Here are 11 books that Story or Die fans have personally recommended if you like
Story or Die.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
This is a brilliant, clear, refreshing and fabulous book. It is the kind of book that only comes along every decade or so. The Dawn of Everything draws on recent archaeological evidence and anthropological insight to say highly salient things about human history.
The authors, David Graeber and David Wengrow, say: most accounts of pre-modern human history âsimply arenât true, they have dire political implications, and make the past dull.â This is interesting, not least because this book is also about the future.
The authors are willing to call out many contemporary commentators who believe in linear evolution of human ideas and cultures (the ecological determinists and evolutionary psychologists, for example), and who say that modern life must be superior to all that has gone before. Graeber and Wengrow call these âdismal conclusionsâ, and âprejudices dressed up as facts.â
For this book is about freedoms, not the âweird argumentsâ madeâŚ
A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolutionâfrom the development of agriculture and cities to the origins of the state, democracy, and inequalityâand revealing new possibilities for human emancipation.
For generations, our remote ancestors have been cast as primitive and childlikeâeither free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reactionâŚ
The Curious Reader's Field Guide to Nonfiction
by
Anne Janzer,
So many books, so little time! If you're a nonfiction fan, this field guide may help you make better choices about what to read.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. Youâll uncover how your favoriteâŚ
Katherine Rundell writes for children. In this gorgeous short book, she tells us why adults should read children's books too. It is all about hope, agency, and transforming the world ahead of us.
For it is all about story-telling, and this is vital for all ages. Story tells children how to grow up to be good people; story tells adults what to do.
Katherine Rundell says: "those who write for children are trying to arm them for life." And yet children books and fairy tales have a long and noble history of being dismissed. She tells of the famed UK male author of fiction who has said, "If I had a serious brain injury, I might well write a children's book." Ha! I suspect children wouldn't want to read it anyway, even if he did have a go.
Children's books say this, say this author: "the world is huge, ...âŚ
A pocket-sized, unmissable essay on the importance of children's literature by the bestselling and award-winning author, Katherine Rundell. _______________
'It's a very short book but it packs a real punch... A real delight' - Financial Times
'Rundell is the real deal, a writer of boundless gifts and extraordinary imaginative power whose novels will be read, cherished and reread long after most so-called "serious" novels are forgotten' - Observer
'Rundell's pen is gold-tipped' - Sunday Times _______________
Katherine Rundell - Fellow of All Souls College, Oxford, and prize-winning author of five novels for children - explores how children's books ignite,âŚ
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. Itâs safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. Itâs no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
For years everyone thought the only two options for writing were to pants or plot, i.e., wing it or outline. Turns out there is another method and Lisa Cron lays that out in her book.Â
I found this to be a truly valuable resource based on science and creative process. Cronâs book takes you from idea to actual writing using an innovative and original take on the conventional writing process.
Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story.
Itâs every novelistâs greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite.Â
The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa CronâŚ
The Curious Reader's Field Guide to Nonfiction
by
Anne Janzer,
So many books, so little time! If you're a nonfiction fan, this field guide may help you make better choices about what to read.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. Youâll uncover how your favoriteâŚ
Ever since I was a little girl, I felt intimidated to use my voice when I needed to, or didnât feel confident to speak up or show up to support myself. It wasnât until I studied emotional intelligence (EI) that I started to learn the tools that helped me develop my confidence and step into my power. My book has many of these tools in it, and I am on a mission to help leaders embrace intentional shifts in behavior, or pauses, to redirect their energy to feel more confident, calm, and clearâwithout the overwhelm.
I read this book as part of my Search Inside Yourself (SIY) facilitator training when I worked at Google and later taught. I love this book because itâs full of science-based research on the power of mindfulness. I personally love all of Rickâs books and hosted him on my podcast, The Pausecast podcast (Ep. 17), where he blends his psychology and mindfulness expertise into easy and relatable concepts.
This book stuck out to me because Hanson shares how great teachers like Jesus, Moses, Mohammed, Gandhi, and the Buddha all had brains built essentially like anyone else's, yet they were able to harness their thoughts and shape their patterns of thinking in ways that changed history. I was inspired by their stories and also saw how I could model my own thinking in ways that better serve me and the world.Â
Jesus, Moses, Mohammed, Gandhi, and the Buddha all had brains built essentially like anyone else's, yet they were able to harness their thoughts and shape their patterns of thinking in ways that changed history.
With new breakthroughs in modern neuroscience and the wisdom of thousands of years of contemplative practice, it is possible for us to shape our own thoughts in a similar way for greater happiness, love, compassion, and wisdom.
Buddha's Brain joins the forces of modern neuroscience with ancient contemplative teachings to show readers how they can work toward greater emotional well-being, healthier relationships, more effective actions, andâŚ
It started with Goosebumps. Then came Buffy the Vampire Slayer and Stephen King. King led me to Kubrick, DePalma, Reiner, and Cronenberg, where my passion for film and screenwriting was sparked. This passion eventually led me to write my book. On that path, these 5 books helped me understand storytelling better: how it helps us understand the machinations of the world; makes sure our messages reach our audience; how language can tell its own story; how to find the spirit within the structure; and how storytelling can change your life. My world is richer thanks to these books. My ideas of what is possible are broader. Hopefully, theyâll do the same for you.Â
I read this book years ago, and it has become such a part of my DNA that I barely remember not knowing the ideas it introduces. A lot of screenwriting books focus on structure and premise, trying to decide what kind of event should happen by which page. This book gave me a freer, more spiritual way to think about and structure stories.
