100 Books Like Story Engineering

Katie Weiland’s book is a must-have if you want to write that great novel. Plotting is all about structure, and even if you don’t like to plot in advance, at some point, you will have to get that plot in hand. I appreciate the way Weiland goes through each important plot point, showing where each one needs to be in a story and what it accomplishes.

I also love that she has a workbook to go with this book to help writers dig deep into their ideas and flesh them out. And you’ll not want to skip over the part where she warns against disaster!

You may be wondering why I’ve listed this 20-year-old book as my top recommendation if you want to write a terrific commercial novel. This was my go-to “bible” when I penned my first few novels. I religiously followed all her advice, as I was and still am an avid fan of her Inspector Lynley detective novels.

Listen: you don’t have to be a crime or thriller writer to learn the best skills for writing a best seller from this book. She shares personal routines and techniques, an overview of the craft, and covers the plot, characters, and scene structure. It’s not extensive but will give any fiction writer new eyes and skills in the art of writing.

I can’t count the number of times I have quoted from or recommended this book to my editing clients. Scenes are the components of novels, and I’ve always emphasized mastering scene structure as the key to success. It truly is! If you don’t get what makes a scene, you will have a novel fail, plain and simple!

I love Jordan’s definition of a scene: “Scenes are capsules in which compelling characters undertake significant actions in a vivid and memorable way that allows the events to feel as though they are happening in real-time.” Too often, scenes sag, are boring, don’t accomplish much, or wander. Jordan’s book will help you hone your craft so you can write terrifically structured novels.

One of the most important elements, to me, in a novel is emotionality. Regardless of genre, a great commercial novel in any genre needs to trigger emotion in readers. But it’s very hard to do and do well. Maass’s book is so unique. I love his objective to burrow deep under the surface of the plot, characters, and structure to get to the heart of any story.

If you want to write a great book, you have to engage readers’ emotions—it’s that simple. He explores the inner and outer landscapes of emotion, the emotional world of your story (great for short stories, too), and the important “writer’s emotional state.” Yes, you need to know what your emotions are when you’re writing. And what you want your reader to feel at any given moment. Maass’s book is the only book that will teach you these needed skills.

If you feel inhibited about making up stories and telling them to children, this is the book for you. Encouraging you to spin golden tales, Nancy Mellon shows how you can become a confident storyteller and enrich your family with the power of story. Children love the unique and human quality of storytelling, and parents and teachers alike can learn this practical, magical art with Nancy’s methods, tips and resources. This book may help give you storytelling wings - even if you didn’t think you could fly this way! It is a must for any adult who seeks to enrich and deepen communications with the young ones in their life.

While we would love to think we are always rational, we are hard-wired for story not the rational data (albeit key data can be a strong anchor in a story). I started my career far more in the assumption of rational data trumps all, but recognised, through bumps and bruises, how stories can overtake decision-making. When I learned how to tell a better story, I learned how to get the results I needed. Gabrielle is such a down-to-earth, energising speaker and writer, and this book provided me with such a practical, relatable framework for always having a good story or two in my back pocket.  

Wild at Heart is my #1 favorite historical romance. Unfortunately, it is out of print. The writing is beautiful, the story heart-wrenching, and the heroine adventurous in a subtle way as she challenges those who are studying a man raised by wolves to view him not as an object but as a person. I found this story to be perfection. If you can find a copy, you won’t be disappointed.

I love how the wonderful illustration of the tree with three children on the book's cover evoked my imagination to read this story. This feeling was reinforced when I opened the book and read the quotation on the first page: “So much world all at once” by Wislawa Syzmborska.

It is, indeed, a fascinating story that immersed me in a rich plot and introduced me to a diversity of characters who gained life in the little town of Blackbird Tree.

In this story, I could see the mastery of creating a tapestry, with the written words as the threads that bring together different worlds, feelings, and emotions, like love, friendship, and forgiveness.

When I read this book, it was the full Jade Phoenix trilogy put into one paperback, so for me it was a really long book that showed someone completely fail in life, then drag himself back up and crawl his way to the top. It also exposed me to the ‘Clans’ and what they meant. 

Position by merit. Earning your place through combat. A desire to prove yourself and gain power, but not by sucking up or backstabbing. Imagine a nation led by warriors instead of politicians. Even though the Clans aren’t the ‘good guys,’ there’s a huge difference between this book and all others. Enough that it stuck with me and the concept was reused in my own book as an homage to these Battletech books.

Elements of this book feel made for me – a woman, alone on her sheep farm on a remote British island, faces predatory danger that straddles the line between real and imagined, internal and external. The writing is pure poetry, each detail telegraphing threat.

A stark natural world surrounds and encroaches on the home that strong, complex, reclusive Jake shares with her dog named Dog (as soon as this good boy was introduced, the stakes ratcheted). I can’t shake this frightening and moving exploration of misogyny, patriarchal terror, and trauma.