Here are 76 books that The Georgetown Set fans have personally recommended if you like
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My research permitted amazing conversations with some of McNamara’s former colleagues and their children, including Daniel Ellsberg. Ellsberg informed the direction of my research and shared my excitement about the sources I was looking for, especially the secret diaries of his former (and beloved) boss, John McNaughton. He is both a window into and a foil to McNamara. On substance, they were in basic agreement on most issues (from Vietnam to nuclear issues), but they chose very different paths to address their moral qualms. I think the questions they asked–including on the moral responsibility of public officials–are as urgent today as they were in the 1960s.
A memoir that charts Ellsberg’s journey from committed Cold Warrior to icon of the peace movement. What is so captivating about this account is Ellsberg’s willingness to sacrifice a booming career and his place within the inner sanctum of Washington, DC power, in the service of truth through the publication of the Pentagon Papers.
The story of his moral awakening is moving and compels readers to consider how anyone with even limited power can use their position to act in immoral situations, with the corollary that inaction and silence are often complicity.
The true story of the leaking of the Pentagon Papers, the event which inspired Steven Spielberg's feature film The Post
In 1971 former Cold War hard-liner Daniel Ellsberg made history by releasing the Pentagon Papers - a 7,000-page top-secret study of U.S. decision-making in Vietnam - to the New York Times and Washington Post. The document set in motion a chain of events that ended not only the Nixon presidency but the Vietnam War. In this remarkable memoir, Ellsberg describes in dramatic detail the two years he spent in Vietnam as a U.S. State Department observer, and how he came…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UK’s Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
At its core, whistleblowing is an act of truth-telling, often in response to official misrepresentation and lies. While not explicitly about whistleblowing, Hannah Arendt’s 1971 essay, “Lying in Politics” is an indispensable read for anyone interested in the subject. Written in the wake of the Pentagon Papers disclosure, it situates the official lies of the Vietnam War within a broader phenomenon of political propaganda. Exploring how propaganda aimed at the public ultimately took hold within senior policymaking circles, it reveals the blurry line between official lies and self-deception. Challenging simple precepts about whistleblowing and public transparency, Arendt explores whether or not and why knowledge of the facts actually makes a difference. Along with the broader collection of essays in Crises of the Republic, this piece offers uncanny insight into post-truth politics and the breakdown of democracy in our day.
A collection of studies in which Arendt, from the standpoint of a political philosopher, views the crises of the 1960s and early 1970s as challenges to the american form of government. Index.
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UK’s Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
A Democrat patriarch and long-time Senator from New York, Daniel Patrick Moynihan led a congressional committee in the early 1990s recommending dramatic reductions in the size and scale of government secrecy. Moynihan even penned an opinion piece in the New York Times questioning whether there was still a need for the CIA. Secrecy is an offshoot of Moynihan's committee report that delves into the history of state secrecy in the United States from the early twentieth century, showing its corrosive effect on Cold War policymaking and society as a whole. The book is part of an unprecedented attempt by a political establishment heavyweight to change the debate on national security secrecy. That it had no meaningful impact is profoundly telling.
Senator Daniel Patrick Moynihan, chairman of the bipartisan Commission on Protecting and Reducing Government Secrecy, here presents an eloquent and fascinating account of the development of secrecy as a mode of regulation in American government since World War I-how it was born, how world events shaped it, how it has adversely affected momentous political decisions and events, and how it has eluded efforts to curtail or end it. Senator Moynihan begins by recounting the astonishing story of the Venona project, in which Soviet cables sent to the United States during World War II were decrypted by the U.S. Army-but were…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UK’s Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
CIA officer Frank Snepp was one of the last American officials to leave Vietnam in 1975. But when he published a damning critique of the U.S. war effort in a book (A Decent Interval), it ignited a controversy that was widely covered in the press and led all the way to the Supreme Court. Snepp was charged with causing 'irreparable harm' to national security and ordered to surrender all profits from the publication. His account of the events around the court case are of course subjective but nonetheless speaks to a central paradox around the first amendment: freedom of speech is essentially suspended for national security officials. The legacy of Snepp’s case continues to cast a long shadow, affecting individuals as varied as Edward Snowden and John Bolton in our day.
Among the last CIA agents airlifted from Saigon in the waning moments of the Vietnam War, Frank Snepp returned to headquarters determined to secure help for the Vietnamese left behind by an Agency eager to cut its losses. What he received instead was a cold shoulder from a CIA that in 1975 was already in turmoil over congressional investigations of its operations throughout the world.
In protest, Snepp resigned to write a damning account of the agency’s cynical neglect of its onetime allies and inept handling of the war. His expose, Decent Interval, was published in total secrecy, eerily evocative…
I’ve always been fascinated by power and how people use it. From the time I was tiny, I’ve loved reading about how people left their fingerprint on history, and boy, do presidents leave their mark. Given these interests, it’s unsurprising that I’ve been my career this far examining how early presidents crafted the executive branch. The president’s oversized role in American life is also at the heart of my podcast work (I cohost The Past, The Promise, The Presidency with the Center for Presidential History at Southern Methodist University. Each season we explore a different element of the presidency and its relationship to history). In my future scholarship, I plan to continue this exploration long after George Washington left office. Stay tuned for more, and in the meantime enjoy these great reads!
