100 Books Like Edinburgh

I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.

Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.

This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things. 

Lawlor’s novel gave me the best gift a book can offer: it changed my mind halfway through.

I had been so intrigued by the premise of a shapeshifting character who can change their gender at will, that I forced myself to read on even though I wasn’t enjoying the emphasis on sex, especially as conquest, and I was sorely disappointed the story didn’t seem to go deeper.

But as I continued, I was happy to be proven wrong. By the end of the novel, I was checking my own biases and prejudices and empathizing deeply with Paul and his/her/their struggles. Reading this novel was an emotional experience unlike any I’ve had with a book.

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.

I feel Chang-Rae Lee broke out of the mold of Asian American books that always dealt with immigration or stories set in Old Asia. A young man, Henry Park, is hired to infiltrate the campaign of a Korean American running for mayor in New York City. Yes, this delves into the issues of assimilation and alienation, but the novel is about so much more. It’s lyrical and poignant and universal in its explorations of familial and marital love. 

In 1950s Sewanee, Chang and Katherine slowly fall in love and find that the Souths of Korea and Tennessee are not that different after all, both subject to lingering issues of class, family, race, and civil war. I love the poetic language in this novel, as well as its ambitious story and the complexity invested in every relation.

The year is 2003, and I’m finishing up my first year at NYU’s Creative Writing Program. And a colleague of mine tells me a recent Korean-American graduate will be publishing her first novel. He tells me that Caroline’s book is a romantic comedy in novel form. And I pause for a moment – ten years ago I could not name a single Korean American writer, and now we have our own Jennifer Weiner? How cool is that? And how cool is In Full Bloom? You probably have never heard of this novel, and now that you have, you will thank me when you race through these hilarious pages. Ginger Lee is our heroine, and yes, that type of punny humor is de rigueur in this book. I don’t know who I love more, Ginger or her mother. Probably her mother. 

And now the year is 2007, and here’s the big-ass Korean-American book we’ve all been waiting for – Free Food for Millionaires. In baseball terms: while the rest of us first-time novelists choked up our bats and hit our singles and doubles, Min Jin swung for the fences. At the center of the novel is Casey Kim and her quest to find her passion, never mind the consequences of being basically disowned by her parents, but make no mistake: the scope of this book is like that of Casey’s favorite authors, George Eliot, the Brontë sisters, and Anthony Trollope. There are multiple generations of Koreans at work and play here. It’s exactly the type of book I love to read and never even consider writing, because I just don’t have that kind of ambition. Thank goodness some do!

This stunning, superlative novel soars in its lyricism. In just 194 pages, we get a lifetime. Yohan leaves the Korean peninsula after the war and becomes an apprentice to a Japanese tailor in Brazil. This story is quiet, without a lot of fireworks, but it’s nonetheless haunting and just gorgeous. 

When I was 21, I moved back to Japan (where I’d lived as a kid), taking a job in the rural south. I didn’t bring a lot with me, but of the few English books that felt indispensable, Crush was one. For the next twelve months of that particular job, I read Crush again and again. Through poetry – the poems are written in a distinct and unified voice – the book took on the quality of a series of monologues, a one-sided conversation that I was overhearing. It was a conversation about queerness, about attempting to forge and re-forge the self, about tenderness, about violence. I was a young queer person far from home, living in a country where I was simultaneously much physically safer and yet much more visible than I had been in my country of birth. Crush offered me both a window into what I had… show more.

This story of individuation shines as a beacon. The juxtaposition of identity, ancestral stories, and creativity told distinctly in an artist’s voice cracked open for me a world that is at once relatable and completely, necessarily idiosyncratic.

I felt the world of the book color my everyday experiences as this story weaves together life and art, as well as extends the honest relationship an artist must have with the material world into the most intimate of material relationships: the one we have with our own body. These most mundane relationships are shown as inseparable from our humanity as creative beings. This book inspired me to look at my relationships as a mirror for self-discovery.