Here are 100 books that Shield of Winter fans have personally recommended if you like
Shield of Winter.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I was an avid reader as a child. Then I became a teenager and started hating it! Why? Because the teachers at school started pushing classical literature on me. I didn’t read for years until a friend introduced me to fantasy. I fell in love and haven’t looked back. I love commercial fantasy fiction that has lots of action, where the writer focuses less on elegant prose and more on plot and characters. I aim to write the kind of books that readers get addicted to, where they can disappear into another world and forget they are reading – the kind of books I love to read!
This book had a main character who had a major flaw – she couldn’t allow herself to feel emotions otherwise she’d be outcast from her own kind.
She was a strong female lead but strong in a way that almost destroyed her. It was a great premise for a book with a romance at the centre. But it wasn’t only romance, there was a big mystery to solve making this an addictive read.
I loved following the development and evolution of the characters and their relationship throughout the book and was so sad when it ended. Singh is such a talented writer, I love everything she writes!
THE FIRST PSY/CHANGELING NOVEL from the New York Times bestselling author of Shards of Hope, Shield of Winter, and Heart of Obsidian... The book that Christine Feehan called "a must-read for all of my fans." In a world that denies emotions, where the ruling Psy punish any sign of desire, Sascha Duncan must conceal the feelings that brand her as flawed. To reveal them would be to sentence herself to the horror of "rehabilitation"-the complete psychic erasure of everything she ever was...Both human and animal, Lucas Hunter is a Changeling hungry for the very sensations the Psy disdain. After centuries…
Planetary blockades. Rampant viral outbreaks. Can two ex-lovers forge a path through the stars to save their world?
Independent trader Gavril Danilovich is slowly slipping into madness. Stuck in quarantine on a dying planet, his raw talent to feel everyone’s emotions has him wrestling with waves of terror and rage.…
A couple who have been claimed by Korea—Bruce as a US Peace Corps volunteer there and Ju-Chan as a native Korean and an English teacher—and its culture, society, history, and especially literary heritage. We have been translating modern Korean fiction into English since 1980. Bruce was fated to become involved with Korean literature by virtue of being born on October 9, the day in 1446 when Great King Sejong promulgated (officially announced) the creation of the Korean alphabet, hangŭl, to the people of Korea.
At a time when academics tend to look down their noses at Korean popular culture (Hallyu, literally “the Korean wave”), which in recent years is driving popular culture worldwide, The Birth of Korean Cool is a refreshing analysis based on the supposition that Korea is finally “getting even” with the rest of the world for being underappreciated for thousands of years.
A FRESH, FUNNY, UP-CLOSE LOOK AT HOW SOUTH KOREA REMADE ITSELF AS THE WORLD'S POP CULTURE POWERHOUSE OF THE TWENTY-FIRST CENTURY
By now, everyone in the world knows the song "Gangnam Style" and Psy, an instantly recognizable star. But the song's international popularity is no passing fad. "Gangnam Style" is only one tool in South Korea's extraordinarily elaborate and effective strategy to become a major world superpower by first becoming the world's number one pop culture exporter.
As a child, Euny Hong moved from America to the Gangnam neighbourhood in Seoul. She was a witness to the most accelerated part…
I’ve been a journalist and writer my entire adult life. I’m a mid-30s mother of two who accidentally had my mind blown by ChatGPT a year ago. I felt this burning need to try and express what I was feeling and learning as I discovered this new thing. As I used it more and thought and thought about it, I started questioning my own humanity. I felt alone and alienated, consumed by my thoughts.
Writing Human Again didn’t feel like a choice. My hope is that other people will find some comfort, a renewed appreciation for critical thinking, and perhaps a dash of inspiration and self-improvement along the way.
Wolff’s memoir This Boy’s Life was the first true narrative nonfiction book I ever read, and it’s the one that made me fall in love with confessional, voice-driven writing. I’ve always loved reading other people’s diaries, and that’s what it feels like reading this book.