So much of the early presidency took place out of “office hours.” Social events where women were present were considered apolitical and non-partisan, but of course, women had just as many opinions about politics back in the Early Republic as they do today! Instead, these events served as helpful venues for brokering deals, arranging political marriages, and securing appointments for friends and family members. Wives were also essential partners in campaigns and coalition-building once politicians were in office. You can’t understand the early presidents without understanding the broader social context as well.
Catherine Allgor describes the various ways genteel elite women during the first decades of the 19th century used ""social events"" and the ""private sphere"" to establish the national capital and to build the extraofficial structures so sorely needed in the infant federal government.
I’m an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. I’m a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and vice—without preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.
Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Parkcompellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.
'Full of the energies of discord - sibling rivalry, greed, ambition, illicit sexual passion and vanity' Margaret Drabble
Jane Austen's profound, ambiguous third novel is the story of Fanny Price, who is accustomed to being the poor relation at Mansfield Park, the home of her wealthy plantation-owning uncle. She finds comfort in her love for her cousin Edmund, until the arrival of charismatic outsiders from London throws life at the house into disarray and brings dangerous desires to the surface. Mansfield Park is Austen's most complex work; a powerful portrayal of change and continuity, scandalous misdemeanours and true integrity.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictorians’ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world.
It turns out that privilege, entitlement, and lofty ambition are baked into every aspect of the top private boarding schools in the United States. The authors are two sociologists who took me behind the scenes of an elite school whose graduates are subtly—and not so subtly—groomed for power and success.
On magnificent residential high school campuses, students are surrounded by wealthy peers, portraits of celebrated alumni on the walls, seminar-style academic debates, famous guest speakers, and more. The authors paint a convincing and readable account of how exclusive schools imbue their students with the habits, dispositions, and ambitions to join society’s elites.
Why do private boarding schools produce such a disproportionate number of leaders in business, government, and the arts? In the most comprehensive study of its kind to date, two sociologists describe the complex ways in which elite schools prepare students for success and power, and they also provide a lively behind-the-scenes look at prep-school life and underlife.
As someone who was born into a legacy of stewarding philanthropy, I was always on a journey to figuring out how I had won the uterine lottery. I hadn’t earned or inherited that wealth, and yet I was to be inheriting the responsibility and opportunity to steward it. Along the way, I met other next gen who wanted to make an impact with their resources, and so for the last twenty-plus years, professionally at 21/64, I've coached next gen donors, consulted with multigenerational philanthropic families, and trained professionals who support them. I’m always looking for research and resources to share with my clients and colleagues, and I hope the below are useful resources for you.
Many years ago, Kristin helped me to name that next gen can be “paralyzed by predecessor, privilege, and possibilities.” First-world problems that most people don’t get to experience.
However, if you are the child of a successful entrepreneur or have inherited wealth and philanthropic interests to allocate, there can be real challenges with finding your purpose.
She’s now dedicated a whole book to finding your way through growing up with wealth to find a life full of meaning alongside the ability to make an impact.
The next generation within wealthy families are often said to be born with a silver spoon in their mouths. Perceived as free from life's toughest challenges. "Having it all." But being raised in affluence brings a unique set of pressures and hidden tripwires. Great wealth casts a long shadow. Inheritors commonly face intense familial expectations, public scrutiny and judgment, and confusing or debilitating self-narratives, under which many flounder. And we-as family, friends, and society-slowly lose their contribution to our lives and the common good.
The Myth of the Silver Spoon helps guide the next gen of the affluent, their families,…
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is a learned but lucid work that shows us why we don't know the names of many of the emperors' wives and female kin. Boatwright looks at a range of activities of the imperial women across Roman institutions (the imperial gov't and its laws, the military machine, and the family and the court). Important now to understand how power takes hold in conservative, entrenched societies, and how leading women are exploited in these regimes.
The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have been fascinated by the role of power dynamics and psychological games in relationships for as long as I can remember, frequently seeking out entertainment and exploring these topics to make sense of what was happening in the world around me. Now as a writer of 42 novels, many of my stories center around these themes and their consequences and complications, always from a point of view that empowers women. Dirty Filthy Rich Men, and its follow-up Dirty Filthy Rich Love, specifically focus on the difference between the devastating act of rape and consensual rape play, with the intention of validating women who are drawn to edgier fantasies in fiction.
I could not put this book down. Already a favorite author of mine, Nikki Sloane surprised me with this sensual fairytale of a novel. It’s both inventive and twisted, deftly handling the love triangle as well as the power dynamics. Not only does Sloane knock the kink out of the park in this one, she also conveys all the fantasy of the uber-rich life without missing a thing.
No one knows how new members are selected to the board of Hale Banking and Holding. But there are rumors of a sordid rite of initiation.
Whispers how one woman and nine men disappear into a boardroom.
This time, that woman will be me.
The Hale family owns everything—the eighth largest bank in the world, everyone in our town, even the mortgage on my parents’ mansion. And now Royce Hale wants to own me.
He is charming. Seductive. Ruthless. But above all, he’s the prince of lies. My body may tighten with white-hot desire under his penetrating gaze, but I…
