Books like Soul Music — picked by fans

I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!

Though I’m not personally an orphan, I’ve always been drawn to books that feature them. Maybe it’s because I felt the lack of a father; mine wasn’t around much during my childhood, since he worked at a job in the city through the week. The absent or distant father is a recurring theme in my novels, including the Shakespeare Stealer series, Moonshine, The Imposter, The Year of the Hangman, and Curiosity. Of course, when you write for young readers, orphans also make ideal protagonists, since they’re forced to use their own resources to confront and resolve the story’s conflict, rather than relying on grownups.

I have read adventure, crime, and thriller books all my life. Reading is a huge relaxation for me and a good novel will transport me from the stresses and strains of daily life into another place in my head. A place where I feel involved with the characters and the environment, a place where I can imagine I could be. A good storyteller is different from a crime writer. They take the reader on a journey that might be through history or different continents. A journey that the reader wants to travel as well. I try to emulate this in my writing.

I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.

I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.

When I was very small, bedtime was the high point of the day; for that was when my parents read to me. My father favored adventure tales with knights and heroes, while my mother shared her own beloved Oz books with me. To this day, there is nothing so satisfying as finding a new story in which to be immersed. Although I enjoy reading many types of books, my first love remains fantasy; especially those stories with appealing characters and a defined world built from the author’s imagination. I hope these recommendations provide you with a gateway to discover new and enchanting reading experiences of your own.

I’ve never really felt like I belonged in this world. From early childhood independent play to building out entire backstories for my Lego creations, I dreamt of other worlds. As I grew, that developed into a love of history, mythology, philosophy, and the other components of worldbuilding. And being naturally inclined to ask, “What if,” there’s nothing I love more than exploring these alien worlds. What if there was a world with a dozen sentient species? What if humans didn’t even exist in that world? What if that world was overflowing with magic? It’s these sorts of questions I most enjoy pondering.

Though most of the books and characters I recommended are full-on assassins, I wrote King Assassin as a one-time killer because this was always a story of redemption and grief, as a lot of these assassins face. I wrote the book after losing my best friend, and the journey the main character goes through in her search for redemption, only to find it in herself, was something I needed as I grieved my loss. I see it in all of the assassins I’ve read about, and I resonate so so much with the idea that a person is not made of only their mistakes, but of so much more than that.

“Hope in dark places” has been the theme of my life, beginning at age 17 when my parents disowned me for my faith. I’ve walked through the “valley of the shadow of death” twice, battling cancer, and endured many other struggles, which everyone faces at some time in their lives. Reading Dragonsong by Anne McCaffrey as a teen gave me the courage to face the darkness, and so the characters in the stories I write and prefer to read do likewise.

At five years old, I heard my great-grandmother, a God-fearing Pentecostal wife of an evangelist, give her personal testimony of seeing a UFO when she was a child. This event brought together two very different realities for me: the Christian worldview and the existence of ETs. Since that time, I had many supernatural encounters, some demonic, others divine, and others undefined. I am a retired Chief Master Sergeant with two associates, a Bachelor, and two Master’s degrees. To reconcile my faith with the paranormal, I put my academic proclivities to task by writing fourteen books of varying genres, which I define as a unique blend of Paranormal Sci-fi/Fantasy Christianity.