Here are 7 books that Strange Fruit fans have personally recommended if you like
Strange Fruit.
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I'm a big fan of Saramago, but he outdid himself with this one. After a rather slow start, it drew me in completely. By the end, I was crying. Saramago's style, which runs everything together, rather like Marquez, with no quotation marks for dialogue, takes some getting used to, but once you get in the groove, it's fascinating.
Nobel Prize-winner Jose Saramago's brilliant novel poses the questionāwhat happens when the grim reaper decides there will be no more death?Ā On the first day of the new year, no one dies. This of courseĀ causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebrationāflags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits homeāfamilies are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burialsā¦
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runā¦
I was very familiar with Homer's The Odyssey, but this was a whole new take on it. It consists of short tales that are spinoffs or what-might-have-been variations. Clever, beautifully written, moving.
After ten years' journeying Odysseus returns, again and again, to Ithaca. Each time he finds something different: his patient wife Penelope has betrayed him and married; his arrival accelerates time and he watches his family age and die in front of him; he walks into an empty house in ruins; he returns but is so bored he sets sail again to repeat his voyage; he comes back to find Penelope is dead.
In these forty-four retellings of passages from Homer's Odyssey, Zachary Mason uses Homer's linear narrative and explodes it: presenting alternative and contradictory fragments of familiar stories - theā¦
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
In this academic work, Hale explores what she terms as āspectacle lynchingsā and the shift from private to public violence. Hale considers how newspapers, photographs, and radio broadcasts brought news of these brutal scenes to an audience of tens of thousands. Through her careful examination, Hale lays out how the media shaped a national narrative that is relevant for both understanding conversations about racial violence and for considering how mass media shapes our currentĀ perspectives.
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity.Ā Ā In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation.Ā Ā And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, takenā¦
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadā¦
Success isnāt about money. Itās about character and personal experiences. I accept Viktor Franklās conclusion that fulfillment comes from having a purpose, caring for others, and living life with love. From my earliest movie heroes like Lash LaRue, Tom Mix, and Roy Rogers, to John Wayne, Cary Grant, and George Clooney, my favorite heroes have been modest and kind. Book heroes like Donna Leonās Inspector Guido Brunetti, Louise Pennyās Armand Gamache, and John Le Carreās George Smiley are modest and kind. This returns us to Lou Gehrig, my authentic, real-life hero. His early influence is clear in my heroic Duff Malone character.
He was the dad everyone wished they had. He was also a lot like my old high school football coach. There is authentic love and warmth when he and Scout are together. And there is honesty and spine when Atticus is in the courtroom, defending those who have been wrongly accused.
This beloved book has inspired generations of readers around the world. It is a morality tale about a rough and imperfect country, written in a way that has inspired idealists to stay the course in our fight for justice. We may be flawed, but we can still be strong.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steepedā¦
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
This autobiography of white Civil Rights activist Lillian Smith unpacks the society that shaped her as she struggled against her childhood lessons about how to interact with Whites and Blacks in the South. Smith deftly immerses you into her world with anecdotes, leading the reader through theĀ interactionsĀ that shaped her and other white children across the South, including her experiences with racial violence and racism. Despite being written more than half a century ago, connections remain to our world. My recommendation is to read the 1994 version with an updated introduction placing the work into context.
Published to wide controversy, it became the source (acknowledged or unacknowledged) of much of our thinking about race relations and was for many a catalyst for the civil rights movement. It remains the most courageous, insightful, and eloquent critique of the pre-1960s South.
"I began to see racism and its rituals of segregation as a symptom of a grave illness," Smith wrote. "When people think more of their skin color than of their souls, something has happened to them." Today, readers are rediscovering in Smith's writings a forceful analysis of the dynamics of racism, as well as her prophetic understandingā¦
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
Not for the faint of heart, this collection ofĀ lynchingĀ images bears witness to the extreme violence used to enforce segregation. Leon Litwackās introduction contextualizes these displays as violence aimed to reinforce white supremacy and leads the reader through the reality of these events and their lasting consequences on race relations. The photographs are irrefutable evidence of how such events must be recorded to ensure they never again occur. Despite the horror of the images within, this book will forever change your understanding of our past.
Many people today, despite the evidence, will not believe don't want to believe that such atrocities happened in America not so very long ago. These photographs bear witness to . . . an American holocaust." āCongressman John Lewis The Tuskegee Institute records the lynching of 3,436 blacks between 1882 and 1950. This is probably a small percentage of these murders, which were seldom reported, and led to the creation of the NAACP in 1909, an organization dedicated to passing federal anti-lynching laws. Through all this terror and carnage someone-many times a professional photographer-carried a camera and took pictures of theā¦
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheā¦
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
In this tract, Wells became the first person, Black or white, to distribute a systematically researched explanation for the rise in lynchings in the South during the late nineteenth century. Wellsās investigation into lynchings across the South countered the image perpetuated by the media that Black males possessed an uncontrolled sexual desire for white women. Instead, Wells noted that lynchings were a form of terrorism; acts of racial violence intended to maintain white economic, social, and political power. It was a gutsy move for a young, southern, Black woman, and it resulted in her being exiled from the South for fear of her life. The truths she exposed resonated with the Civil Rights Movement and reverberate in modern times as we consider race, Black masculinity, police authority, and legal equality.
These shocking accounts of lynching within the Southern States during the late nineteenth century remain no less poignant today than when they were first recorded. A terrible reminder of the violent consequences which ingrained racism has upon society, this book unflinchingly tells of the various laws throughout the USA which allowed crowds to hunt, beat and hang black Americans. This process of lynching persisted for decades, with several communities purposely photographing and publicising their aftermath. Prefaced with a letter from the anti-slavery and black rights campaigner Frederick Douglass, this book describes the various incidents which resulted from authorities turning aā¦
