Here are 100 books that Society of the Spectacle fans have personally recommended if you like
Society of the Spectacle.
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I've been fascinated by city life since I studied Geography at high school. After twenty five years of teaching and researching urban geography, I am Professor of Urban Futures at a UK university. I now have a better sense of the challenges we face and what we can do about them. I spend my time supporting activists, campaigners, students, policymakers, and politicians about the urgency for change and what kind of ideas and examples they can use to tackle what I call the triple emergencies of climate breakdown, social inequality, and nature loss.
I read this book after I spent a year living and volunteering with the Zapatista revolutionary movement in Chiapas Mexico.
John based a lot of the ideas in this book on the Zapatistas mainly because they help us rethink what the revolution means – as an open, joyful, and everyday process. What I learned from this book is that If we really want to change society, or indeed crack capitalism, we have to build examples in the here and now that show a different world is possible.
It is a reminder that the state cannot and will not use on its own so we have to build self-managing autonomous structures in our communities that can create hope, dignity, resilience, and joy.
How can we rebel against the capitalist system? John Holloway argues that by creating, cracks, fractures and fissures that forge spaces of rebellion and disrupt the current economic order.
John Holloway, author of the groundbreaking Change the World Without Taking Power, sparked a world-wide debate among activists and scholars about the most effective methods of fighting capitalism from within. From campaigns against water privatisation, to simply not going to work and reading a book instead, Holloway demands we must resist the logic of capitalism in our everyday lives. Drawing on Marx's idea of 'abstract labour', Holloway develops 33 theses…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Ι have a passion for critical theory since I was intrigued by the idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power hold by the state and politicians. On the contrary, real power lies in capital, that's in abstract labour, which is the labour that must succumb to the standards of time is money, that runs through each one of us. Therefore, in my postdoctoral research in the last 13 years, I have attempted to follow this idea in the history of political philosophy. During my research, I realized that the mainstream reading of Marxism and critical theory is far from what it should be.
For this book, the critique of political economy is a thoroughly subversive business. It rejects the appearance of economic reality as a natural thing, argues that the economy has no independent existence. Subversion focuses on human conditions. Its critical subject is society unaware of itself. This book develops Marx's critique of political economy as a negative theory of society. It does not conform to the patterns of the world and demands that society rids itself of all the muck of ages and founds itself anew.
Subversive thought is none other than the cunning of reason when confronted with a social reality in which the poor and miserable are required to sustain the illusion of fictitious wealth. Yet, this subsidy is absolutely necessary in existing society, to prevent its implosion. The critique of political economy is a thoroughly subversive business. It rejects the appearance of economic reality as a natural thing, argues that economy has not independent existence, expounds economy as political economy, and rejects as conformist rebellion those anti-capitalist perspectives that derive their rationality from the existing conceptuality of society. Subversion focuses on human conditions.…
Ι have a passion for critical theory since I was intrigued by the idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power hold by the state and politicians. On the contrary, real power lies in capital, that's in abstract labour, which is the labour that must succumb to the standards of time is money, that runs through each one of us. Therefore, in my postdoctoral research in the last 13 years, I have attempted to follow this idea in the history of political philosophy. During my research, I realized that the mainstream reading of Marxism and critical theory is far from what it should be.
The Zapatista movement and the series of demonstrations since Seattle are fighting for radical social change in terms that have nothing to do with the taking of state power. This is in clear opposition to the traditional Marxist theory of revolution which centres on taking state power. In this book, John Holloway asks how we can reformulate our understanding of revolution as the struggle against power, not for power. After a century of failed attempts by revolutionary and reformist movements to bring about radical social change, the concept of revolution itself is in crisis. John Holloway opens up the theoretical debate, reposing some of the basic concepts of Marxism and grounded in a rethinking of Marx's concept of 'fetishisation'—how doing is transformed into being.
This book is a profound search for a theory of social change. Through clearing away the cobwebs of revolutionary socialism, it renews the fight for the ending of capitalism and the construction of a new, fairer world.
After a century of failed attempts by radical projects, the concept of revolution itself is in crisis. By asking the deepest questions about the nature of humanity, work, capitalism, organisation and resistance, John Holloway looks sharply at modern protest movements and provides tools for creating new strategies.
