Here are 100 books that Wrapped in Rainbows fans have personally recommended if you like
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I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
How do jazz musicians think about what they are doing when they are improvising within a group? How do they learn to do such a thing in the first place – going their own way, but still going there together?
This is an immersion into the minds of musicians, starting with their earliest days and going through the rigors of learning their craft and then mastering it. The combination of discipline and freedom, hard work and wild inventive joy, finding an individual voice, and being part of the larger whole – the things that make improvisation a breath-taking artistic high-wire act – come together in this book.
I can’t carry a tune in a bucket, but this book made me wish I was a jazz musician.
This text reveals how musicians, both individually and collectively, learn to improvise. It aims to illuminate the distinctive creative processes that comprise improvisation. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note. Berliner's integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic and a tradition. The product of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.
What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.
Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.
Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.
'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.
Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.
'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone
With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.
Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.
Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud…
When I started researching the 1930s in Britain, I realised that I had only ever considered the period from the Irish perspective, as the tail-end of the long battle for independence. I had always seen Britain in the role of oppressor: Rich, where Ireland was poor; powerful where Ireland was weak. As I read more, a new picture of Britain began to emerge. The Great Depression, the numbers of people unemployed, the children with rickets and scurvy due to malnutrition. And with those things, the rise of socialism and fascism, both expressing the same dissatisfaction with life. I wanted to know more. And so I went looking for books to teach me.
The first half of this book is a deep immersion into the shockingly bleak living conditions of 1930s working-class families in the impoverished industrial north of England, then in the grip of the Great Depression. As an Irish person – and given the historic nature of the relationship between the two countries, in which Britain has always been the dominant and powerful one – it was genuinely eye-opening to me to understand how hard life was for ordinary English people.
Orwell’s writing was undertaken from the vantage point of his own experience. He spent months living with families in Lancashire and Yorkshire, and his descriptions of their lives are detailed and very vivid. The second half is an essay about the development of his own political conscience – interesting, but not essential in the way the first half is.
An unflinching look at unemployment and life among the working classes in Britain during the Great Depression, The Road to Wigan Pier offers an in-depth examination of socio-economic conditions in the coal-mining communities of England’s industrial areas, including detailed analysis of workers’ wages, living conditions, and working environments. Orwell was profoundly influenced by his experiences while researching The Road to Wigan Pier and the contrasts with his own comfortable middle-class upbringing; his reactions to working and living conditions and thoughts on how these would be improved under socialism are detailed in the second half of the book.
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
When a New York Times correspondent and Yale Fellow sits down to write a book about the making of Casablanca for its 50th anniversary, one expects quality, and Harmetz delivers by detailing the times and people who created and marketed the timeless classic.
This book served as a primary source during the writing of my book. The extensively researched and footnoted book was repackaged in 2002 as The Making of Casablanca: Bogart, Bergman, and World War II and remains in print more than 30 years after its initial release.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am an economics professor at Victoria University of Wellington. As a previous Secretary of the New Zealand Treasury and Governor of the Reserve Bank of New Zealand, I have had quite a bit of experience watching economists’ ideas succeed and fail in the real world. I have written a number of books about policy economists and their lives in peace and wartime. (And a couple of novels too!)
This is the story of four (European and American) central bankers fighting the dramas and crises during the lead-up to the Great Depression. When crisis looms, Bank of England Governor Montagu Norman puts on a disguise and boards a cruise ship to consult with his friend Benjamin Strong in New York. If only financial crises could still be fought that way today! I liked it because I used to be a central bank governor myself!
"Erudite, entertaining macroeconomic history of the lead-up to the Great Depression as seen through the careers of the West's principal bankers . . . Spellbinding, insightful and, perhaps most important, timely." -Kirkus Reviews (starred)
"There is terrific prescience to be found in [Lords of Finance's] portrait of times past . . . [A] writer of great verve and erudition, [Ahamed] easily connects the dots between the economic crises that rocked the world during the years his book covers and the fiscal emergencies that beset us today." -The New York Times
I am a retired sociology professor with many academic publications. At Home and At Sea is my first trade book. The couple in the book are my parents. Reading the letters they wrote to one another during the war inspired me to tell their story. I realized the larger significance of this time in their lives and the importance of social history, which examines the lived experience of the past. The vast literature of war and naval history focuses on major battles and the actions of a few “great men”—admirals, generals, presidents. But these accounts omit the everyday lives of millions of “ordinary people,” like my parents, caught in the sweep of history.