The themes of this biography, written thirty years ago, don’t overlap with technology or the efficiency pressures of today, but the emotional experience is timeless. It has radical honesty, vulnerability, and the kind of immersive storytelling that makes you feel like you’re living inside someone else’s skin. In a modern age defined by speed, tech, and algorithms, that kind of authenticity is its own form of rebellion.
This Boy’s Life reminds us why human storytelling matters and why empathy is perhaps the most important practice of all. It captures a sort of self-reflective and philosophical humanness every book on this list carries, and exactly what…
Planetary blockades. Rampant viral outbreaks. Can two ex-lovers forge a path through the stars to save their world?
Independent trader Gavril Danilovich is slowly slipping into madness. Stuck in quarantine on a dying planet, his raw talent to feel everyone’s emotions has him wrestling with waves of terror and rage.…
Two self-interested people will try to outperform each other. One will win, the other will lose. If they instead cooperate, both will win a bit, and lose a bit. Is this preferable? I say yes, because in the long term, winning a bit many times, is better than winning a lot, once. Choosing short-term gain at the expense of long-term benefit is a waste of potential for societies and individuals. Traditional morality works, sometimes, in some cases. Rational morality can fill the gaps, and expand the circle of morality so that when higher ideals fail or become too difficult to follow, rationality can be about more than just short-term self-interest.
The Community of Advantage is an excellent exposition of how moral philosophy informs and is informed by economics.
The title itself is taken from a political philosopher: John Stuart Mill. There is one caveat: Sugden speaks of behavioral economics, and as such, takes a different approach to rational agency than neoclassical economics.
Individual agency is not moral, but it is not assumed to be rational either. The book, and Sugden’s work as a whole, is of special relevance for two reasons: 1) It links morality with self-interest. 2) It uses society to argue for morality in self-interest.
The Community of Advantage asks how economists should do normative analysis. Normative analysis in economics has usually aimed at satisfying individuals' preferences. Its conclusions have supported a long- standing liberal tradition of economics that values economic freedom and views markets favourably. However, behavioural research shows that individuals' preferences, as revealed in choices, are often unstable, and vary according to contextual factors that seem irrelevant for welfare. Robert Sugden proposes a reformulation of normative economics that is compatible with what is now known about the psychology of choice.
The growing consensus in favour of paternalism and 'nudging' is based on a…
For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.
This book is packed with fascinating, dramatic, and sometimes bizarre tales of swimming lore from history and literature. Sprawson is also fascinated with the swimming world’s legacy to Hollywood in the thirties and forties, exploring the careers of “aquamusical” star Esther Williams and Olympic swimmer Johnny Weissmuller, who starred in a dozen Tarzan movies. Sprawson’s reputation as a literary writer about swimming is second only to that of Roger Deakins. What gives the book a strange fascination for many people is the fact that after the publication of Haunts of the Black Masseur, Sprawson never wrote another one.
In a masterful work of cultural history, Charles Sprawson, himself an obsessional swimmer and fluent diver, explores the meaning that different cultures have attached to water, and the search for the springs of classical antiquity.
In nineteenth-century England bathing was thought to be an instrument of social and moral reform, while in Germany and America swimming came to signify escape. For the Japanese the swimmer became an expression of samurai pride and nationalism. Sprawson gives is fascinating glimpses of the great swimming heroes: Byron leaping dramatically into the surf at Shelley’s beach funeral; Rupert Brooke swimming naked with Virginia…
I’ve always seen myself as the kind of person that could tolerate any painful reality. My life has led me in directions that required me to delve deep into the difficult aspects to find some light at the end of the tunnel. Growing up in Texas, I’ve found that being tough is a prescription given to every child. The elements and culture were always difficult, and the realities of loss, drug addiction, and an exhaustive worker culture were a constant that required reinforcement or abandonment. The books I’ve read and written are a product of that environment and its necessities.