First published in 2002, this book marked a shift in the understanding of Autonomism,…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Ι have a passion for critical theory since I was intrigued by the idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power hold by the state and politicians. On the contrary, real power lies in capital, that's in abstract labour, which is the labour that must succumb to the standards of time is money, that runs through each one of us. Therefore, in my postdoctoral research in the last 13 years, I have attempted to follow this idea in the history of political philosophy. During my research, I realized that the mainstream reading of Marxism and critical theory is far from what it should be.
Nietzsche demystifies the idea that the state provides stability and certainty in our lives and, as a result, the concept that is necessary. He has a dialectic between phenomenon and essence, for which the state is the social form that corresponds to the alienation we experience in our everyday life in capitalism. Thus, as a corresponding social form to the mass culture, it reiterates our unfreedom. Nietzsche holds a concept of fetishization that brings him much closer to critical Marxism than previously thought.
This remarkable collection of almost 1,400 aphorisms was originally published in three instalments. The first (now Volume I) appeared in 1878, just before Nietzsche abandoned academic life, with a first supplement entitled The Assorted Opinions and Maxims following in 1879, and a second entitled The Wanderer and his Shadow a year later. In 1886 Nietzsche republished them together in a two-volume edition, with new prefaces to each volume. Both volumes are presented here in R. J. Hollingdale's distinguished translation (originally published in the series Cambridge Texts in German Philosophy) with a new introduction by Richard Schacht. In this wide-ranging work…
I have a passion for critical theory since I was intrigued by the heretical idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power held by the state and politicians. On the contrary, real power lies in the fact that, in capitalism, labour that must succumb to the standards of time is money, that runs through each one of us. So, to an extent, we all are forced to become slaves to the rationale of capital. In this book, I analyse this idea to the philosophers mentioned. This perspective is far away from their mainstream reading and casts a completely different light on their philosophy.
For my study, Benjamin succeeds in showing how the dominant social forms in each capitalist society can be debunked and that the official narrative that perpetuates the logic that supports the current system can be seriously questioned.
Benjamin’s goal was not to build another totality, another theoretical system that would bring certainty and stability to those who want to change the world radically towards socialism.
Rather, his philosophy encourages us to continue fighting to open the cracks in capitalism, to create multiple ruptures in the capitalist system, even though we do not have all the answers and are aware that our struggle will have an uncertain result.
This is how we redeem and vindicate past generations who spilled their blood for another world. This is how we redeem Benjamin himself, who dedicated his life's work to this purpose.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
I have a passion for critical theory since I was intrigued by the heretical idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power held by the state and politicians. On the contrary, real power lies in the fact that, in capitalism, labour that must succumb to the standards of time is money, that runs through each one of us. So, to an extent, we all are forced to become slaves to the rationale of capital. In this book, I analyse this idea to the philosophers mentioned. This perspective is far away from their mainstream reading and casts a completely different light on their philosophy.
This collection of articles shows that the theory of the Situationists has a strong anarchic character and does not ignore the economy or the social conflicts confronted in everyday life, as some readers of their theory may believe.
The spectacle, as used by the Situationists, does not take place on a different plane to that of commodity fetishism or alienation in everyday living, as sadly some scholars hold.
In my understanding, the Situationists had a clear understanding of commodity fetishism and alienation in everyday life. They also had a concept of corporeal materialism and the negativity that defetishizes the apparent, closed, and reified social forms that constitute a fetishized social totality, like the state or the bourgeois form of democracy.
The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English.
In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement (“rerouting, hijacking”). Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its “Communist” pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I have a passion for critical theory since I was intrigued by the heretical idea, which originates in Marx’s Capital, that what limits our freedom and democracy is not the apparent personified power held by the state and politicians. On the contrary, real power lies in the fact that, in capitalism, labour that must succumb to the standards of time is money, that runs through each one of us. So, to an extent, we all are forced to become slaves to the rationale of capital. In this book, I analyse this idea to the philosophers mentioned. This perspective is far away from their mainstream reading and casts a completely different light on their philosophy.
Nietzsche demystifies the idea that the state in capitalism provides stability and certainty in our lives and, as a result, the concept that it is necessary.
He has a dialectic between phenomenon and essence, for which the state is the social form that corresponds to the alienation we experience in our everyday life in capitalism.
Thus, as a corresponding social form to the mass culture, it reiterates our unfreedom. Nietzsche holds a concept of fetishization that brings him much closer to critical Marxism than previously thought.
