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My research permitted amazing conversations with some of McNamaraâs former colleagues and their children, including Daniel Ellsberg. Ellsberg informed the direction of my research and shared my excitement about the sources I was looking for, especially the secret diaries of his former (and beloved) boss, John McNaughton. He is both a window into and a foil to McNamara. On substance, they were in basic agreement on most issues (from Vietnam to nuclear issues), but they chose very different paths to address their moral qualms. I think the questions they askedâincluding on the moral responsibility of public officialsâare as urgent today as they were in the 1960s.
A memoir that charts Ellsbergâs journey from committed Cold Warrior to icon of the peace movement. What is so captivating about this account is Ellsbergâs willingness to sacrifice a booming career and his place within the inner sanctum of Washington, DC power, in the service of truth through the publication of the Pentagon Papers.
The story of his moral awakening is moving and compels readers to consider how anyone with even limited power can use their position to act in immoral situations, with the corollary that inaction and silence are often complicity.
The true story of the leaking of the Pentagon Papers, the event which inspired Steven Spielberg's feature film The Post
In 1971 former Cold War hard-liner Daniel Ellsberg made history by releasing the Pentagon Papers - a 7,000-page top-secret study of U.S. decision-making in Vietnam - to the New York Times and Washington Post. The document set in motion a chain of events that ended not only the Nixon presidency but the Vietnam War. In this remarkable memoir, Ellsberg describes in dramatic detail the two years he spent in Vietnam as a U.S. State Department observer, and how he cameâŠ
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theâŠ
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UKâs Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
At its core, whistleblowing is an act of truth-telling, often in response to official misrepresentation and lies. While not explicitly about whistleblowing, Hannah Arendtâs 1971 essay, âLying in Politicsâ is an indispensable read for anyone interested in the subject. Written in the wake of the Pentagon Papers disclosure, it situates the official lies of the Vietnam War within a broader phenomenon of political propaganda. Exploring how propaganda aimed at the public ultimately took hold within senior policymaking circles, it reveals the blurry line between official lies and self-deception. Challenging simple precepts about whistleblowing and public transparency, Arendt explores whether or not and why knowledge of the facts actually makes a difference. Along with the broader collection of essays in Crises of the Republic, this piece offers uncanny insight into post-truth politics and the breakdown of democracy in our day.
A collection of studies in which Arendt, from the standpoint of a political philosopher, views the crises of the 1960s and early 1970s as challenges to the american form of government. Index.
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UKâs Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
A Democrat patriarch and long-time Senator from New York, Daniel Patrick Moynihan led a congressional committee in the early 1990s recommending dramatic reductions in the size and scale of government secrecy. Moynihan even penned an opinion piece in the New York Times questioning whether there was still a need for the CIA. Secrecy is an offshoot of Moynihan's committee report that delves into the history of state secrecy in the United States from the early twentieth century, showing its corrosive effect on Cold War policymaking and society as a whole. The book is part of an unprecedented attempt by a political establishment heavyweight to change the debate on national security secrecy. That it had no meaningful impact is profoundly telling.
Senator Daniel Patrick Moynihan, chairman of the bipartisan Commission on Protecting and Reducing Government Secrecy, here presents an eloquent and fascinating account of the development of secrecy as a mode of regulation in American government since World War I-how it was born, how world events shaped it, how it has adversely affected momentous political decisions and events, and how it has eluded efforts to curtail or end it. Senator Moynihan begins by recounting the astonishing story of the Venona project, in which Soviet cables sent to the United States during World War II were decrypted by the U.S. Army-but wereâŠ
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is realâbut hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to actâŠ
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UKâs Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
CIA officer Frank Snepp was one of the last American officials to leave Vietnam in 1975. But when he published a damning critique of the U.S. war effort in a book (A Decent Interval), it ignited a controversy that was widely covered in the press and led all the way to the Supreme Court. Snepp was charged with causing 'irreparable harm' to national security and ordered to surrender all profits from the publication. His account of the events around the court case are of course subjective but nonetheless speaks to a central paradox around the first amendment: freedom of speech is essentially suspended for national security officials. The legacy of Sneppâs case continues to cast a long shadow, affecting individuals as varied as Edward Snowden and John Bolton in our day.
Among the last CIA agents airlifted from Saigon in the waning moments of the Vietnam War, Frank Snepp returned to headquarters determined to secure help for the Vietnamese left behind by an Agency eager to cut its losses. What he received instead was a cold shoulder from a CIA that in 1975 was already in turmoil over congressional investigations of its operations throughout the world.
In protest, Snepp resigned to write a damning account of the agencyâs cynical neglect of its onetime allies and inept handling of the war. His expose, Decent Interval, was published in total secrecy, eerily evocativeâŠ
Iâve always been fascinated by power and how people use it. From the time I was tiny, Iâve loved reading about how people left their fingerprint on history, and boy, do presidents leave their mark. Given these interests, itâs unsurprising that Iâve been my career this far examining how early presidents crafted the executive branch. The presidentâs oversized role in American life is also at the heart of my podcast work (I cohost The Past, The Promise, The Presidency with the Center for Presidential History at Southern Methodist University. Each season we explore a different element of the presidency and its relationship to history). In my future scholarship, I plan to continue this exploration long after George Washington left office. Stay tuned for more, and in the meantime enjoy these great reads!