Brokaw’s book popularized the term “Greatest Generation” for those who came of age during World War II. The book consists of stories of some 50 men, women, or couples who were representative of this generation. Some stories are of “famous” people, such as George Bush, but most of them are about ordinary people who “were not widely known outside their families or their communities.”
Reflective of this generation, these people interrupted their lives to answer the call to serve, got on with their lives when the war was over, were proud of their service, but rarely talked about the war years. Although aware of challenges to Brokaw’s general portrayal of this generation, I was inspired by the accomplishments of these people and believe they measure up to his label.
In this superb book, Tom Brokaw goes out into America, to tell through the stories of individual men and women the story of a generation - America's citizen heroes and heroines who came of age during the Great Depression and the Second World War and went on to build modern America. This was a generation united by common values - by duty, honour, courage, service and love of family and country. Here you'll meet people like Charles Van Gorder, who set up during D-Day a MASH-like medical facility in the middle of the fighting, and then came home to create…
Growing up, I often told neighborhood kids about my father’s internment, what he remembered of Camp Crystal City, Texas, where he spent three years, age seven to ten, going to school, swimming, playing in nearby orchards, and other normal experiences—except for the barbed wire, guard towers, and lack of freedom. Later, I wanted to know more and learned that what happened to my family can happen to anybody else if they are feared. More recently, families have been ripped apart, children put in cages, and countless people treated as less than human. My book reminds us of what can happen when fear leads to calling those among us enemies or worse.
Kennedy’s book is part of the Oxford series on American history, and as such, I know that any writer’s work must meet high standards, and I was not disappointed by Kennedy’s book.
I love this book as it is both readable to any non-historian, but it provides a great deal of depth and detail along with amazing storytelling. It came as no surprise to me that this book won the Pulitzer Prize—it is worth the read!
Even as the New Deal was coping with the Depression, a new menace was developing abroad. Exploiting Germany's own economic burdens, Hitler reached out to the disaffected, turning their aimless discontent into loyal support for his Nazi Party. In Asia, Japan harbored imperial ambitions of its own. The same generation of Americans who battled the Depression eventually had to shoulder arms in another conflict that wreaked worldwide destruction, ushered in the nuclear age, and forever changed their way of life and their country's relationship to the rest of the world. The American People in World War II--the second installment of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I consider FDR the greatest of all presidents for leading America with distinction in the domestic crisis of the Great Depression and the foreign crisis of World War 2 and creating the modern presidency that survives today in the essential form he established. I have written books on Dwight Eisenhower, Richard Nixon, and Ronald Reagan during fifty years as a US history professor in UK universities. I always intended to write a book about how FDR reinvented the presidency that these Republicans inherited, something I finally did in ‘retirement’. My five chosen books explain the challenging times he faced and the leadership skills he displayed in meeting them.
This Pulitzer Prize-winning study is the best single-volume history of America in the Age of FDR. Meticulously researched, ambitiously conceived, and vividly written, it crafts superb portraits of the presidencies of Herbert Hoover and Franklin D. Roosevelt. Kennedy offers a balanced assessment of FDR’s New Deal, concluding that his reforms enhanced the socio-economic security of millions of Americans despite their overall failure in the 1930s to achieve economic recovery, which would only come about through the crucible of war in the early 1940s. However, the real heroes of the book are the American people for their resilience and resolve in the face of the Great Depression and World War 2, the two greatest challenges the United States faced in the twentieth century.
Between 1929 and 1945, two great travails were visited upon the American people: the Great Depression and World War II. Freedom from Fear tells the story of how Americans endured, and eventually prevailed, in the face of those unprecedented calamities.
The Depression was both a disaster and an opportunity. As David Kennedy vividly demonstrates, the economic crisis of the 1930s was far more than a simple reaction to the alleged excesses of the 1920s. For more than a century before 1929, America's unbridled industrial revolution had gyrated through repeated boom and bust cycles, wastefullly consuming capital and inflicting untold misery…
