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My dad and Uncle (who was not my uncle!) were both WWII veterans; I was fortunate to receive an artist’s grant to gather stories from WWII veterans in Minnesota and told several at concerts honoring the anniversary of D-Day. My counseling background unexpectedly came into play as their stories left me understanding their heroism, sacrifice, shell shock, and grief. These vets grew up never leaving a circle about a hundred miles across and were suddenly thrown into a foreign country and war. I was compelled to research and write about the 1930’s, life on the farm, young romance, and trying to heal PTSD after the war.
Have you ever read a book that grabbed you with a character challenged by circumstances you’d never considered? Imagine being blind and trying to survive WWII! I was intrigued by this essentially two-person novel set during World War II, which had a ‘cast’ of millions.
Again, the characters! Marie-Laure LaBlanc is a young blind French woman hiding in her great-uncle’s house in Saint-Malo after the Nazis invade Paris. I found Doerr’s lyrical sensory descriptions of Marie-Laure’s efforts to make her way around town as she’s pulled into the French resistance thrilling. I loved the depth of characterization when I met the second main character, Werner Pfennig, a radio repair savant, and his journey from a Nazi soldier tracking down illicit resistance radio operators to a young man repulsed by the Nazi brutalization of civilians.
The characters and intrigue pulled me through this book; mixed in with the eventual connection of…
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home.…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The title of this book really intrigued me. That, and the fact that the author had died very shortly after completing the novel, requesting her friend to see it through its journey, meant I felt compelled to read it.
The other hook for me was that the story is set in Guernsey, an island I have visited and where I was aware there had been a great deal of deprivation in WWII. I wasn’t disappointed. I loved the wit, the cast of wonderful characters, and the story that developed from a chance correspondence.
The beloved, life-affirming international bestseller which has sold over 5 million copies worldwide - now a major film starring Lily James, Matthew Goode, Jessica Brown Findlay, Tom Courtenay and Penelope Wilton 'I can't remember the last time I discovered a novel as smart and delightful as this one ... Treat yourself to this book, please - I can't recommend it highly enough' Elizabeth Gilbert, author of Eat Pray Love To give them hope she must tell their story It's 1946. The war is over, and Juliet Ashton has writer's block. But when she receives a letter from Dawsey Adams of…
I’ve long been enthralled by tales, real and fictional, that transcend the obvious and clichéd. My interest in World War II was piqued years ago while studying in Italy, when our professor regaled us with accounts of the Italian Resistance. Depictions of the “enemy” in fiction are often brutalized, and he is portrayed as less than human, compared with those on the righteous side of the battle. As a romance writer, crafting characters as living, breathing human beings, amidst the abyss of war, became my passion. Conflict is essential to a captivating plot, and what could be more intriguing than pitting heroine against hero in mortal struggle.
Multi-layered portrayals, and an absorbing, beautifully penned story shine through Sharon Maas’s The Soldier’s Girl, a novel at once heartbreaking and inspiring.
The protagonist, Sibyl Lake, works as a spy for the French Resistance in the Nazi-annexed region of Alsace. Two men vie for her affection: Jacques, her childhood sweetheart, now a Resistance fighter, and Wolfgang, a German officer and the target of her espionage mission.
Sibyl’s courage, identity, and very soul are forced to the brink as she fights for her beloved land, clutched in Germany’s oppressive control. Maas’s unforgettable characters reveal their humanity – through love and loss – and will abide in the reader’s heart long after the final page.
France 1944 and the streets are filled with swastikas. The story of a brave English girl behind enemy lines, a German soldier, and a terrible sacrifice…
When young English nurse Sibyl Lake is recruited as a spy to support the French resistance, she doesn’t realise the ultimate price she will end up paying. She arrives in Colmar, a French town surrounded by vineyards and swarming with German soldiers, but her fear is dampened by the joy of being reunited with her childhood sweetheart Jacques.