This English translation-the first since 1909-restores Human, All Too Human to its proper central position in the Nietzsche canon. First published in 1878, the book marks the philosophical coming of age of Friedrich Nietzsche. In it he rejects the romanticism of his early work, influenced by Wagner and Schopenhauer, and looks to enlightened reason and science. The "Free Spirit" enters, untrammeled by all accepted conventions, a precursor of Zarathustra. The result is 638 stunning aphorisms about everything under and above the sun.
Rich Weiner co-edited this featured volume with Francesca Forno. He is a political sociologist with a strong foundation in the history of political and social thought. He has served for twenty-two years as dean of the faculty of arts and sciences. His focus has been on non-statist political organizations and social movements with a perspective of middle-range theorizing enriched by three generations of Frankfurt School critical theory of society.
Wide-ranging philosophical conversation and moral critique of capitalism as an instituted social order wherein a structure of domination establishes and reinforces an entire way of life attuned to the hegemony of exchange value as well as commodity production, and their social reproduction.
I very much appreciate the book’s strategy of cogent, accessible and explorative dialogue rather than tit-for-tat debate.
In this important new book, Nancy Fraser and Rahel Jaeggi take a fresh look at the big questions surrounding the peculiar social form known as "capitalism," upending many of our commonly held assumptions about what capitalism is and how to subject it to critique. They show how, throughout its history, various regimes of capitalism have relied on a series of institutional separations between economy and polity, production and social reproduction, and human and non-human nature, periodically readjusting the boundaries between these domains in response to crises and upheavals. They consider how these "boundary struggles" offer a key to understanding capitalism's…
After hearing scholars argue that the “Latinx” category is solely an ethnicity, not a race, I questioned my assumption that “Latinx” was a race—and this led me to ask, “What is race?” To answer this, I read extensively, reflecting on my education and experience as a high school Spanish teacher. At the time, I was also studying a bilingual education program, and I started noticing how the program socially constructed race and the Latinx racialized group. Now, as a UCLA professor researching and teaching about Latinx education, I’m sharing insights in my book, a book that helps readers rethink race and see how schools construct Latinidad.
I picked up this book because I was struggling to make sense of the different ways race is theorized in education. Zeus Leonardo’s work blew me away—it’s like he handed me a map to navigate the complexities of race frameworks. He breaks down four major approaches, critiques their limitations, and then introduces his own concept of “race ambivalence,” which completely shifted my perspective.
What I love most is how Leonardo doesn’t just theorize; he challenges readers to think critically about how these frameworks play out in real life. This book isn’t just for educators—it’s for anyone who wants to understand the nuances of race in society. It’s a book I keep coming back to, and it’s one I always recommend to friends who are ready to dig deeper.
This is a comprehensive introduction to the main frameworks for thinking about, conducting research on, and teaching about race and racism in education. Renowned theoretician and philosopher Zeus Leonardo surveys the dominant race theories and, more specifically, focuses on those frameworks that are considered essential to cultivating a critical attitude toward race and racism. The book examines four frameworks: Critical Race Theory (CRT), Marxism, Whiteness Studies, and Cultural Studies, with a critique following each one in order to analyze its strengths and set its limits. The last chapter offers a theory of "race ambivalence," which combines aspects of all four…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
As I watched abandoned buildings, homes, and factories spread throughout neighborhoods in Detroit while photographers came from everywhere to photograph the ruins, I became fascinated with why we are drawn to ruins, what role such imagery plays in our collective imagination, and how ruins today are different than, say, Greek ruins. I am also interested in the politics behind the ruins and the role of capitalism in creating our declining cities. I have written several books on visual culture and politics, engaging with issues of race, trauma, memory, war, and capitalist globalization.
Brenner blew my mind by explaining that the idea of the city as a circumscribed and autonomous space is an obsolete nineteenth-century concept. He made me realize that the boundaries between city, suburb, and rural space are superseded by capitalist urbanization and industrialization across the planet—under the oceans, across the land, and even in the atmosphere—and that it is utterly degrading the environment for purposes of commodification.
Urbanization is transforming the planet, within and beyond cities, at all spatial scales. In this book, Neil Brenner mobilizes the tools of critical urban theory to deconstruct some of the dominant urban discourses of our time, which naturalize, and thus depoliticize, the enclosures, exclusions, injustices and irrationalities of neoliberal urbanism. In so doing, Brenner advocates a constant reinvention of the framing categories, methods and assumptions of critical urban theory in relation to the rapidly mutating geographies of capitalist urbanization. Only a theory that is dynamic-which is constantly being transformed in relation to the restlessly evolving social worlds and territorial landscapes…
