Books like Stone Cold Fox — picked by fans

I read many different genres, but my favorite to write and read is romance. I love ones that have angst, adventure, danger, and a passionate push and pull between the love interests. Those seem to stick with me long after I turn the last page. In my own writing, I like to do the same, giving readers a love story they want to visit again and again. The books I’ve listed are just some of the wonderful, unforgettable novels I’ve read, and I hope you enjoy them too! Happy reading!

I’m a contemporary romance author who writes in paranormal romance on the side, but everything I write always comes down to one thing, and that’s the romance between characters. I love books that make me connect to and root for the main protagonists, no matter their flaws or situation. I specifically love romance novels that take place during the summer or in places that are warm year-round because no matter what season it is when you read them, you’re immediately transported to a warm, sunny, swoon-worthy world.

I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction. 

I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view? 

I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people. 

I was born in Ukraine and moved to the Midwest in the early 1990s. I am the author of two novels: At the End of the World, Turn Left, which was called “elegant and authentic” by NPR and named by Booklist as one of the “Top Ten Crime Debuts” of 2021, and the domestic thriller Breakfall (April 2023). Perhaps one of the oldest literary tropes, affairs up the ante in literary works while simultaneously exploring human nature. Throw an affair into a novel, and most likely, some characters will be blowing up their lives; add it into a mystery novel, and murders are likely to happen. 

I am Lynda Rees, The Murder Guru, multi-award-winning author of historical fiction, contemporary mystery, suspense, romance, middle-grade mysteries, and children’s fiction. I love all things historical, especially American history. I am part-Cherokee, a coal miner’s daughter born in the Appalachian Mountains, and I grew up in northern Kentucky when Newport prospered as a gambling, prostitution, and sin mecca under the Cleveland Mob. My fascination with history’s effect on today’s lives works its way into my written pages. Having traveled the world negotiating with heads of industry and foreign governments during a corporate career in marketing and global transportation, this workaholic adventurer has succumbed to my passion for writing.

There are many big problems in the world today–racism, war, climate change, unaccountable governments, exploitative corporations, and so on. But when you scratch the surface of almost any serious problem, what you find is that the root of the problem is inequality: a minority of people are rich and powerful, while those who suffer the most are typically poor and powerless. I’m so passionate about inequality because, in my eyes, it constitutes the heart and soul of what’s wrong with our world and the key to making things better.

I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told. 

We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UK’s Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.