Sibyl’s arrival has not gone unnoticed by Commander Wolfgang von Haagan and she realises that letting…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I’ve long been enthralled by tales, real and fictional, that transcend the obvious and clichéd. My interest in World War II was piqued years ago while studying in Italy, when our professor regaled us with accounts of the Italian Resistance. Depictions of the “enemy” in fiction are often brutalized, and he is portrayed as less than human, compared with those on the righteous side of the battle. As a romance writer, crafting characters as living, breathing human beings, amidst the abyss of war, became my passion. Conflict is essential to a captivating plot, and what could be more intriguing than pitting heroine against hero in mortal struggle.
April in Paris presents a perspective not often seen in World War II fiction: the first-person account of a German soldier.
Fluent in French, Corporal Roth is assigned to interpret prisoner interrogations in Nazi-occupied Paris. Disturbed by the torture he witnesses, Roth escapes his repugnant duties by posing as a Frenchman when off-duty, attempting to shed his identity as “occupier” by blending in with the populace.
He encounters the beautiful Chantal and ardently pursues her, unaware that she is part of the Resistance. Love ripens between Roth and Chantal, but the outcome spins out of their control, as both are hurled toward the perilous consequences of their affair.
Wallner’s fast-paced novel is more thriller than romance, as human emotion collides with the brutality of war.
When people on Paris's bustling streets look at Michael Roth, they see little more than a Parisian student, a quietly spoken young man with a book under his arm, handsome but guarded. What they do not realize is that he is carrying a painful secret, one that he cannot even reveal to the woman he loves.
For Michael is no ordinary Frenchman but a German. He has been sent to Paris to assist the Nazis in dealing with Resistance fighters. Desperate to escape his daily life, he steals into the world of the oppressed Parisians, and into the path of…
I’ve never experienced war. But I grew up with children of World War II refugees. Other friends’ fathers served in the Japanese American military unit while their families were interned in the U.S. The Cold War was in full swing, complete with ducking under our desks to “protect” ourselves from an atomic blast. Later, my peers shipped out to Vietnam. Then came the wars in the Middle East. The mental and physical effects of war are lingering—for soldiers and their families. It doesn’t matter which war or how long it’s been. Their stories are eerily similar and very, very real. I’m passionate about sharing them.
I love a book that tells me something new. Yes, I knew WACs served in World War II and that in the 1940s, women didn’t hold combat positions. I knew Black men served in segregated units. But I didn’t know about the Black women’s WAC 6888 Central Postal Directory Battalion.
I was riveted by this story of their deployment to Europe to sort mail for the troops. So many books about wars feature men. I loved the female characters and the grandmother sharing memories with her granddaughters–creating a bridge for today’s readers. I respect how the book speaks not only to military life and commitment but also to racial segregation and its effects on the young women serving our country.
Meet Mare, a World War II veteran and a grandmother like no other. She was once a willful teenager who escaped her less than perfect life in the deep South and lied about her age to join the African American Battalion of the Women's Army Corps. Now she is driving her granddaughters—two willful teenagers in their own rite—on a cross-country road trip. The girls are initially skeptical of Mare's flippy wigs and stilletos, but they soon find themselves entranced by the story she has to tell, and readers will be too.
Told in alternating chapters, half of which follow Mare…
I was raised on a dairy farm in Tennessee, and I grew up steeped in my grandparents’ stories about the “hard times before the War” and the challenges of making a living on the land as the southern farm economy was transformed by industrialization and modernization. I learned to appreciate the deep insights found in the stories of so-called ordinary people. As a historian, I became committed to using oral history to explore the way people understood their lives, in my own research and writing and in my teaching. I assigned all five of these books to my own students at Converse University who always found them to be powerful reading.
Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.
The daughter of a freeholder, Sara Brooks was born in 1911 on her parents' subsistence farm in west Alabama. Here in her own words, she makes us understand what it felt like to be young, black, innocent, and steeped in the ways of a black rural world that has largely been lost to us.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I was never a little boy who played soldier. But when I was 13, I read Barbara Tuchman’sThe Guns of August, and developed a lifelong fascination (unusual for an American) with the First World War. Decades later, having achieved a happy life as a gay man, I started to wonder during the debate over “Don’t Ask, Don’t Tell”: What would life have been like for two soldiers in the Great War who fell in love? So, I traveled to the battlefields and cemeteries of France, and to the Imperial War Museum in London, and read anything and everything I could about WW1. And then I wrote Flower of Iowa.
