was 11 years old when I picked this book up and delved into the world of Fred (who calls himself Ferdinand) and his kidnap victim, Miranda. Approaching this from a young mind, I saw something of romance in the obsessive tale, but that romance soon revealed itself to be a terrifying story of abduction, stalking, and murder.
Why do I still love this book? Maybe it was the first time I realized I wanted to be a writer. But it was stunningly written, provocative, and left me thinking about the characters. It is a classic that should always be in print.
The Collector (1963) is disturbing, engrossing, unforgettable -- the story of an obsessive young man and the girl he kidnaps and holds prisoner in his cellar.
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Early in his career, Stephen King wrote half a dozen books under the pen name “Richard Bachman,” and decades later, he revived Bachman for one last novel about a small-time crook who depends on advice from his deceased partner in crime when attempting to pull off the kidnapping of a millionaire’s baby.
It reminds me of Steinbeck, with its pairing of a hapless, brutish soul and a smarter, slicker partner who can’t save him from himself, and the windings of fate as King spins them out broke my heart.
Does a kidnapper deserve sympathy? No, but then again, yes, and the amazing thing is how powerfully Stephen King puts you in this unfortunate man’s shoes and makes you feel what he’s feeling.
Master storyteller Stephen King (writing as Richard Bachman) presents this gripping and remarkable New York Times bestselling crime novel about a damaged young man who embarks on an ill-advised kidnapping plot—a work as taut and riveting as anything he has ever written.
Once upon a time, a fellow named Richard Bachman wrote Blaze on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 (“cancer of the pseudonym”), but this last gripping Bachman novel resurfaced after being hidden away for decades—an unforgettable crime story tinged with sadness and suspense.…
I am an author of romantic historical fiction and a book reviewer of more than 1,000 books. I also have a blog: Historical Romance Review. I love deep historicals—both my own and those written by others--that bring history and realistic love stories to life. Adventure and love on the high seas is my favorite setting.
Superbly written, heart-stopping, action-filled. It’s the story of highborn 18-year-old Cassie Brougham, who on the day before her marriage to a viscount she has loved for years, is abducted by 34-year-old Anthony Wells, the Earl of Clare, who has been watching her since she was a child all the while believing she is his perfect mate.
Though Anthony’s intention is marriage, that doesn’t stop him from rape to claim her, nor imprisonment, first on his yacht and then in his Italian villa, as he tries to persuade her to marry him. The plot is intricate and intriguing with lots of action and lots of mystery. The characters are richly drawn, including the hero who has a noble side notwithstanding his selfish and brutal act of taking another man’s bride.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
