100 Books Like The Great Unexpected

I love Jackie Morris’s introduction about the author of this book's life story. I found it inspiring and heartwarming to learn that it was written by a twelve-year-old girl’s prodigy child. 

I understood how the girl's genius captures the natural world's mystery, fantasy, and wonder and expresses it with crystalline words.

This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.

I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.

I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.

The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.

The introduction of this book struck a chord with me because it describes in such detail the trials and tribulations of the traveler children’s way of life between the historical period of 1914 to 1955. 

It was a time of poverty and suffering for the youngest born from families of an outcast minority community, considered the oldest indigenous group of the population in Scotland.

I understood that the oral tradition of storytelling to the traveler children was like a precious inheritance the children would receive from their parents.

The book offers diverse stories, including animal fables, wonder, and horror tales handed down through generations of traveling people.

I also love the cover illustration with the painting “Harvest Moon” by John Maxwell.

I was enthralled by the narrator's voice in this story, told from the perspective of a little girl. She shares her life and adventures with her beloved parents and cat. The girl is Julia, and I also love her name.

I found the setting for this story, a lighthouse on one of the small islands of the Shetlands in Scotland, fascinating. This fascination grows with the strong connection to the sea life that in this book takes the form of the Greenland shark and the blue night sky filled with stars at night and flocks of birds during the day.

The poetic prose of this book, combined with the stunning illustrations, captivated me profoundly.

At the same time, serious issues are approached, such as the pollution of the oceans. And the drama of this story is woven with such humanity around the mental illness of bipolar disorder and the bullying… show more.

There is no other book I have read that offers greater insights into the elements and structure of writing than this book. Written for screenplay writers, I find it an excellent source of guidance and support.

It offers a detailed, step by step review of story progression and structure, from the beginning of a scene/chapter through the build-up and to an ending too enticing to not turn the page. It has guided me just as it has Dominick Dunne, as quoted in Amazon’s review of the book: "In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" - Dominick Dunne, Novelist

Elements of this book feel made for me – a woman, alone on her sheep farm on a remote British island, faces predatory danger that straddles the line between real and imagined, internal and external. The writing is pure poetry, each detail telegraphing threat.

A stark natural world surrounds and encroaches on the home that strong, complex, reclusive Jake shares with her dog named Dog (as soon as this good boy was introduced, the stakes ratcheted). I can’t shake this frightening and moving exploration of misogyny, patriarchal terror, and trauma.

This book is different. After a slew of books all pedaling the same material based on the dreaded Hollywood formula, it was really good to find something that bucked the trend. 

Truby focuses on morality in stories. He maintains that every story is actually a moral argument, and gives his practical steps for harnessing that morality and using it to create a strong story. 

I feel there is a lot to be said for this. The only real flaw is that there are actually twelve sensible bases for a story and although the moral argument is undeniably one of those that generates a strong story, it is important for writers to understand all of them.

Why do we tell stories? What power lies within storytelling? From the great myths and legends to enchanting fairy tales, parables, fables, and folk tales, stories can have a great healing and educative power. They come from our subconscious and imagination, deep inside us. They have much to teach us about ourselves and the world we create around us.

Described as a manual for ‘soul ecology’, in his book Kornberger first explores this ‘story power’, then explains how to apply it to help a child develop, or to heal and transform a child with difficulties. He then discusses the art and practicalities of creating new stories to help children with particular needs.

This is a valuable and inspiring book for teachers, parents, creative writers, and students of literature.

It is exciting to encourage students to start telling stories too. This book had lots of good ideas that I use in my storytelling classes for children. Kids enjoyed activities like rolling a yarn ball back and forth across a circle as they add to a story. The book includes 25 easy-to-tell tales for student beginners. And I learned from watching the DVD Children Telling Stories: A Storytelling Unit in Action that was included.

I found that owning a collection of tales organized by these themes was very useful. Over 100 short folktales on themes of cooperation, courage, diversity, empathy, friendship, generosity, honesty and fairness, perseverance, respect, responsibility, self-control, and bullying prevention. Pearmain also gives suggestions for telling these and for extending them in the classroom. Wrapping an idea in a story really helps the concept sink in for the listener. Having a collection like this helped me build programs for use in the library.