Here are 100 books that Without Sanctuary fans have personally recommended if you like
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I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
In this academic work, Hale explores what she terms as “spectacle lynchings” and the shift from private to public violence. Hale considers how newspapers, photographs, and radio broadcasts brought news of these brutal scenes to an audience of tens of thousands. Through her careful examination, Hale lays out how the media shaped a national narrative that is relevant for both understanding conversations about racial violence and for considering how mass media shapes our current perspectives.
Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity. In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation. And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a descendant of William Bradford and Myles Standish, of Pilgrim fame. I was raised in a Massachusetts farmhouse where the commission of James Churchill as a Captain in the militia still hangs, signed by John Hancock. I have lived and breathed this stuff since first opening my eyes. My wife, MaryLu, is a retired elementary teacher who helps bring life to the young characters. Together, through the medium of novels they would actually enjoy reading, we seek to inspire American youth with the principles of our founding, so that they may be more effective in preserving and defending them.
Many an idealistic young law student like me felt that jolt in our spine early on when we saw up in the balcony of that courthouse a sleepy Scout being told, “Stand up, Jean Louise. Your father’s passin’.”
The movie is as faithful to the novel as the medium would allow. The novel is told entirely from Scout’s POV and not only focuses upon the racism of the time and place, but also upon her coming of age as a tomboy and being told to act “As a little girl should.”
The book offers more to those of us for whom the rule of law and not of men is a passion, especially in Finch’s closing: “There is one human institution that makes a pauper the equal of Rockefeller, a stupid man the equal of Einstein… That institution, gentlemen, is a court.”
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
This autobiography of white Civil Rights activist Lillian Smith unpacks the society that shaped her as she struggled against her childhood lessons about how to interact with Whites and Blacks in the South. Smith deftly immerses you into her world with anecdotes, leading the reader through the interactions that shaped her and other white children across the South, including her experiences with racial violence and racism. Despite being written more than half a century ago, connections remain to our world. My recommendation is to read the 1994 version with an updated introduction placing the work into context.
Published to wide controversy, it became the source (acknowledged or unacknowledged) of much of our thinking about race relations and was for many a catalyst for the civil rights movement. It remains the most courageous, insightful, and eloquent critique of the pre-1960s South.
"I began to see racism and its rituals of segregation as a symptom of a grave illness," Smith wrote. "When people think more of their skin color than of their souls, something has happened to them." Today, readers are rediscovering in Smith's writings a forceful analysis of the dynamics of racism, as well as her prophetic understanding…
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
In this tract, Wells became the first person, Black or white, to distribute a systematically researched explanation for the rise in lynchings in the South during the late nineteenth century. Wells’s investigation into lynchings across the South countered the image perpetuated by the media that Black males possessed an uncontrolled sexual desire for white women. Instead, Wells noted that lynchings were a form of terrorism; acts of racial violence intended to maintain white economic, social, and political power. It was a gutsy move for a young, southern, Black woman, and it resulted in her being exiled from the South for fear of her life. The truths she exposed resonated with the Civil Rights Movement and reverberate in modern times as we consider race, Black masculinity, police authority, and legal equality.
These shocking accounts of lynching within the Southern States during the late nineteenth century remain no less poignant today than when they were first recorded. A terrible reminder of the violent consequences which ingrained racism has upon society, this book unflinchingly tells of the various laws throughout the USA which allowed crowds to hunt, beat and hang black Americans. This process of lynching persisted for decades, with several communities purposely photographing and publicising their aftermath. Prefaced with a letter from the anti-slavery and black rights campaigner Frederick Douglass, this book describes the various incidents which resulted from authorities turning a…
I am a long-time public radio documentary producer who now creates podcasts and conducts research for Smithsonian traveling exhibitions. After producing five documentaries on various sociological aspects of the space program, I was named the Smithsonian National Air and Space Museum’s Verville Fellow in Space History in 2014. My 2010 documentary Race and the Space Race (narrated by Mae Jemison) was the first full-length exploration of the nexus between civil rights and the space program, and the Fellowship allowed me to expand the story into a book.
Throughout the 1960s, NASA tried in vain to lure Black engineers to its Southern Centers.
The agency had its excuses, but as I began to talk to NASA’s Black pioneers, I began hearing vivid descriptions of the terror that kept their friends from going to work with them at NASA. This thought-provoking examination of one of the darkest chapters in American history helps lay out a source of their reticence.
The book delves deep into the socio-political, racial, and cultural factors that led to the widespread practice of lynching. Brundage skillfully portrays the complex web of prejudice, fear, and power dynamics that fueled this brutal form of violence. Through his detailed analysis, we gain a chilling picture and the backstory of what kept NASA so White.
From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the…
Memory is capricious and impacts our view of the past. That’s why I do what I do! I am a twenty-year museum professional who began my career at Conner Prairie Interactive History Park, worked at the Denver Museum of Nature & Science for almost ten years, and am now part of the Arts & History department at the City and County of Broomfield. I have designed and developed programs and events, as well as managed teams in each of these stops. I seek to illuminate stories, elevate critical voices, and advocate for equity through the unique pathways of the arts, history, and museum magic.
I attended a university just down the road from Marion, Indiana, the site of an infamous lynching of two Black men (and the attempted lynching of a third) in 1930.
The prison from which these men were forcibly taken still stands on the main square in Marion. Many textbooks use the grisly photograph that Lawrence Beitler took of this event to illustrate the horrors of violence against African-Americans in postbellum United States.
