Here are 99 books that Subculture fans have personally recommended if you like
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I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
How do jazz musicians think about what they are doing when they are improvising within a group? How do they learn to do such a thing in the first place – going their own way, but still going there together?
This is an immersion into the minds of musicians, starting with their earliest days and going through the rigors of learning their craft and then mastering it. The combination of discipline and freedom, hard work and wild inventive joy, finding an individual voice, and being part of the larger whole – the things that make improvisation a breath-taking artistic high-wire act – come together in this book.
I can’t carry a tune in a bucket, but this book made me wish I was a jazz musician.
This text reveals how musicians, both individually and collectively, learn to improvise. It aims to illuminate the distinctive creative processes that comprise improvisation. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note. Berliner's integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic and a tradition. The product of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.
What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.
Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.
Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.
'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.
Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.
Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud…
I’m a writer who grew up in Massachusetts and now lives in Austin, Texas. Though I haven’t lived in Massachusetts for over a decade now, I find myself drawn back to the state’s coast in my fiction. My novel, Women and Children First, takes place in a fictional town south of Boston called Nashquitten. I’m obsessed with how where we’re from shapes who we become and the ways we use narrative to try and exert control over our lives.
This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.
The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.
On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged.
A poignant work of mature, haunting artistry, Edinburgh heralds the arrival of a remarkable young writer. Fee, a Korean-American child growing up in Maine, is gifted with a beautiful soprano voice and sings in a professional boys' choir. When the choir director acts out his paedophilic urges on the boys in the choir, Fee is unable to save himself, his first love, Peter, or his friends.
I have spent 20+ years working on the question of how social and environmental change happens, from my long-time career in progressive politics to my current work writing about the most pressing issues of our time through an economic lens, and occasionally talking about them on my podcast, also called Wallet Activism. So I know well how intimidating it can feel to get involved, whether it’s worrying your voice isn’t needed (trust me, it is!) or not knowing the nuts and bolts of where to start. But we have so much power when we act collectively, and I want you to feel personally invited to take action.
Ignore the word “youth” in the title, because this is not just a book for kids and teens! Jamie is a young, queer activist who has achieved some impressive activism victories at a young age, but best of all, she combines real activist know-how with a sense of hope and optimism that’s hard to find in older activists. This book is an excellent guide to getting involved and staying involved anywhere from the local level up to a global scale. This is a must-read for people who are fired up to take action but don’t know where to start.
The 1963 Children's March in Birmingham, Alabama. Tiananmen Square, 1989. The 2016 Dakota Access Pipeline protests. March for Our Lives, and School Strike for Climate. What do all these social justice movements have in common? They were led by passionate, informed, engaged young people. Jamie Margolin has been organizing and protesting since she was fourteen years old. Now the co-leader of a global climate action movement, she knows better than most how powerful a young person can be. You don't have to be able to vote or hold positions of power to change the world.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
In 2011, I was a newly minted college professor who was trying to support my students’ interests (Greek life) in hopes that they would return the favor and support mine (medieval literature). Never in a million years would I have guessed that accepting an invitation to attend a Greek event on campus would snowball into receiving a bid to join a National Panhellenic Conference sorority and serve as its faculty advisor. Somewhere along the way, I realized that my perspective uniquely positioned me to shed new light on the longstanding controversies plaguing these organizations and provide a new lens through which to view their impact not only on campus culture but society at large.
I’ve long had a professional crush on sociologist Lisa Wade as her work is a deadly combination of brilliant and compulsively readable.
Her study was published while I was writing my book and serves as a companion piece to understanding how hookup culture operates on American college campuses. As de facto speakeasies, fraternity houses serve as the campus party and, by extension, hookup headquarters.
This isn’t necessarily a bad thing, but it’s not always a good thing either.
The hookup is now part of college life. Yet the drunken encounter we always hear about tells only a fraction of the story. Lisa Wade offers the definitive account of this new sexual culture and demonstrates that the truth is both more heartening and disturbing than we thought. Offering invaluable insights for parents, educators and students, Wade situates hookup culture within the history of sexuality, the evolution of higher education and the unfinished feminist revolution. Using new research, she maps out a challenging emotional landscape marked by unequal pleasures, competition for status and sexual violence. Accessible and open-minded, compassionate and…
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
This is a slightly biased choice as a historian of LSD and psychedelics, but to me, this book offers the most staggering illustration of acid-infused idealism by telling the riveting story of a group of California hoodlums turned LSD crusaders.
This dizzying page-turner takes you through the rise of evangelical acid chemists who manufactured millions of doses and had them distributed by the Brotherhood of Eternal Love, who made very little profit and often gifted their acid. A book I would have loved to write!
Few stories in the annals of American counterculture are as intriguing or dramatic as that of the Brotherhood of Eternal Love.
Dubbed the "Hippie Mafia," the Brotherhood began in the mid-1960s as a small band of peace-loving, adventure-seeking surfers in Southern California. After discovering LSD, they took to Timothy Leary's mantra of "Turn on, tune in, and drop out" and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process.
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
When I was growing up, there was zero queer Iranian representation to inspire me or guide me.
I felt quite literally invisible in the world, and my own mission has been to flood the world with queer Iranian stories to fill this void. Thankfully, a number of other authors are now doing the same, including Sara Farizan, Arvin Ahmadi, and Adib Khorram.
I chose the sequel to Adib’s masterful Darius the Great Deserves Better because I love how it leans into intergenerational family dynamics, which are a particular passion of mine (and of most immigrants who must work to unite the disparate parts of our histories).
Darius Kellner is having a bit of a year. Since his trip to Iran this past spring, a lot has changed. He's getting along with his dad, and his best friend Sohrab is only a Skype call away. Between his first boyfriend, Landon, his varsity soccer practices, and his internship at his favourite tea shop, Darius is feeling pretty okay. Like he finally knows what it means to be Darius Kellner. Then, of course, everything changes. Darius's grandmothers are in town for a long visit while his dad is gone on business, and Darius isn't sure whether they even like…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
Another vampire one I’m afraid. But trust me this is so worth your time.
I read this for the first time when I was in college and well into my Goth phase, this book became my aesthetic afterwards. It’s a different take on vampires, explored through a few different groups of vampires. The characters are wonderfully portrayed and unique but what really hooked me into this book was the setting. It's got depth and feels like you could walk through the book and be in Missing Mile.
Abandoned as an infant, Nothing reads his true name on the handwritten note that was pinned to his baby blanket eighteen years earlier, and discovers that he is the son of a vampire
