87 Books Like The Heart Mender

Have you ever read a book that grabbed you with a character challenged by circumstances you’d never considered? Imagine being blind and trying to survive WWII! I was intrigued by this essentially two-person novel set during World War II, which had a ‘cast’ of millions.

Again, the characters! Marie-Laure LaBlanc is a young blind French woman hiding in her great-uncle’s house in Saint-Malo after the Nazis invade Paris. I found Doerr’s lyrical sensory descriptions of Marie-Laure’s efforts to make her way around town as she’s pulled into the French resistance thrilling. I loved the depth of characterization when I met the second main character, Werner Pfennig, a radio repair savant, and his journey from a Nazi soldier tracking down illicit resistance radio operators to a young man repulsed by the Nazi brutalization of civilians.

The characters and intrigue pulled me through this book; mixed in with the eventual connection of… show more.

The title of this book really intrigued me. That, and the fact that the author had died very shortly after completing the novel, requesting her friend to see it through its journey, meant I felt compelled to read it.

The other hook for me was that the story is set in Guernsey, an island I have visited and where I was aware there had been a great deal of deprivation in WWII. I wasn’t disappointed. I loved the wit, the cast of wonderful characters, and the story that developed from a chance correspondence.

Multi-layered portrayals, and an absorbing, beautifully penned story shine through Sharon Maas’s The Soldier’s Girl, a novel at once heartbreaking and inspiring.

The protagonist, Sibyl Lake, works as a spy for the French Resistance in the Nazi-annexed region of Alsace. Two men vie for her affection: Jacques, her childhood sweetheart, now a Resistance fighter, and Wolfgang, a German officer and the target of her espionage mission.

Sibyl’s courage, identity, and very soul are forced to the brink as she fights for her beloved land, clutched in Germany’s oppressive control. Maas’s unforgettable characters reveal their humanity – through love and loss – and will abide in the reader’s heart long after the final page.

April in Paris presents a perspective not often seen in World War II fiction: the first-person account of a German soldier.

Fluent in French, Corporal Roth is assigned to interpret prisoner interrogations in Nazi-occupied Paris. Disturbed by the torture he witnesses, Roth escapes his repugnant duties by posing as a Frenchman when off-duty, attempting to shed his identity as “occupier” by blending in with the populace.

He encounters the beautiful Chantal and ardently pursues her, unaware that she is part of the Resistance. Love ripens between Roth and Chantal, but the outcome spins out of their control, as both are hurled toward the perilous consequences of their affair.

Wallner’s fast-paced novel is more thriller than romance, as human emotion collides with the brutality of war. 

I love a book that tells me something new. Yes, I knew WACs served in World War II and that in the 1940s, women didn’t hold combat positions. I knew Black men served in segregated units. But I didn’t know about the Black women’s WAC 6888 Central Postal Directory Battalion.

I was riveted by this story of their deployment to Europe to sort mail for the troops. So many books about wars feature men. I loved the female characters and the grandmother sharing memories with her granddaughters–creating a bridge for today’s readers. I respect how the book speaks not only to military life and commitment but also to racial segregation and its effects on the young women serving our country.

Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.

Coleman got very famous, and very rich, from Beulah Land, a trilogy of plantation life in the pre-Civil War South that was variously viewed as a much racier Gone with the Wind or simply dismissed as an interracial soap opera. What a surprise, then, to find he wrote this beautiful coming-of-age story about a sensitive boy who is a budding writer. The novel richly depicts Mark’s life in Alabama and Georgia during the 1930s and early ’40s. We are as elated as he is when he finally finds people who understand him, most notably his teacher, who is the kind of quietly strong woman character all too often overlooked in such a milieu, and equally, the unexpected young man with whom Mark finally finds a romance both exhilarating and heartbreaking.

I used this adult coffee table book as a main reference for writing my children’s book of the same title. The amazing reproductions of the quilts are beautiful. The colors glow. I could see the bits of patterns –flowers, triangles, plaids – ingeniously composed like abstract paintings. Captions give the names of the quilters.  And there are photos of them as well as vintage pictures. Quotes from the quilters tell their histories. One of the most touching stories was by Missouri Pettway who told that when her Daddy died her mother took his old work clothes to make a quilt “to remember him, and cover-up under it for love.” I have seen this extraordinary quilt displayed at the Metropolitan Museum of Art in New York and remembering the story behind it, was deeply moved.

A Pulitzer Prize-winning reporter for the New York Times, Rick Bragg’s writing is poetry.

He grew up dirt poor in Alabama. I grew up in a middle-class suburb in New Jersey. He and I have little in common but our love for our mothers. This story touched me on many levels. All mothers sacrifice to some extent in raising their children, but Rick’s mother went above and beyond while facing dire circumstances to provide for hers.

It made me appreciate my mother even more. And though I hadn’t discovered this book prior to my story, it reconfirmed my commitment to my mother. 

I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.

Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.

Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.