Voglerâs bookâheavily influenced by Joseph Campbellâs Hero with a Thousand Facesâshowed me how to think of stories as mythical journeys, almost Jungian in their symbolism. How even the most modern or intimate story can be seen as a warriorâs journey into an unknown land; How stories can benefit from being a few degrees closer to dreams or the unconscious.
I've been an avid fan of the book ever since, and can barely think of storytelling separately from the ideas in it.Â
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writerâs Journey details a twelve-stage, myth-inspired method that has galvanized Hollywoodâs treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Voglerâs comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
Iâve been obsessed with the creative process since I was 8 and read Harriet the Spy and realized her writing saved her and after I spied on one of my parentâs cocktail parties and wondered why everybody was so dull (I was so cheeky). Still, itâs the quest that drives me: how do we be fully ourselves in this world and how does creativity help? I explore this question on my podcast Create Out Loud and in my weekly newsletter, and these books have helped me formulate, if not answers, creative and mindful practices that sustain me daily. I hope they inspire you too.
Most creatives struggle with maintaining a creative practice in the face of busted water heaters, draining day jobs, and pesky emotions especially anxiety and depression. Bethâs refreshingly honest handbook is built on the premise you must find a way to make your art no matter what. Sheâs also been a guest on my podcast Create Out Loud and I loved everything she shared.
The Artist's Way for the 21st century-from esteemed creative counselor Beth Pickens.
If
you are an artist, you need to make your art. That's not an
overstatement-it's a fact; if you stop doing your creative work, your
quality of life is diminished. But what do you do when life gets in the
way? In this down-to-earth handbook, experienced artist coach Beth
Pickens offers practical advice for developing a lasting and meaningful
artistic practice in the face of life's inevitable obstacles and
distractions. This thoughtful volume suggests creative ways to address
the challenges all artists must overcome-from making decisions about
time,âŚ
Iâve been obsessed with the creative process since I was 8 and read Harriet the Spy and realized her writing saved her and after I spied on one of my parentâs cocktail parties and wondered why everybody was so dull (I was so cheeky). Still, itâs the quest that drives me: how do we be fully ourselves in this world and how does creativity help? I explore this question on my podcast Create Out Loud and in my weekly newsletter, and these books have helped me formulate, if not answers, creative and mindful practices that sustain me daily. I hope they inspire you too.
This is one of those secret gems of a book that hardly anybody has heard of but after you read it, youâll be giving multiple copies away to every creative you know. Rich with real-life examples from working artists and writers, and Priscillaâs long history as a working creative and teacher, I have underlined an idea or suggestion on almost every page.
Minding the Muse is a practical handbook for the artist or writerâhighly experienced, aspiring, or somewhere in between. Long draws from her extensive background as a poet, writer, and master teacher, but also gathers the insights and practices of a wide range of high-achieving artists, including mystery writer Raymond Chandler, choreographer Twyla Tharp, poet and performance artist Patti Smith, and the painter Joan MirĂł. Beginning with the first sparks of artistic creationââGathering, Hoarding, ConceptualizingââLong moves through the various stages to âCompleting Worksâ and âPoet as Peddler, Painter as Pusher: Marketing.â Every creative worker will find something here to take toâŚ
I loved this book because it shocked me into realising just how bad some of my habits are â and how short our lives! Burkemanâs starting point is that we can expect our lives to be just four thousand weeks long â and weâd better make the most of them. Iâve long suffered a deep fear of ânot getting everything doneâ and now he tells us to stop thinking we ever can. Most helpful to me was his ways of dividing up the many demands on my time into those I really want to do â for myself, those I need to do, and those I just might let go of because I canât do everything. So refreshing, invigorating, and unforgettable.
"Provocative and appealing . . . well worth your extremely limited time." âBarbara Spindel, The Wall Street Journal
The average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks.
Nobody needs telling there isnât enough time. Weâre obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and weâre deluged with advice on becoming more productive and efficient, and âlife hacksâ to optimize our days. But such techniques often end up making things worse. The sense ofâŚ
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. Itâs safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. Itâs no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Beginning, middle, and an endâwhat writer doesnât know about these three concepts? Well, Aristotle is the guy who wrote about these ideas in his book, and thousands of years later weâre still using them and thinking about them.
The foundations of modern literature and theater rest on this book and every writer should be familiar with its ideas and concepts. Story is story, and Aristotle started the ball rolling for everyone who is interested in storytelling.
One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics hasâŚ
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. Itâs safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. Itâs no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Donât be put off by the focus on âyoung writersâ in the title; this is for old and young.
Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writersâand will continue to do so for many years to come.   John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardnerâs lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topicsâfrom the nature of aesthetics to the shape ofâŚ