Books like The Home for Unwanted Girls

This book has everything a book club could ask for. Characters that you love, even when maybe you shouldn’t. Relationships that seem both familiar and endlessly fascinating. An epic dilemma that resonates and flourishes until the very end. It’ll definitely have you wondering, what would I do? At the end of the day, that question is all you really need for a lively book club discussion. 

I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.

But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.

Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.

Come for the oil paintings and the glass doors, stay for a tender and poignant portrait of family life. The Philadelphia mansion at the heart of this novel casts a spell over its characters – it’s the childhood home that Danny and Maeve have been banished from but are inexorably drawn back to.

Ann Patchett is one of my favourite contemporary novelists – few writers unpack their characters’ emotional baggage with such warmth, wit, and compassion.

Talk about a complicated mother-daughter relationship! Almost as soon as her daughter is born, Blythe suspects something is…off. And no kidding, is it ever? This book takes the idea of not being able to connect with your kid to a whole other, really terrifying level.

What I particularly love about this book is how much it challenges the idea of who is in charge in the mother-daughter relationship, and what it means if your kid is really, truly, bad. This book actually made me gasp. The title refers to the central incident of the book, but I like it because the book also pushes against all kinds of societal norms. 

The author of nearly three dozen nonfiction books for young people, Catherine Reef reveals through her clear writing, first-hand accounts, and photographs what it was really like for a child to grow up in an orphanage in America from the mid-1850s to the early 20th century when nearly all of these congregate dependent childcare institutions closed.

Reef also includes a satisfying Afterword that lets us know “where life led some of the children” who appeared in her book. Although intended for a young reader, Alone in the World also proved a strong resource to me in writing my book and will interest anyone who wants a thoughtful and deeply-researched overview of this topic.

Ayelet Tsabari’s stunning memoir is all about departure, wandering, displacement, identity, and belonging. As a Mizrahi, or non-European Jew, and a minority in Israeli society and culture, she establishes herself as a powerful voice for emigrants and minorities and speaks truth to power.

In the West, Ashkenazi Jewish culture dominates, and most people are ignorant of, and/or quite indifferent to, the myriad Jewish communities of the world and their complex and rich cultures. Her experiences in the Israeli army, her travels, her difficult relationships, her escape from trauma and pain as she enters into different worlds, and how she makes peace with herself. She focuses on those like herself on the margins of Israeli society and exposes the misogyny and discrimination she and other immigrants like herself experience on a daily basis.

Many of the aspects she writes about resonate deeply with me as an Indian immigrant in the US,… show more.

I think a lot of people just assume that the majority of irregular migration at the US-Canada border consists of people entering the United States. That’s wrong historically and today.

British Loyalists during the US Revolution, people fleeing slavery on the Underground Railroad, and conscientious objectors to the Vietnam War have all sought protection north of the border. The same holds true today with thousands of people leaving the United States every year in search of asylum in Canada.

However, as Clark-Kazar’s book shows, they do not always receive a generous welcome, and Canada has tightened rules and put in place new restrictions for decades. I loved this book because it paints a complete picture of Canada’s partial and uneven embrace of refugees from around the world.

By the thousands, young Black men from Canada–some were escaped slaves, others were freemen, often descended from Americans–rallied to join Lincoln’s army.

Reid paints moving portraits of their determination to fight racism, their sacrifices, and their contributions to the cause. I was particularly interested in the historic role played by Black Canadian doctors and Reid delivers a sweeping overview and fascinating details of the main characters.

Bill Mason was a legend in the world of paddling. He was old-school: red and black plaid wool shirt, wood-and-canvas canoe, canvas lean-to-style tent. His sojourns in the North Woods inspired me in my own explorations of the Deep South. When he paddled Lake Superior, I thought of Louisiana's Atchafalaya Swamp. When he canoed the Hood River, I thought of Mississippi's Pascagoula.

This book combines in-depth advice on wilderness travel with accounts of some of Bill's own journeys. He was also an artist and filmmaker. His documentary, Waterwalker, is a must-see classic for anyone who loves adventure on the water. 

Elliot Page’s book is an engaging, worthwhile celebrity memoir. As a longtime fan of Page’s film performances and a trans person myself, I was so inspired by his public coming out and transition.

In his book, Page took me behind the scenes for an exclusive look at the unglamourous sides of Hollywood stardom—especially the ways the industry has historically been harmful to trans actors, many of whom, like Page, were encouraged to stay in the closet. I also appreciated that Page, as a celebrity, wrote the book himself without the help of ghostwriters.