Books like Prussian Blue — picked by fans

This is the spy thriller that started it all! I was a huge fan of the Matt Damon trilogy and had always been an avid reader, so naturally, I gravitated toward the original novel, which was far better than the film.

Popular action thrillers tend to suffer from one of two diseases: “soldier syndrome,”—meaning the author knows what he or she is writing about but isn’t a master of the language—or from “poser-itis,” which is when the writer is good with a pen but would be too scared to use it to gauge out an eye if he or she had to.

So it’s a rare wordsmith who can understand the deepest, most primal parts of the human psyche and then put it into a literary form that delights the eyes and ears. Ludlum is one such writer.

I discovered Wilson’s seminal book when I was in college.

It would not be an exaggeration to say that The Outsider changed my life. Before I read it I had no idea who I was or where I belonged. I was not a joiner. I wasn’t affected by peer pressure. As a consequence I felt alone and at sea.

At once, I recognized myself in The Outsider.

Wilson could have been writing about me. Suddenly, I understood who I was, why I reacted to certain things the way I did, and what my place in the world was and would be. There is no more desolate feeling of being alone and misunderstood in the world.

Wilson’s book gave me a sense of belonging. Who could ask for anything more?

This is a book which lodges between the chase type of plot, and the "who dunnit."

The chase aspect revolves around a retired MI5 agent who is brought in to investigate a realised data leakage, and the painstaking process of eliminating suspects until the perpetrator is found. Not so much a "who dunnit," as a "who’s doing it." 

The story has authenticity inasmuch as the author was a member of the security services during the war.

Along with Le Carre Adam Hall was my magical touchstone to understanding what being an exceptional thriller writer meant.

This book, the second in a long distinguished series, continued the crises dealt with by the British spy named Quiller. Hall had an idiosyncratic way of writing that taught me that style was as important as plot in a thriller – perhaps even more. For me, style is what grabs my attention as a reader.

Today, style is what draws me along, both as a reader and as a writer of thrillers. Style is the thread on which is built both plot and characters. It is also imperative when setting scenes in faraway places.

One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.

At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.

One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.

Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.

Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.  

His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story. 

One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.

The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer. 

Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.

I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.

The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.

I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim. 

I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.

In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.