Here are 75 books that Gobbelino London & a Scourge of Pleasantries fans have personally recommended if you like
Gobbelino London & a Scourge of Pleasantries.
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As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is a high fantasy adventure that does hilarious things with classic RPG tropes.
A magical kingdom grows fed up with hosting epic fantasy adventures for tourists from the world next door, complete with Wizard Guides, tavern stays, dragons, and epic battles with a Dark Lord.
Wizard Derk is assigned to be this year’s Dark Lord and—while he’s at it—save the world from these destructive tours.
The story romps across countries and continents, includes plenty of action, and doesn’t hold back when it comes to the somewhat messy familial relationships between Derk, his wife, and his children.
This is one of those books that reveals something new every time you read it.
Everyone - wizards, soldiers, farmers, elves, dragons, kings and queens alike - is fed up with Mr Chesney's Pilgrim Parties: groups of tourists from the next-door world who descend en masse every year to take the Grand Tour. What they expect are all the trappings of a grand fantasy adventure, including the Evil Enchantress, Wizard Guides, the Dark Lord, Winged Minions, and all. And every year different people are chosen to play these parts. But now they've had enough: Mr Chesney may be backed by a very powerful demon, but the Oracles have spoken. Nw it's up to the Wizard…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
Oliver, a financial analyst befriends a stray cat who begins talking to him one night. And then things start to get really strange.
This is an ‘all the myths are true’ adventure fantasy set in modern-day San Francisco, where absurd things just keep happening while Oliver runs for his life from an inhuman assassin, and finds himself allied with a werewolf with excellent baking skills and a grumpy gunslinger who take orders from an (apparently) immortal child.
I love this story not only for the talking cat (though admittedly it’s what made me start reading), but for the way Oliver is forced to rethink his perceptions of both the world and himself.
Oliver Jones used to live an ordinary life, until one night a stray cat began speaking to him and things began to go very wrong. Now he is on the run, hunted by an inhuman assassin who will stop at nothing to kill him. His only hope for survival rests with a trio of unlikely new allies: A werewolf with a fondness for Hawaiian shirts, a strange little girl who just might be immortal, and a gunfighter with an anger management problem. For better or for worse, Oliver lives in interesting times...
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
When I was in high school, someone handed me a copy of The Hitchhiker’s Guide to the Galaxy. I haven’t been the same since. I couldn’t believe what I was reading. It was packed to the gills with action, adventure, wild ideas, and, above all, humor. Every sentence made me giggle. Every observation made my jaw drop. Plus, loving this book made me feel like I belonged to a weird little club. When I started to write The Dragon Squisher, my first thought was to do “a Douglas Adams thing” but for fantasy. Then I thought: Maybe I should see if someone’s done this already.
I love oddball books that don’t quite fit into any of the standard categories. (Is this book YA or adult? Does it matter? What are questions?) This book reminded me of Pushing Daisies meets Harry Potter, and god I love it.
I love the deadpan humor and the flawed characters. But mostly, I just love the wacky audacity of the whole thing. This is one of those books where things start off slightly weird (the dead coming back to life) and gets progressively stranger until, about halfway through the book, I had to just laugh at how far from reality Ms. Painter had taken me, and had done so in such a seamless way that I would have applauded except I didn’t want to weird out the people sitting next to me on the plane.
Work at a funeral home can be mundane. Until you accidentally start bringing the dead back to life.
"...a clever, hilarious romp through a new magical universe" --Sarah Angleton, author of Gentleman of Misfortune
Cassie Black works at a funeral home. She's used to all manner of dead bodies. What she's not used to is them waking up. Which they seem to be doing on a disturbingly regular basis lately.
Just when Cassie believes she has the problem under control, the recently-deceased Busby Tenpenny insists he's been murdered and claims Cassie might be responsible thanks to a wicked brand of…
As a failed fashion designer, the history of twentieth-century fashion, represented both visually and in the form of narrative text, make up the bulk of my ever-increasing library of fashion books. In order to write about fashion, either as a biographer of one of the great designers or cutting-edge photographers, it is crucial to acknowledge what was deemed as desirable in a previous generation and a previous context. As Yves Saint Laurent famously said, "Fashion fades, Style is eternal." Fashion in its broader sense has never existed in a vacuum and an understanding of fashion history and fashion imagery, that so clearly evokes a specific era, is the very best way to appreciate the cyclical nature of this creative business.
Throughout the 1980’s new style magazines like The Face, ID and Arena regularly succeeded in presenting the holy grail of fashion photography, with one man responsible for more iconic imagery than anyone else. Ray Petri was a genius stylist who invented a ragga, post-punk identity that operated under the banner of Buffalo, a gang of like-minded creatives that included photographers, models, and fashion stylists who produced ground-breaking work together. The Buffalo collective exuded an attitude that exalted the street and rejected high-status fashion, taking inspiration from the Caribbean rude boys who looked effortlessly cool in teenage gangs.
His distinct vision that subverted fashion imagery (Nick Kamen in a skirt and Doc Martens) juxtaposed pretty boy masculinity with hard-edged utilitarian workwear. His legacy as a style innovator is immense, his imagery instantly recognisable, and his body of work, much of which is represented in this book, continues to inspire…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged.