Madison deftly weaves the lives, stories, and memories of resilient Black residents of Marion today with the story of the hate-filled mob that lynched Abram Smith and Thomas Shipp and the aftermath of the event in the community to illustrate that individual choices matter, and that how we view the past is shaped profoundly by historical trauma.
On a hot summer night in 1930, three black teenagers accused of murdering a young white man and raping his girlfriend waited for justice in an Indiana jail. A mob dragged them from the jail and lynched two of them. No one in Marion, Indiana was ever punished for the murders. In this gripping account, James H. Madison refutes the popular perception that lynching was confined to the South, and clarifies 20th century America's painful encounters with race, justice, and memory.
The Whale Surfaces follows a daughter of Holocaust survivors who tries to deal with trans-generational trauma.
From the age of eleven to 22, she struggles to be ‘normal’ and to conceal the demons haunting her. Her sensitivity to her parents’ past and to injustices everywhere prevents her from enjoying life.…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
We must remember that 1919 also saw unprecedented widespread bloodshed in attacks on Black communities. This wave of violence is remembered as the Red Summer not because it coincided with the Red Scare, but because the worst of it occurred in and around that summer. Krugler gives us the national saga but helpfully zooms in to some of the major clashes to help us understand why and how they occurred – and most of all – how Blacks fought back through self-defense, the Black press, and the courts.
1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans…
I have written widely on themes related to race, slavery, 19th-century politics, the Civil War, and its aftermath. The Reconstruction era has sometimes been called America’s “Second Founding.” It is imperative for us to understand what its architects hoped to accomplish and to show that their enlightened vision encompassed the better nation that we are still striving to shape today. The great faultline of race still roils our country. Our forerunners of the Reconstruction era struggled to bridge that chasm a century and a half ago. What they fought for still matters.
This is a brilliant, harrowing book that should be must-reading for anyone who might still be swayed by the worn-out moonlight-and-magnolias mythology of the “Old South.”
Drawing heavily on a wealth of remarkable first-person testimony, Williams chronicles the systematic brutalization of usually helpless Black women by white men. In particular, she makes all too clear that rape and other forms of sexual abuse were not just incidental but central to the terrorism of the Ku Klux Klan in its campaign to assert power over freed people.
Although women couldn’t vote, the abuse of wives, daughters, sisters, and mothers was a way to intimidate the Black men who could. Williams also shows how that abuse continued long after Reconstruction to become part of the repressive fabric of the Jim Crow era that followed.
I found some of the accounts in Williams’s book difficult to read, but I don’t think the full…
Shares wrenching accounts of the everyday violence experienced by emancipated African Americans
Well after slavery was abolished, its legacy of violence left deep wounds on African Americans' bodies, minds, and lives. For many victims and witnesses of the assaults, rapes, murders, nightrides, lynchings, and other bloody acts that followed, the suffering this violence engendered was at once too painful to put into words yet too horrible to suppress.
In this evocative and deeply moving history Kidada Williams examines African Americans' testimonies about racial violence. By using both oral and print culture to testify about violence, victims and witnesses hoped they…
I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling.
In 1946, two African American couples were lynched in rural Georgia by a white mob. Grooms fictionalized that account from the perspective of one of the victims, perpetrators, and a pre-teen eyewitness and in the process comes to terms with redemption, race, and violence not only in the South but in the nation as well. Grooms has the ability to juxtapose the beauty of the Southern landscape with the horrors that have occurred there with breathtaking imagery and conciseness. This book not just deals with the victims of such horrific acts, but the often untold damage done to the progeny of those who perpetrated the act. This is a fiction that will always be relevant as long as a nation struggles with injustice, oppression, and white supremacy.
An engrossing novel based on the true story of the 1946 lynching of two black couples in Georgia
Inspired by true events, The Vain Conversation reflects on the 1946 lynching of two black couples in Georgia from the perspectives of three characters-Bertrand Johnson, one of the victims; Noland Jacks, a presumed perpetrator; and Lonnie Henson, a witness to the murders as a ten-year-old boy. Lonnie's inexplicable feelings of culpability drive him in a search for meaning that takes him around the world and ultimately back to Georgia, where he must confront Jacks and his own demons, with the hopes that…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Growing up, I loved drawing and painting and disliked writing papers, so always thought of myself solely as an illustrator. Then one day, the tale of a pie-baking worm looking for new digs (Ned’s New Home) popped into my head and I shifted into author-illustrator. Later, the story of some highly innovative forest critters (One Snowy Morning) took form and I flipped fully into the role of author (with illustrator Dana Wulfekotte’s vision filling the pages). Of course, children’s story narratives can carry big ideas. For me, the opportunities surrounding the books themselves have taught me that the ability to see things differently is a very valuable tool.
The grass is not always greener on the other side, especially with these two friends. One wants to travel the world (deserts! mountains! tundra!), while the other wants to stay at home (swimming! baking! ice skating!). Rather than be envious of each other, they share their adventures via postcards and the recipient’s own experience is further deepened. Inspired by this exchange, for many years a friend and I would alternate being “Toot” or “Puddle,” sending postcards to each other about our adventures near and far.
Toot and Puddle are the best of friends. But when Toot leaves Woodcock Pocket to travel and see the world, Puddle chooses to stay at home. Just when Puddle begins to miss his old friend, he embarks on some of his own adventures-right at home. Finally, after Toot returns from his year-long trip, the two discover that true friendship knows no boundaries.
With a delightful mix of humor, warmth, and a classic style all her own, Holly Hobbie captures the all excitement and joy that surround adventures-near and far-and reminds readers that true friendship knows no boundaries.