Coleman got very famous, and very rich, fromBeulah Land, a trilogy of plantation life in the pre-Civil War South that was variously viewed as a much racierGone with the Wind or simply dismissed as an interracial soap opera. What a surprise, then, to find he wrote this beautiful coming-of-age story about a sensitive boy who is a budding writer. The novel richly depicts Mark’s life in Alabama and Georgia during the 1930s and early ’40s. We are as elated as he is when he finally finds people who understand him, most notably his teacher, who is the kind of quietly strong woman character all too often overlooked in such a milieu, and equally, the unexpected young man with whom Mark finally finds a romance both exhilarating and heartbreaking.
The work of a superbly gifted writer at the height of his powers, Lonnie Coleman’s Mark is destined to become a classic—the wonderfully moving story of a young man growing up in a small southern town. It is a novel about the lives of ordinary people, the exploration of feelings, the capacity to love, the discovery of sexual choice. Set in Montgomery, Alabama, and Savannah, Georgia, in the twenties and thirties, Mark is the story of a young boy, orphaned by death of both parents and raised by his aunt and uncle, from adolescence to adulthood, and ending with the…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I loved cooking and baking since I was a child, but it wasn’t until I was an adult that I rediscovered the joy of the kitchen. Even though I may enjoy tossing off a batch of eclairs on a whim or experimenting with sous vide, I can get into a cooking rut of last-minute dinners and grab-and-go meals and forget why I enjoy it in the first place! These five books never fail to remind me of the figurative (and sometimes literal) magic of making delicious food with my own hands.
No can deny that pie is magic, but in this book, pies are literal magic: anyone who eats the fruit pies at the Blackbird Café will receive messages from their long-lost loved ones, thanks to the blackbirds who arrive at midnight and sing their dreams.
I adore the touch of magical realism in this gentle novel, and I can never read it without wanting a slice of pie and a glass of blackberry sweet tea. There’s something so quintessentially summery and wholesome about this book that you can practically taste it as you turn the pages.
THE USA TODAY BESTSELLER Heather Webber's Midnight at the Blackbird Cafe is a captivating blend of magical realism, heartwarming romance, and small-town Southern charm.
Nestled in the mountain shadows of Alabama lies the little town of Wicklow. It is here that Anna Kate has returned to bury her beloved Granny Zee, owner of the Blackbird Café.
It was supposed to be a quick trip to close the café and settle her grandmother’s estate, but despite her best intentions to avoid forming ties or even getting to know her father’s side of the family, Anna Kate finds herself inexplicably drawn to…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Patricia McKissack introduces the quilts of Gee’s Bend to young readers in this charming picture book. McKissack not only read about Gee’s Bend but she visited and learned how to quilt. Her text is written in poems that capture the lilt and rhythm of Gee’s Bend women. The speaker, “Baby Girl,” describes how she learned how to quilt from her grandma. The soft, painterly illustrations by Cozbi A. Cabrera resemble Gee’s Bend quilts, and depict the colorful scraps of material the women used. The story includes the visit of Dr. Martin Luther King to “the Bend” on his way to Camden, then Selma, to march for the right to vote. And the aftermath of that march. A superb picture book full of history and hope for readers of all ages.
This collection of poems that tell the story of the quilt-making community in Gee’s Bend, Alabama, is now available as a Dragonfly paperback.
For generations, the women of Gee’s Bend have made quilts to keep a family warm, as a pastime accompanied by sharing and singing, or to memorialize loved ones. Today, the same quilts hang on museum walls as modern masterpieces of color and design. Inspired by these quilts and the women who made them, award-winning author Patricia C. McKissack traveled to Alabama to learn their stories. The lyrical rite-of-passage narrative that is the result of her journey…