I wasn’t in a good mental state when I read this book, so the impact was deeply felt.
The book lines out in explicit detail how human consciousness was an accident of nature designed to make us miserable. I’ve grown to feel this worldview is deeply cynical, yet when I look back on it, I remember the moments where Thomas Ligotti punctuated himself with drab humor as the highlight.
A reader could come away feeling like this book provides small light in deep darkness. The blunt dissociative experience makes any writer shudder at doing this to an audience.
In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality.
"There is a signature motif discernible in both works of philosophical pessimism and supernatural horror. It may be stated thus: Behind the scenes of life lurks something pernicious that makes a nightmare of our world."
His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier.…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
The relentless and erudite work of Arendt never ceases to challenge me. In the books included here—Thinking and Willing—she explores what it means that the self knows itself to be a self, and how that knowledge refracts and splits upon encountering others, and then changes when returning to solitude again. I read her knowing that she has not just considered but felt her ideas. “To be alive means to be possessed by an urge toward self-display. . . .Up to a point we can choose how to appear to others.”
The most intriguing…and thought-provoking book that Hannah Arendt wrote (The New York Times Book Review), The Life of the Mind is the final work by the political theorist, philosopher, and feminist thinker.This fascinating book investigates thought itself as it exists in contemplative life. In a shift from Arendt's previous writings, most of which focus on the world outside the mind, this is an exploration of the mind's activities she considered to be the most fundamental. The result is a rich, challenging analysis of human mental activity in terms of thinking, willing, and judging.
Guy Beiner specializes in the history of social remembering in the late modern era. An interest in Irish folklore and oral traditions as historical sources led him to explore folk memory, which in turn aroused an interest in forgetting. He examines the many ways in which communities recall their past, as well as how they struggle with the urge to supress troublesome memories of discomfiting episodes.
A landmark philosophical tome, which argues for the ‘imbrication of forgetting in memory’. The disentangling of the complex relationships between history, memory and forgetting raises ethical questions about abuses of memory and interrogates the connection between forgetting and forgiving.
A landmark work, "Memory, History, Forgetting" examines the reciprocal relationship between remembering and forgetting, revealing how this symbiosis influences both the perception of historical experience and the production of historical narrative. A momentous achievement in Ricoeur's career, this book provides the crucial link between his "Time and Narrative" and "Oneself as Another", and his recent reflections on ethics and the problems of responsibility and representation.
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.
I’m so sick of the culture wars in America. That’s why Makoto Fujimura’s call towards Culture Care was so refreshing and encouraging.
He acknowledges how artists may end up as border walkers, gaining inspiration by living on the edges of society. But mere rebellion isn’t enough. I was so inspired by his encouragement to see cultural care as comparable to environmental work. How do we create estuaries where new growth and ideas can emerge? As a painter, Mako brings his visions to life on canvas. Yet, this book challenged me to usher more beauty into my community through any medium.
Outreach Magazine Resource of the Year Christianity Today's Book of the Year Award of Merit
"Culture is not a territory to be won or lost but a resource we are called to steward with care. Culture is a garden to be cultivated."
Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians…
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
This book is a classic, and I wish I had read it even earlier than I did.
One of the most prominent historians of the 20th century, E.H. Carr, delves into the intricacies of exploring the past. He articulates the significance of interpreting personal memories, discusses how historical ideas are constructed, and examines the impact of a historian's personality on the history they write. These complicated ideas are given in a calm tone and a simple way.
A total must-read for people interested in history!
'Not only our most distinguished historian but also one of the most valuable contributors to historical theory' Spectator
In answering the question, 'what is history?', E. H. Carr's acclaimed and influential bestseller shows that the facts of history are simply those which the historian selects for scrutiny. His fluent and hugely wide-ranging account of the nature of history and the role of the historian argues that all history is to some degree subjective, written by individuals who are above all people of their own time.
'Lively and controversial, full of wit and humour, E. H. Carr's What Is History? played…