Clothing the body is one of the most complicated acts of daily existence. When a nun ponders red shoes, an architect knots his bowtie, a lesbian laces her Doc Marten's, or a nude model disrobes, each is engaging in a process of identity-making that is both intensely personal and deeply social. In an increasingly material world, negotiating dress codes is a nuanced art, informed by shifting patterns of power and authority, play and performance, as well as gender, sexuality, class, ethnicity and race. Drawing on ethnographic knowledge to connect theory and practice, authors reveal links between material culture, social and…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
This is a historical mystery, but so much more than a whodunit. It’s fourth in the series, but can be read alone if you don’t mind spoiling the earlier books a bit. It’s a stand-out to me because it’s about raising one’s voice against inhumanity, even when it seems commonplace, or necessary.
Maisie is an intuitive detective and as such, has to fight against conventional police interference, client skepticism, and male smugness. But what she’s fighting for is the right outcome for everyone concerned, including the victim of the crime. This novel focuses on an artist ex-soldier of WWI who was using his voice to criticize the powers within government. I just love how Maisie deliberately wields her compassion in order to see the full picture of a case.
London, 1931. Nick Bassington-Hope, veteran of the Great War and controversial artist, is suddenly found dead. His death from a fall, the night before a much-anticipated exhibition of his work, is recorded as 'accidental'. But his sister is not convinced.
Despite overwhelming evidence to the contrary, Georgina Bassington-Hope believes her brother was murdered, and she turns to Maisie Dobbs for help. Maisie's investigation takes her from the desolate beaches of Kent to the dark underbelly of London's art world. Still fragile after her war-related breakdown, Maisie's immersion in her work could lead her to lose more than she bargained for,…
I've always wanted to be a detective. I remember writing stories on my mom's old typewriter and playing pretend investigator with my childhood friend. I have had an appetite for stories and mysteries for as long as I remember. I was intrigued by human behavior and had the desire to find justice. This led me to study forensics and use my fine art ability and critical mind to get answers for victims and their families. I have a Master's Degree in Forensic Science and years of government and experience as a forensic artist and investigator, making my writing as authentic as possible. My story and personal struggles, and life's discoveries are highlighted by my stories.
I love Anne Perry's murder mystery books. Her historical novels take us back to a place that none of us remember but feel familiar through Charles Dickens. We learn about the dark side of Victorian England. Perry shows us the grit and struggle of the times. Her characters are complex, and we see their growth. Detective Thomas Monk (before the television show) is in a field still struggling for professionalism, and he grapples with that status. We also learn about the development of the nursing profession and how women helped and fought for rights through the other main character, Hester Latterly. Perry does an outstanding job of showing not only the surroundings but also the characters' feelings and how they processed their surroundings and pasts.
In a sensational breach-of-promise suit, two wealthy social climbers are suing on behalf of their beautiful daughter, Zillah. The defendant is Zillah’s alleged fiancé, brilliant young architect Killian Melville, who adamantly declares that he will not,cannot, marry her. Utterly baffled by his client’s refusal, Melville’s counsel, Sir Oliver Rathbone, turns to his old comrades in crime—William Monk and nurse Hester Latterly. But even as they scout London for clues, the case suddenly and tragically ends, in an outcome that no one—except a ruthless murderer—could have foreseen.
In my life, I have always loved visiting the unsung places: villages rather than cities, places where I am the only tourist. In both reading and writing, I’m drawn to the quietly dramatic times, the moments before important events, or the aftermaths. I want to see how real characters live in real places dealing with real problems, even if all three are invented. I spent most of my childhood getting lost in books, emerging only long enough to return to the library to discover more places and times where I could snuggle between the covers of a story. As a writer, I hope I can do this for other readers.
William Gibson, “The Father of Cyberpunk,” is responsible for much of our current technology.
In Pattern Recognition, however, Gibson isn’t writing about a future decades away, but just a hint ahead, enough for us to think that the future may well be more intriguing than the present—and to understand its deep roots in the past. Through Cayce Pollard, with her allergy to bad branding, Gibson navigates the brittle edge of fashionable London, weaving in a dark documentary in Russia, a series of film stills rising like fish to the surface of the internet, and a father lost in the aftermath of 9/11.
Part mystery, part coolness commentary, and stunningly well-written, this book will have you blinking when you wake from the dream Gibson has created.
'Part-detective story, part-cultural snapshot . . . all bound by Gibson's pin-sharp prose' Arena
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THE FIRST NOVEL IN THE BLUE ANT TRILIOGY - READ ZERO HISTORY AND SPOOK COUNTRY FOR MORE
Cayce Pollard has a new job. She's been offered a special project: track down the makers of an addictive online film that's lighting up the internet. Hunting the source will take her to Tokyo and Moscow and put her in the sights of Japanese hackers and Russian Mafia. She's up against those who want to control the film, to own it - who figure breaking the law is…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
I've always been fascinated by stories that show what happens to a couple after the wedding.
As wonderful as it is to watch Peter Wimsey and Harriet Vane fall in love and finally marry in the previous books in the series, I find it even more interesting to see them adjust to marriage and the challenges it brings. The final scene in particular has been a huge influence on my own writing.
The thirteenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by crime writer Natasha Cooper - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride Harriet Vane find the previous owner's body in the cellar.
Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style.…