So much of the early presidency took place out of âoffice hours.â Social events where women were present were considered apolitical and non-partisan, but of course, women had just as many opinions about politics back in the Early Republic as they do today! Instead, these events served as helpful venues for brokering deals, arranging political marriages, and securing appointments for friends and family members. Wives were also essential partners in campaigns and coalition-building once politicians were in office. You canât understand the early presidents without understanding the broader social context as well.
Catherine Allgor describes the various ways genteel elite women during the first decades of the 19th century used ""social events"" and the ""private sphere"" to establish the national capital and to build the extraofficial structures so sorely needed in the infant federal government.
Iâm an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. Iâm a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and viceâwithout preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.
Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Parkcompellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most peopleâs cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the âanti-romanceâ trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.
'Full of the energies of discord - sibling rivalry, greed, ambition, illicit sexual passion and vanity' Margaret Drabble
Jane Austen's profound, ambiguous third novel is the story of Fanny Price, who is accustomed to being the poor relation at Mansfield Park, the home of her wealthy plantation-owning uncle. She finds comfort in her love for her cousin Edmund, until the arrival of charismatic outsiders from London throws life at the house into disarray and brings dangerous desires to the surface. Mansfield Park is Austen's most complex work; a powerful portrayal of change and continuity, scandalous misdemeanours and true integrity.
Aury and Scott travel to the Finger Lakes in New Yorkâs wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, itâs time to dig into the details and seeâŠ
My love for strange women began with a love of the tomboy, growing up in the â80s and 90âs with characters like Pippi Longstocking and George from The Famous Five. Theyâre young women who broke the rules of decorum or gender presentationâand they just always seemed to be having a lot more fun. Or at least more interesting experiences. This love of rebels and unruly women has stuck with me, and I think our depiction of women like this has become deeper and more varied. I just love a character whoâs a bit of an odd duck, is irrepressible or voracious, or just plain messy. Nice is boringâgive me the chaos.
I love an audacious woman, even if she is a hot mess. This book follows Alex, a young woman whoâs been staying at the Hamptons with an older man. Sheâs a calculated person, good at capitalizing on the good natures and human weaknesses of others, but a small misstep brings her free ride with the older man to an end. Instead of leaving, she decides to linger on Long Island.
Each night, she finds a new person to graft, a new scheme to help her stay. Spending time with Alex was stressful and made me want to shake her for her short-sightedness and self-sabotaging. But at the same time, I couldnât help but admire her grit and wonder what on earth she was going to do next.
* A TIMES 'Book of 2023' * 'Addictive' STYLIST Books to Look Out For 2023 * 'Destined to be the status read of 2023' HARPER'S BAZAAR BEST NEW FICTION * 'The perfect summer read' CULTURE WHISPER * An EVENING STANDARD 'Best New Books for Spring' * A Financial Times Best Summer Read 2023 *
Summer is coming to a close on Long Island, and Alex is no longer welcome...
One misstep at a dinner party and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city. WithâŠ
I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction.
I could not put this book down. Already a favorite author of mine, Nikki Sloane surprised me with this sensual fairytale of a novel. Itâs both inventive and twisted, deftly handling the love triangle as well as the power dynamics. Not only does Sloane knock the kink out of the park in this one, she also conveys all the fantasy of the uber-rich life without missing a thing.
No one knows how new members are selected to the board of Hale Banking and Holding. But there are rumors of a sordid rite of initiation.
Whispers how one woman and nine men disappear into a boardroom.
This time, that woman will be me.
The Hale family owns everythingâthe eighth largest bank in the world, everyone in our town, even the mortgage on my parentsâ mansion. And now Royce Hale wants to own me.
He is charming. Seductive. Ruthless. But above all, heâs the prince of lies. My body may tighten with white-hot desire under his penetrating gaze, but IâŠ
As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s.Â
Set in the present-day cosmopolitan city of Mumbai, India, the novel follows the lives of two women: Serabai Dubash, a middle-class widow, and her maidservant, Bhima. The pair experience similar situations in their lives: abuse, the death or absence of a husband, and the longing for a better future. They both have pregnant daughters, a fact that becomes significant as the novel progresses.
This book shows us the difficulties faced by women in Indian society but also their courage. Ultimately it is an upbeat book with great spirit. The plot twist at the end, and the resolution, blew me away.Â
In this beautifully crafted novel about the interlinked lives of two women, Thrity Umrigar explores the complex relationships between the classes in India, rarely addressed in contemporary fiction.
'Bhima is real. She worked in the house I grew up in, year after year, a shadow flitting around our middle-class home, her thin brown hands cleaning furniture she was not allowed to sit on, cooking food she was not allowed to share at the family dining table, dusting the stereo that mainly played American rock and roll, music that was alien and unfamiliar to her, that only reminded her of herâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictoriansâ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world.Â
It turns out that privilege, entitlement, and lofty ambition are baked into every aspect of the top private boarding schools in the United States. The authors are two sociologists who took me behind the scenes of an elite school whose graduates are subtlyâand not so subtlyâgroomed for power and success.
On magnificent residential high school campuses, students are surrounded by wealthy peers, portraits of celebrated alumni on the walls, seminar-style academic debates, famous guest speakers, and more. The authors paint a convincing and readable account of how exclusive schools imbue their students with the habits, dispositions, and ambitions to join societyâs elites.
Why do private boarding schools produce such a disproportionate number of leaders in business, government, and the arts? In the most comprehensive study of its kind to date, two sociologists describe the complex ways in which elite schools prepare students for success and power, and they also provide a lively behind-the-scenes look at prep-school life and underlife.
