Books like Shadow Life — picked by fans

Akira is a must-read manga masterpiece, a deep analysis of government corruption, political upheaval, criminality, and decay of society. Apart from the breathtaking art, what caught my attention was the complex story and the nihilistic, harsh, and hopeless world Akira shows. There are virtually no good characters in this story and it fits the apocalyptic, decadent reality they face and live. Expect a lot of psychic abilities and motorcycles, along with gritty, graphic violence.

Before a Friday night drink, turn on some heavy metal (or hard rock) and decide if you want to, “Become a cop or die.”

 This indie sci-fi graphic novel has style with thought-provoking themes that will make you wonder about our lives in the near future. 

The monochromatic color palette is not only stylistically cool but it frames emotion perfectly well. I loved the raw indie art by Ziritt, feels like a classic tattoo artist took his inks and drew inside comic panels. He frames a lot of statuesque and memorable moments with his violent, dystopian characters.

As an indie artist and writer, it’s awesome to see another indie story. Indie at its core is unfiltered, which is what makes it great. It isn’t watered down to hit the right tone to sell a lot of copies. It’s the creator’s voice being heard.

I suggest that you read this… show more.

Scud is a ’90s indie comic at its best and is now in one giant collection. Vending machine robots with various whacky, funny, and violent scenarios. Artist/writer Rob Shrab created a ton of awesome indie work. His passion and talent are undeniable as he creates one crazy scenario to the next. I recommend going to a local coffee shop and spending some time with the printed copy sipping a latte while listening to 90’s grunge rock.

I suggest that you read this one on a Saturday afternoon.

This is my favorite mainstream graphic novel of the Caped Crusader. Mostly because of the art by Tim Sale. This graphic novel has a special place for me because it is my first experience with Tim’s art. Tim represents style, emotion, and grit through his visuals. I am an art-first comic book fan. I got into writing later as a young adult but art is what drives me to pursue graphic novels. I flip through graphic novels without reading a word first. If it is visually appealing throughout the story, I go back and read the whole story.

Dark Victory is technically Jeph Loeb and Tim’s second Batman novel after but Dark Victory is more polished, feels cooler and the story is smoother.

I suggest that you read this one on a Saturday night.

The time is nearing for the lemming community to take the great leap—to run to the cliffs and keep going, plunging into the water below. Why? Because that’s what lemmings do. In his brilliant allegory, Alan Arkin explores what happens when one young lemming asks, “Can lemmings swim?” What happens when one suddenly realizes he’s uncomfortable with following the crowd and has the courage to say, This isn’t right and I don’t want any part of it. Arkin’s book has always been a source of hope for me, hope and belief in the power of the individual resisting what sometimes feels like society run amok.

Few books from the Asian perspective are from the Ryukyuan (Okinawan, Shimanchu) pov, but this book accomplishes this with an intricate blend of fantastical storytelling. I wish I’d known Darcy when we were looking for essayists for my book!

A profound exploration of grief and cultural identity, the collection is a tapestry of stories that intertwine language, culture, and the deep impacts of loss. Each narrative—ranging from a scholar in the Ryukyu Islands to a spirit observing the aftermath of her death—left me unable to put the book down.

Including an immigrant who sprouts wings and a journalist witnessing the event, which adds a layer of magical realism that is tender and dear. Representation really does matter, and I am grateful to Darcy Tamayose for taking up her pen.

Terry Lynn Johnson has written many books on sled dogs. Dog Driven does a great job of sharing what a junior race is like: the competitiveness, the setbacks, and the thrill of the sport. It also addresses facing an issue head-on. In this book, the main character is struggling with worsening eyesight. I think middle grade readers will relate to feeling apprehensive when facing something difficult. 

My son works with the unhoused in our city.

This is a book about extreme compassion, and the long and torturous work of it in the face of neighbourhood fear and municipal hostility towards those who live without fixed addresses and all that that entails. 

Further, I see in Encampment the hope that on a personal and social level, we all have it within us to understand people we didn't think we could and keep alive the capacity we're born with to love those whom so many tell us we should not. 

A generational ship fallen to ruin and tribalism? Sign me up! Roy spares no effort in bringing to life his vivid, action-packed book. The fun here is less the characters than the world-building and how artfully the past is revealed plot-point by plot-point like a delicious sci-fi strip-tease. Plus, Roy drew the shit out of this book.

Part of the challenge of writing my novel was trying to study the various cultures, people, rituals, economies, beliefs, and ways the locals survived. This anthology had a bounty of information and a variety of stories that were written by northern authors who knew the area, some of them living there for prolonged periods of time.

The word “Taaqtumi” is an Inuktitut word that means “in the dark”—which seems appropriate. With story titles like “Insinaqtutalik Piqtuq: The Haunted Blizzard” and “Wheetago War II: Summoners,” you can see that the native POV is important to these stories. It is so important that I hired one of the authors, Repo Kempt, to be my Arctic advisor on my book—to help me get the details right.