Books like Skin Game — picked by fans

This particular book/series by Sanderson is a quickly-paced fantasy heist with a very cool magic system involving different metals. The main character, Vin, is a lowly commoner who ends up navigating the complex social web of nobility. It’s a fascinating progression with a fascinating and satisfying result.

This book has loosely inspired some aspects of action, nobility, and the gem-based magic system found in my Heroes of Time series. One review of my book Murdoch’s Choice called it “Mistborn on a Boat.”

Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.

He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.

The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.

What? Something inhuman is stalking through the New York Museum of Natural History? Yes, please! This book started a phenomenal run for Preston and Child, and they continue to hatch more gems to this day. You really can’t go wrong with anything these guys write, whether as a pair or individually.

Its gripping narrative made me quickly rip through it and want much more. Fortunately, there’s a treasure trove of subsequent novels from these guys. This is just the kind of story I love—an intellectual mystery mixed with some good old archaeology/anthropology and a pinch of supernatural monster horror. It has strong characters, it’s fast-paced, and often spooky. And isn’t there something about museums that makes the creative mind wander?

I loved that about the novel’s main setting. The movie was not as good, so I recommend just reading the book.

I love this book because Tolkien took the fantasy genre to a new, unprecedented level, resurrecting ancient legends of old, with countless mythical creatures.

His magnificent characters defined their races, occupations, and even their languages, later inspiring the game, Dungeons and Dragons, of which I was once a Dungeon Master. Many of The Fellowship serve messianic roles. Gandalf, for example, conquers death following his battle with a demon, and Stryder, an obscure ranger, turns out to be Aragorn, heir of the fallen kingdom.

Tolkien captures keen insight into the human condition regarding the struggle against sin. He also whispers a mystery; while an evil wizard created the One Ring to rule them all, a hidden, even more powerful force is clearly behind the ring’s eventual destruction.

I am currently reading this book and enjoying it. I have been a big fan of the Dresden Files series for a long time and admire the strength it takes to be a wizard in the modern world. Jim comes up with the wildest and imaginative stories featuring battles with the supernatural. The author is also a fencer and martial artist just like me!  

I haven’t found many fantasy books with a talking cat as a lead character, much less as a private investigator, so I was excited to read this one.

Gobbelino and his human Callum run a detective agency; they’re hired to find an evil tome of power that is making a mess of reality.

The descriptions of chaos from Gobbelino’s perspective are especially imaginative; I saw scenes in my mind like a mashup of live action and animation, which was really fun.

Callum and Gobbs have a strong dynamic as partners, aloof yet deeply loyal to each other, which is a strong emotional theme that resonates throughout their capers. 

Peter Lovesey’s detective discovers the power of art in this recent mystery set in Bath, England.

This book in the series is unusual, since most of the story is told through the eyes of a cheap private detective, who views Diamond as a grumpy old man. A body found in an antique sarcophagus and the disappearance of the antique dealer is at the start of the mystery, but the piece of art which was purchased in an antiques roadshow drives the plot.

Greed and ambition, stirred by the provenance of the art, results in several murder attempts which confound Diamond’s and the private detective’s investigation.

When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.  

I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.

Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated. 

I came upon the novels of Philip Kerr later in life.

They were unique in as much as his main character, Bernie Gunther, was a German before, during, and after the Nazi party came to power. The tightrope Gunther had to tread between being a good German cop and having to deal with Nazi higher-ups without himself ever becoming a Nazi is what makes the series thrum with tension.

I had the great good fortune to meet Philip at the L.A. Times Book Fair to which we were both invited some years ago. Spending time with him was for me to meeting a rock star. I was privileged to make his acquaintance.

The time I subsequently spent reading his new novels gave me the distinct sense of standing beside Gunther wherever Philip chose to send him.

When, several years later, I learned that Kerr had died suddenly I was devastated. … show more.

This provocative work of investigatory scholarship takes a dim view of private eyes, but that’s fair enough – as a detective (definitely not a saint) who has never carried a gun myself, I share the author’s dismay at the violent anti-heroes of mythic American lore. Ruehlmann’s question in this book is also my own: why are people so interested in private eyes? Answering it, he traces the idea of an omniscient private eye back to the outlaw vigilantes of the Old West, draws a distinction between intellectual English detectives and the musclemen of American noir, and includes an overview of modern masters of detective fiction along with a history of the profession starting in 18th-century France. Who knew? None of it is flattering, which makes it even more fun to read.