Books like Stalking The Wild Asparagus — picked by fans

As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.

As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.

As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.

As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.

As a child I was drawn to the forest by its aesthetics. I felt as if I were wandering through a masterpiece painting. As I grew older, I wanted to know more about the many working parts of nature. I quickly learned this: If I wanted to know nature intimately, I needed to know what the Native Americans knew. After years of study and honing skills, I undertook seasonal, self-imposed “survival trips” in remote areas of the National Forest. As an adult I served as a naturalist for the Georgia Conservancy, wilderness director for High Meadows Camp, and as director of my own wilderness school – Medicine Bow – in the Appalachian Mountains.

I’m a middle school science teacher, and many of my students are “readers,” the ones that constantly have their heads in books when they aren’t dragged away by classwork. I created this list because they remind me of what I enjoyed about reading when I was their age, the environment. Characters and plots were great, but I wanted a book to take me somewhere I’d never been. Whether it was the Klondike or soaring through clouds, I needed to believe it was real, someplace I might see for myself. Vivid descriptions that provide fuel for imagination make reading more dynamic.

I am a professor of music at the University of Michigan, where I have taught theory, jazz, music composition, and music technology for 34 years. 

I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.

I’ve spent most of my life fascinated by what happens when women stop editing themselves. As a former television reporter, health educator, and memoirist, I’ve lived on both sides of the polished story and the private reckoning in my search for truth. Writing my own memoir forced me to confront how often women are encouraged to soften conflict, spiritualize pain, or tidy up the truth to make it more palatable. I’m drawn to books that refuse that impulse—stories where healing isn’t performative, and transformation isn’t neat.

My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.